{"id":11092,"date":"2025-05-14T08:33:26","date_gmt":"2025-05-14T06:33:26","guid":{"rendered":"https:\/\/baraka.cc\/?p=11092"},"modified":"2025-05-14T08:33:31","modified_gmt":"2025-05-14T06:33:31","slug":"sen-ben-biz-birbirimizin-caresiyiz-mustafa-batak","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=11092","title":{"rendered":"Sen Ben Biz Birbirimizin \u00c7aresiyiz – Mustafa Batak"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

Elinizde tutmu\u015f oldu\u011funuz dergimiz Argasdi\u2019nin, okur ve yazarlar\u0131n\u0131n sahiplendi\u011fi bir s\u00f6z vard\u0131r: Yazmak da prati\u011fin bir par\u00e7as\u0131d\u0131r diye\u2026<\/p>\n\n\n\n

Bunun dikkat \u00e7ekici ve g\u00fczel yan\u0131n\u0131 bu sat\u0131rlar\u0131 kaleme al\u0131rken ya\u015f\u0131yorum. \u0130z B\u0131rakanlar dosya konusu i\u00e7erisinde \u015fair Fikret Demira\u011f\u2019\u0131n b\u0131rakt\u0131\u011f\u0131 \u201ciz\u201dleri incelemeye \u00e7al\u0131\u015faca\u011f\u0131m. K\u0131br\u0131s T\u00fcrk \u00c7a\u011fda\u015f \u015eiiri\u2019nin olu\u015fumunda \u00e7ok \u00f6nemli rol\u00fc olan Demira\u011f i\u00e7in; bir yandan, oynataca\u011f\u0131m kalem ad\u0131na eksik bir \u015fey b\u0131rakmayay\u0131m gailesi ile kayg\u0131lan\u0131rken, di\u011fer yandan da ara\u015ft\u0131rmaya ba\u015fl\u0131yorum.<\/p>\n\n\n\n

Tam da bu anda \u00fcrettik\u00e7e yazan, yazd\u0131k\u00e7a \u00fcreten, geli\u015fen, geli\u015ftiren bir pratik ile kar\u015f\u0131la\u015f\u0131yorum. Bunu yaparken ne \u00fclkede yer alan ko\u015fullardan ba\u011f\u0131ms\u0131z kal\u0131yor ne de halk\u0131n nabz\u0131ndan uzak… \u00dcstelik bu pratikte yo\u011frulurken \u00e7arp\u0131c\u0131 bi\u00e7imde g\u00f6r\u00fcl\u00fcyor ki \u015eair Fikret Demira\u011f\u2019\u0131n kalem oynatmaya ba\u015flad\u0131\u011f\u0131 1950\u2019li y\u0131llarda, K\u0131br\u0131sl\u0131 T\u00fcrkler\u2019de \u015fiir anlay\u0131\u015f\u0131 da yoktu. G\u00f6r\u00fcn\u00fcrde b\u00f6yle bir ihtiya\u00e7 da yoktu.<\/p>\n\n\n\n

Her d\u00f6nem oldu\u011fu gibi o d\u00f6nemde de y\u00fcksek perdeden tart\u0131\u015f\u0131lan konu, adan\u0131n siyasi a\u00e7\u0131dan gelece\u011fiydi. Tart\u0131\u015f\u0131lan da o gelecekte hangi egemen devletin ya da devletlerin s\u00f6z sahibi olaca\u011f\u0131, kimin veya kimlerin bu topraklardan ne kadar nemalanaca\u011f\u0131yd\u0131. T\u0131pk\u0131 bug\u00fcn gibi\u2026 K\u0131br\u0131s tarihini biraz olsun bilenler an\u0131msayacakt\u0131r ki; tarih boyunca ada \u00fczerine \u00e7ok fazla s\u00f6z s\u00f6ylendi. Bu s\u00f6zlerin aras\u0131nda egemenlerce bile isteye eksik b\u0131rak\u0131lan ses, bu topraklarda ya\u015fayan halklar\u0131n \u00f6zg\u00fcr ve \u00f6zg\u00fcn iradesinin sesiydi!<\/p>\n\n\n\n

