Evet, i\u00e7ten i\u00e7e bu melodi yank\u0131lan\u0131yor kulaklarda. \u00c7\u00fcnk\u00fc emek\u00e7ilerin ve t\u00fcm ezilenlerin sokakta verdi\u011fi ekmek kavgas\u0131 kadar ger\u00e7ekli\u011fi bar\u0131nd\u0131r\u0131yor Sarper \u00d6zsan\u2019\u0131n kaleminden \u00e7\u0131kan bu s\u00f6zler\u2026<\/em><\/p>\n\n\n\n 1970\u2019li y\u0131llar\u0131n ilk yar\u0131s\u0131nda, sahneye oyun koyma \u00e7abas\u0131 i\u00e7erisinde olan Ankara Sanat Tiyatrosu, \u00d6zsan\u2019dan oyunun m\u00fcziklerini yapmas\u0131n\u0131 ister. Oyun metninde Bertolt Brecht\u2019in notuna rastlan\u0131r. Brecht’in notunda “i\u015f\u00e7iler mar\u015f s\u00f6yleyerek sahneye girer” diye yazmaktad\u0131r, ancak ortada mar\u015f da s\u00f6z de yoktur. Sarper \u00d6zsan, sahneye uygun mar\u015f aramaya ba\u015flar ancak bulamaz. Kendi deyimiyle “i\u015f ba\u015fa d\u00fc\u015fer” ve bir mar\u015f yazar. \u00d6zsan’\u0131n s\u00f6zlerini yaz\u0131p besteledi\u011fi bu mar\u015f, emek\u00e7iler ve halk kitleleri taraf\u0131ndan o kadar \u00e7ok de\u011fer g\u00f6r\u00fcr ki, ilerleyen d\u00f6nemde kab\u0131na s\u0131\u011fmaz, etkisi \u00fclke d\u0131\u015f\u0131na \u00e7\u0131karak yak\u0131n co\u011frafyada yer alan bir\u00e7ok \u00fclke emek\u00e7ileri taraf\u0131ndan sahiplenilir.<\/p>\n\n\n\n Ada yar\u0131m\u0131zda, kapitalizmin dizginsiz ve hoyrat bi\u00e7imde y\u00fckselen neoliberal politikalar\u0131, \u00e7al\u0131\u015fma ya\u015fam\u0131nda g\u00fcvencesizlik, kurals\u0131zl\u0131k, ta\u015feronla\u015fmalarla kar\u015f\u0131l\u0131k buluyor. Bu da \u00f6rg\u00fcts\u00fcz ve sendikas\u0131z olan \u00f6zel sekt\u00f6r emek\u00e7ileri ba\u015fta olmak \u00fczere, i\u015f\u00e7i, k\u00f6yl\u00fc, kamu emek\u00e7isi ay\u0131rt etmeksizin herkesi olumsuz y\u00f6nde etkiliyor.<\/p>\n\n\n\n Artan d\u00f6viz ve pe\u015finden gelen faiz ve zamlar, d\u00fc\u015f\u00fck maa\u015fla, uzun ve esnek \u00e7al\u0131\u015fma saatlerine maruz kalan emek\u00e7ilere ayakta kalma \u015fans\u0131 tan\u0131m\u0131yor. Kasiyerlere ise oturma \u015fans\u0131 tan\u0131m\u0131yor.<\/p>\n\n\n\n H\u00fck\u00fcmet, ayan beyan sermayenin g\u00fcd\u00fcm\u00fcyle hareket ederken, sistem i\u00e7i s\u00f6zde muhalefet ise k\u00f6r b\u0131\u00e7ak misali sermayeyle ba\u011flar\u0131n\u0131 kesemiyor. \u0130kisi ayn\u0131 paran\u0131n iki y\u00fcz\u00fc gibi, ne ad\u0131na asgari \u00fccret denen kepazeli\u011fi en d\u00fc\u015f\u00fck kamu maa\u015f\u0131na e\u015fitlemeyi, ne \u00f6zelde sendikas\u0131z i\u015f\u00e7i \u00e7al\u0131\u015ft\u0131r\u0131lmas\u0131n\u0131n yasaklanmas\u0131n\u0131, ne de servet vergisini hedefliyor.<\/p>\n\n\n\n Dahas\u0131, h\u00fck\u00fcmet edenler pervas\u0131z bi\u00e7imde b\u00fcy\u00fcyen sermayeyi hi\u00e7bir \u015fekilde denetime tabi tutmuyor. Yetmiyor, emek\u00e7iler g\u00fcnden g\u00fcne yoksulla\u015f\u0131rken h\u00fck\u00fcmet eli ile te\u015fvikler, hibeler, muafiyetler ve aflarla ayn\u0131 sermaye semirtilip b\u00fcy\u00fct\u00fcl\u00fcyor.