{"id":10069,"date":"2023-12-01T09:55:59","date_gmt":"2023-12-01T07:55:59","guid":{"rendered":"https:\/\/baraka.cc\/?p=10069"},"modified":"2023-12-01T09:56:05","modified_gmt":"2023-12-01T07:56:05","slug":"ozgun-muzik-ve-ahmet-kaya-selcuk-manecioglu","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=10069","title":{"rendered":"\u00d6zg\u00fcn M\u00fczik ve Ahmet Kaya &#8211; Sel\u00e7uk Manecio\u011flu"},"content":{"rendered":"\n<p>Ahmet Kaya, T\u00fcrkiye\u2019de pop\u00fcler k\u00fclt\u00fcr alan\u0131nda yirmi y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcrede farkl\u0131 toplumsal kesimleri etkilemi\u015f \u00f6nemli bir m\u00fczisyendir. Ayn\u0131 zamanda T\u00fcrkiye\u2019de 1960\u2019l\u0131 y\u0131llara kadar s\u00fcren sol m\u00fczi\u011fin pop\u00fclerle\u015fmesinde \u00f6nc\u00fcl\u00fck eden m\u00fczisyenlerin ba\u015f\u0131nda gelir. 12 Eyl\u00fcl darbesinin sonras\u0131nda ya\u015fanan \u015fiddet ve bask\u0131 ortam\u0131nda T\u00fcrkiye solunun, d\u0131\u015far\u0131da b\u0131rak\u0131lm\u0131\u015f yoksullar\u0131n ve de K\u00fcrtlerin sesi olmu\u015ftur. Buna ra\u011fmen farkl\u0131 g\u00f6r\u00fc\u015flerdeki kitlelerin de dinledi\u011fi bilinmektedir.<\/p>\n\n\n\n<p>12 Eyl\u00fcl darbesinin ard\u0131ndan gelen suskunluk s\u00fcrecinin i\u00e7inde yeni bir m\u00fczikal geli\u015fim filizlenmeye ba\u015flar.1970\u2019li y\u0131llar\u0131n devrimci m\u00fczik duyarl\u0131l\u0131\u011f\u0131n\u0131n \u00e7ok farkl\u0131 ama o denli de karma\u015f\u0131k bir m\u00fczikal tezah\u00fcr\u00fc ortaya \u00e7\u0131kar. Kentli sol ayd\u0131nlar\u0131n d\u0131\u015flad\u0131\u011f\u0131 arabesk m\u00fczik formlar\u0131, bu m\u00fczi\u011fin vokal tarz\u0131, bir \u00f6l\u00e7\u00fcde sahip \u00e7\u0131k\u0131lan halk m\u00fczi\u011fiyle birle\u015fip \u201c\u00d6zg\u00fcn M\u00fczik\u201d ad\u0131 alt\u0131nda yeni bir m\u00fczik ak\u0131m\u0131 olu\u015fur. S\u00f6ylenirken ne \u015fark\u0131 ne de t\u00fcrk\u00fc formuna benzemiyordu. Arabesk m\u00fczi\u011fin vokal bi\u00e7iminde de kullan\u0131lmas\u0131 sol ayd\u0131n kesim taraf\u0131ndan k\u0131yas\u0131ya tepki g\u00f6rse de bu m\u00fczi\u011fin yarat\u0131c\u0131lar\u0131ndan Ahmet Kaya, sol politik tavr\u0131ndan \u00f6d\u00fcn vermedi\u011fi halde T\u00fcrkiye\u2019nin en \u00e7ok sevilen m\u00fczisyenleri aras\u0131na girer. Sol ak\u0131m taraf\u0131ndan da t\u00fcmden d\u0131\u015flanmas\u0131 m\u00fcmk\u00fcn olamazd\u0131. Sebebi ise g\u00f6zalt\u0131na al\u0131nan, hakk\u0131nda davalar a\u00e7\u0131lan, sorgulanan devrimci bir m\u00fczisyen olmas\u0131yd\u0131.<\/p>\n\n\n\n<p>Ahmet Kaya\u2019n\u0131n m\u00fczikal yarat\u0131c\u0131l\u0131\u011f\u0131 suskunlu\u011fun, i\u00e7e d\u00f6n\u00fckl\u00fc\u011f\u00fcn, \u00fcretkensizli\u011fin bask\u0131n oldu\u011fu y\u0131llarda susmamaya devam eden biri olmas\u0131, yapt\u0131\u011f\u0131 m\u00fczik teknik ve m\u00fczikal anlamda tart\u0131\u015fmaya a\u00e7\u0131k olsa da a\u00e7\u0131k muhalefet yapmas\u0131 bir\u00e7ok duyarl\u0131 genci etkileyip bi\u00e7imlendirebiliyordu. \u00d6rnek ald\u0131\u011f\u0131 ustalar\u0131ndan biri Ruhi Su\u2019dur. Ruhi Su\u2019yla ilk tan\u0131\u015fmas\u0131 m\u00fczik piyasas\u0131na yeni girdi\u011fi d\u00f6nemlerde ona bir \u015fark\u0131s\u0131n\u0131 dinletirken Ahmet Kaya\u2019n\u0131n ba\u011flama \u00e7al\u0131\u015f\u0131na sinirlenip ve&nbsp;\u201cba\u011flama b\u00f6yle \u00e7al\u0131nmaz.