\u00d6yle tahmin ediyorum ki Fikret Demira\u011f, o eksik sesi sanat\u0131n d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc g\u00fcc\u00fcn\u00fc kullanarak \u015fiir ile y\u00fckseltmenin arzusundayd\u0131. Bug\u00fcnden bak\u0131ld\u0131\u011f\u0131nda temel atmayd\u0131 onunkisi bir anlamda\u2026<\/p>\n\n\n\n

\u015eiirlerle doldurulan temel pabucu biraz e\u015felendi\u011finde \u201cTutku\u201d \u00e7\u0131k\u0131yor kar\u015f\u0131m\u0131za. 1960 y\u0131l\u0131nda yay\u0131mlanan ve ilk \u015fiir kitab\u0131 olma \u00f6zelli\u011fini ta\u015f\u0131yan Tutku\u2019nun ard\u0131ndan h\u0131z kesmeden ayn\u0131 y\u0131l yay\u0131mlad\u0131\u011f\u0131 \u201c\u0130kinin Ya\u015fam\u0131\u201d isimli \u015fiir kitab\u0131yla bu yolculuk ba\u015flad\u0131. \u201c\u0130kinin Ya\u015fam\u0131\u201d o y\u0131llarda adada hakim olan \u015f\u00f6ven anlay\u0131\u015fa da g\u00f6ndermeler bar\u0131nd\u0131r\u0131r.<\/p>\n\n\n\n

Devam eden y\u0131llarda adada patlayan silah seslerine ra\u011fmen tutkusundan vazge\u00e7mez ve 1962 y\u0131l\u0131nda \u201cEsperanza,\u201d 1963 y\u0131l\u0131nda \u201cA\u00e7ar Y\u00f6r\u00fcngeler \u00c7i\u00e7e\u011fi,\u201d 1965 y\u0131l\u0131nda \u201cA\u015fk\u0131m\u0131z\u0131n \u015eark\u0131lar\u0131\u201d ve 1968 y\u0131l\u0131nda \u201cK\u0131sa \u015eiirler Dura\u011f\u0131\u201d isimli \u015fiir kitaplar\u0131n\u0131 yay\u0131mlar. Art\u0131k kalemi olgunla\u015fm\u0131\u015ft\u0131. Yazd\u0131\u011f\u0131 sat\u0131rlar\u0131n halkta da olu\u015fan sanat \u00e7evresinde de b\u00fcy\u00fck bir kar\u015f\u0131l\u0131\u011f\u0131 vard\u0131. Ufkunun ne kadar geni\u015f oldu\u011fu, ta o y\u0131llarda geli\u015ftirdi\u011fi evrensel temadan da \u015fiirlerini yo\u011furdu\u011fu toplumcu anlay\u0131\u015ftan da anla\u015f\u0131l\u0131yordu.<\/p>\n\n\n\n

Sava\u015f sonucunda adada ya\u015fanan b\u00f6l\u00fcnme ve pe\u015finden g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kan ac\u0131lar ile halkta azalan umuda ili\u015fkin s\u00f6yleyecekleri vard\u0131. 1972 y\u0131l\u0131nda \u201c\u00d6tme Keklik \u00d6l\u00fcr\u00fcm,\u201d 1974 y\u0131l\u0131nda \u201cDayan Y\u00fcre\u011fim,\u201d 1978 y\u0131l\u0131nda \u201cUmut ve Deh\u015fet \u00c7a\u011f\u0131ndan \u015eiirler,\u201d 1982 y\u0131l\u0131nda \u201cDinle \u015eark\u0131m\u0131,\u201d 1984 y\u0131l\u0131nda \u201cAkdenizli \u015eiirler ve A\u015fk S\u00f6zleri\u201d 1985 y\u0131l\u0131nda \u201c\u015eu M\u00fcthi\u015f Sava\u015f Y\u0131llar\u0131\u201d ile birlikte 1986 y\u0131l\u0131nda s\u0131ras\u0131yla \u201cAd\u0131yla Yaral\u0131\u201d ve \u201cR\u00fczgarda Ozan T\u00fcrk\u00fcleri\u201d isimli yeni \u015fiir kitaplar\u0131n\u0131 yazar.<\/p>\n\n\n\n