<\/p>\n\n\n\n Gericilik ve muhafazakarla\u015ft\u0131rma politikalar\u0131n\u0131n etkisiyle, bir yandan kad\u0131na y\u00f6nelik \u015fiddet, \u00e7ocuk istismar vakalar\u0131, cinsel y\u00f6nelim, etnik k\u00f6ken, \u0131rka y\u00f6nelik ayr\u0131mc\u0131l\u0131k artarak devam ederken, di\u011fer yandan k\u00fclt\u00fcr-sanat faaliyetleri i\u00e7in zaten s\u0131n\u0131rl\u0131 olan imk\u00e2nlar geriletiliyor. Sosyal konut, okul, hastane, yol gibi \u00f6nemli ihtiya\u00e7lar g\u00f6z ard\u0131 edilerek kaynaklar, \u201citibardan tasarruf olmaz\u201d gerici akl\u0131 ile k\u00fclliyeye harcan\u0131yor.<\/p>\n\n\n\n Yarat\u0131lan sistem sonucu halk a\u00e7l\u0131k seviyesine s\u00fcr\u00fcklenirken, planl\u0131 bi\u00e7imde bilim ve sanat faaliyetleri yozla\u015ft\u0131r\u0131l\u0131yor. Fa\u015fist d\u00fc\u015f\u00fcnceler topluma yay\u0131lmaya \u00e7al\u0131\u015f\u0131larak bar\u0131\u015f ve halklar\u0131n karde\u015fle\u015fme m\u00fccadelesine de ket vuruluyor.<\/p>\n\n\n\n T\u00fcm bunlara ve \u00e7ok daha fazlas\u0131na ra\u011fmen emek\u00e7iler, b\u0131kmadan, usanmadan, y\u00fcre\u011finin g\u00fcne\u015fli g\u00fcnleri \u00f6zleyen di\u011fer yar\u0131s\u0131na s\u0131\u011f\u0131n\u0131p, sanat\u0131n d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc g\u00fcc\u00fcne yaslanmaya ve i\u00e7ten i\u00e7e o melodiyi m\u0131r\u0131ldanmaya devam ediyor. Bunu g\u00f6ren ve \u00e7\u00f6z\u00fcm\u00fc \u00f6rg\u00fctl\u00fc m\u00fccadelede arayan bizlere de \u201co halde gelin soka\u011fa \u00e7\u0131kal\u0131m ve t\u00fcm m\u0131r\u0131ldand\u0131klar\u0131m\u0131z\u0131 hayk\u0131r\u0131\u015fa d\u00f6n\u00fc\u015ft\u00fcrelim\u201d demek d\u00fc\u015f\u00fcyor\u2026 Susmay\u0131p hep bir a\u011f\u0131zdan \u201cancak bu b\u00f6yle gitmez, s\u00f6m\u00fcr\u00fc devam etmez, yepyeni bir hayat gelir, bizde ve her yerde\u201d <\/em>diyelim! <\/p>\n\n\n\n Emek\u00e7i halk\u0131n kurtulu\u015fu i\u00e7in sokakta bir arada var olmas\u0131na, hi\u00e7 olmad\u0131\u011f\u0131 kadar ihtiya\u00e7 duyuluyor bu d\u00f6nemde. O dizelerde co\u015fkuyla s\u00f6yledi\u011fimiz yepyeni hayat\u0131 birlikte \u00f6rmek, 1 May\u0131s\u2019\u0131 \u201cmangal yakma g\u00fcn\u00fc\u201d olarak sunanlara inat, pi\u015firecek ete de a\u015fa da rahat\u00e7a eri\u015fece\u011fimiz g\u00fcnlere ula\u015fmak, \u201cSanat ve Bilimin I\u015f\u0131\u011f\u0131nda, Eme\u011fin Kurtulu\u015fu, Devrimin Y\u00fcr\u00fcy\u00fc\u015f\u00fcd\u00fcr 1 May\u0131s\u201d diye sokaklar\u0131 inletmek i\u00e7in sizleri soka\u011fa \u00e7a\u011f\u0131r\u0131yoruz.<\/p>\n\n\n\n 1 May\u0131s sabah\u0131 saat 09.00\u2019da Lefko\u015fa \u00c7a\u011flayan Park\u0131\u2019nda Baraka kortejinde bulu\u015fuyoruz. S\u00f6z\u00fcm\u00fcz\u00fc t\u00fcm g\u00fcc\u00fcm\u00fczle hayk\u0131rarak \u00f6nce Ku\u011fulu Park\u2019a, daha sonra ise ara b\u00f6lgedeki etkinli\u011fe y\u00fcr\u00fcyece\u011fimiz eylemde bulu\u015fal\u0131m!<\/p>\n\n\n\n Baraka K\u00fclt\u00fcr Merkezi
Y\u00f6netim Kurulu Ba\u015fkan\u0131 Mustafa Batak<\/p>\n\n\n\n
![\"\"](\"https:\/\/baraka.cc\/wp-content\/uploads\/2024\/04\/1-mayis-2024-baraka.jpeg\")
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