\u201d&nbsp;Demesiyle ger\u00e7ekle\u015fir. O zamanlar daha ad\u0131 san\u0131 duyulmam\u0131\u015f Ahmet Kaya, y\u0131llar sonra \u00fcnlendi\u011finde ilk konserine&nbsp;\u201cba\u011flama b\u00f6yle de \u00e7al\u0131n\u0131r.\u201d&nbsp;diyerek cevap verir. Bu duru\u015f onun Ruhi Su\u2019ya olan hayranl\u0131\u011f\u0131n\u0131 de\u011fi\u015ftirmez ve her f\u0131rsatta onun m\u00fczi\u011finden etkilendi\u011fini s\u00f6yler.<\/p>\n\n\n\n<p>Bestelerini t\u00fcrk\u00fc formuna g\u00f6re olu\u015ftururken \u015fairlerin \u015fiirlerini de m\u00fczi\u011fiyle birle\u015ftirmekteydi. 1985 y\u0131l\u0131nda ilk alb\u00fcm\u00fc A\u011flama Bebe\u011fim\u2019i olu\u015fturdu. Bu alb\u00fcmde sol kimli\u011fin simgesi olan Ahmed Arif, Sabahattin Ali, Arif Damar gibi \u015fairlerin \u015fiirlerini besteledi. Ayn\u0131 y\u0131l s\u00f6z\u00fc ve m\u00fczi\u011fi kendisine ait olan Ac\u0131lara Tutunmak alb\u00fcm\u00fcn\u00fc \u00e7\u0131kard\u0131. 1986 y\u0131l\u0131nda \u00e7\u0131kard\u0131\u011f\u0131 An Gelir alb\u00fcm\u00fc ile daha da \u00fcnlendi. Yorgun Demokrat, Y\u0131ld\u0131zlar ve Yakamoz, Beni Bul gibi alb\u00fcmleri k\u00f6yl\u00fcn\u00fcn, i\u015f\u00e7inin, ezilen halk\u0131n sesi oldu.<\/p>\n\n\n\n<p><em>Kaynak:<\/em><\/p>\n\n\n\n<p><em>Orhan Kahyao\u011flu \u201cAnd Da\u011flar\u0131ndan Anadolu\u2019ya S\u0131yr\u0131l\u0131p Gelen Grup Yorum\u201d.<\/em><\/p>\n\n\n\n<p><em>\u0130lkay Kara \u201cBir Politik anlat\u0131 olarak Ahmet Kaya \u015eark\u0131lar\u0131: A\u00e7\u0131k Yaran\u0131n Sesi\u201d \u0130leti\u015fim Yay\u0131nlar\u0131 2019 \u0130stanbul.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"751\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2023\/12\/1694614708946.jpg\" alt=\"\" class=\"wp-image-10071\" srcset=\"https:\/\/baraka.cc\/wp-content\/uploads\/2023\/12\/1694614708946.jpg 1000w, https:\/\/baraka.cc\/wp-content\/uploads\/2023\/12\/1694614708946-300x225.jpg 300w, https:\/\/baraka.cc\/wp-content\/uploads\/2023\/12\/1694614708946-768x577.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ahmet Kaya, T\u00fcrkiye\u2019de pop\u00fcler k\u00fclt\u00fcr alan\u0131nda yirmi y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcrede farkl\u0131 toplumsal kesimleri etkilemi\u015f \u00f6nemli bir m\u00fczisyendir. Ayn\u0131 zamanda T\u00fcrkiye\u2019de 1960\u2019l\u0131 y\u0131llara kadar s\u00fcren<\/p>\n","protected":false},"author":16,"featured_media":10071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,64,44,38,9,42,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2023\/12\/1694614708946.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2Cp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/10069"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10069"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/10069\/revisions"}],"predecessor-version":[{"id":10072,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/10069\/revisions\/10072"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/10071"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}