Y\u0131llar ge\u00e7iyor ve art\u0131k 1990\u2019l\u0131 y\u0131llar itibariyle d\u00fcnya oldu\u011fundan ba\u015fka bir hal al\u0131yordu. O ba\u015fkala\u015fan d\u00fcnyada, boyundan \u00e7ok b\u00fcy\u00fck sorunlarla kar\u015f\u0131la\u015fan \u00fclkesi ve halk\u0131 i\u00e7in; tarihsel tan\u0131kl\u0131k ve ayd\u0131n sorumlulu\u011fu gere\u011fi; 1992 y\u0131l\u0131nda \u201cAc\u0131l\u0131 Bir Yurt \u0130\u00e7in\u201d ismini verece\u011fi d\u00f6rt kitapl\u0131k \u015fiir dizisine ba\u015flar. Serinin t\u00fcm\u00fcne sorgulama yedirilir…<\/p>\n\n\n\n

\u201cLimnidi Ate\u015finden Bu G\u00fcne\u201d isimli serinin ilk kitab\u0131nda, karanl\u0131kta kalan binlerce y\u0131ll\u0131k tarihimizi kalemiyle ayd\u0131nlatan usta \u015fair, devam kitab\u0131 olan H\u00fcz\u00fcn Ana\u2019da sorgulamay\u0131 trajediyle anlat\u0131r. Serinin ilk kitab\u0131n\u0131n aksine, daha g\u00fcndelik bir s\u00f6ylem de vard\u0131r, olay \u00f6rg\u00fcs\u00fc i\u00e7erisinde imgelemeler de. Anne (ana) imgesiyle, \u00fczerine bast\u0131\u011f\u0131 topraklar\u0131, \u00fclkesini ve aday\u0131 b\u00fct\u00fcnler \u00f6rne\u011fin…<\/p>\n\n\n\n

Serinin \u00fc\u00e7\u00fcnc\u00fc, ayn\u0131 cilt i\u00e7inde yer alan ilk kitab\u0131 olan \u201cS\u0131r\u0131 D\u00f6k\u00fclm\u00fc\u015f K\u00f6kayna\u201d kitab\u0131nda ise duygu bamba\u015fkad\u0131r. \u015eair Demira\u011f \u00e7ocukluk y\u0131llar\u0131na d\u00f6ner bu kitapta. Bu d\u00f6n\u00fc\u015f\u00fcn gerek\u00e7esi d\u00f6nemin \u015fa\u015fas\u0131ndan ya da bo\u015f bir \u00f6zlem duygusundan ibaret de\u011fildir: Gerek\u00e7e, o g\u00fcnlerde halklar aras\u0131nda var olmayan ama art\u0131k var olan \u0131rk\u00e7\u0131l\u0131k ve azalan insani de\u011ferler ile dayan\u0131\u015fmad\u0131r sanki…<\/p>\n\n\n\n

G\u00fcn\u00fcm\u00fcz sosyal, k\u00fclt\u00fcrel ve siyasal ya\u015fam\u0131nda da ciddi derecede ihtiya\u00e7 duyulan bu b\u00fct\u00fcnc\u00fcl yakla\u015f\u0131m ayn\u0131 ciltte yer alan Yaln\u0131zl\u0131k, Gece M\u00fczi\u011fi isimli ikinci kitab\u0131nda ba\u015fka bi\u00e7imde devam ediyordu. Topra\u011fa ve hayata yabanc\u0131la\u015fan, bencillikten tan\u0131nmaz hale gelen K\u0131br\u0131s insan\u0131na sesleniyordu yazd\u0131\u011f\u0131 sat\u0131rlarda…<\/p>\n\n\n\n

1994 y\u0131l\u0131nda \u201cSe\u00e7me \u015eiirler,\u201d 1996 y\u0131l\u0131nda \u201c\u015eiirin Vaktine Mezmur,\u201d 1998 \u201cEros\u2019un Oku\u201d ve 1999 y\u0131l\u0131nda \u201cAlfa ve Omega\u201d isimli kitaplarla tamamlan\u0131r \u015fiir ser\u00fcveni.<\/p>\n\n\n\n

Fikret Demira\u011f, kalemi eline ald\u0131\u011f\u0131 ilk g\u00fcn \u00c7a\u011fda\u015f K\u0131br\u0131sl\u0131 T\u00fcrk \u015eiiri\u2019nin olu\u015fumuna sa\u011flad\u0131\u011f\u0131 b\u00fcy\u00fck destekten habersizdi \u015f\u00fcphesiz. Zaten \u201cFikret Demira\u011f T\u00fcm Eserleri\u201d kitab\u0131nda, bir di\u011fer usta kalem Ne\u015fe Ya\u015f\u0131n\u2019\u0131n \u201cTarihe Kar\u015f\u0131 \u015eair Duru\u015fu\u201d ba\u015fl\u0131kl\u0131 yaz\u0131s\u0131nda Meksikal\u0131 \u015fair Octavio Paz\u2019a ait \u201c\u015eiir \u00f6tedeki sestir; ne tarihin, ne de anti-tarihin s\u00f6z\u00fcd\u00fcr; tarihte hep ba\u015fka bir s\u00f6ylenen sestir.\u201d s\u00f6zlerine at\u0131fta bulunarak Demira\u011f\u2019\u0131 i\u015faret etmesi; \u00c7a\u011fda\u015f \u015eiir Edebiyat\u0131\u2018na att\u0131\u011f\u0131 temelin g\u00fcc\u00fcn\u00fc g\u00f6stermekteydi.<\/p>\n\n\n\n

Son olarak eserlerinde, insan dedi\u011fi yerde de etnik imlemeden \u00e7ok insan malzemesini kullanmay\u0131 bilen bir dil in\u015fa etmesi g\u00fcn\u00fcm\u00fcz\u00fcn \u00f6nemli ihtiya\u00e7lar\u0131ndan biri de\u011fil mi sizce de…<\/p>\n\n\n\n

K\u0131rk y\u0131ldan fazla kalem oynatt\u0131\u011f\u0131 bu s\u00fcre\u00e7te, vurgusunu bar\u0131\u015f, e\u015fitlik ve adalet ekseninden ay\u0131rmay\u0131p, g\u00fc\u00e7l\u00fc kaleminin yan\u0131nda, olu\u015fturdu\u011fu \u201csen, ben, biz birbirimizin \u00e7aresiyiz\u201d dili ve b\u0131rakt\u0131\u011f\u0131 t\u00fcm \u201cizler\u201d ile Fikret Demira\u011f, yolumuzun karart\u0131ld\u0131\u011f\u0131 bu co\u011frafyada \u00f6n\u00fcm\u00fcz\u00fc ayd\u0131nlatmaya devam ediyor.<\/p>\n\n\n\n

Kaynak:
Fikret Demira\u011f T\u00fcm Eserleri<\/em><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Elinizde tutmu\u015f oldu\u011funuz dergimiz Argasdi\u2019nin, okur ve yazarlar\u0131n\u0131n sahiplendi\u011fi bir s\u00f6z vard\u0131r: Yazmak da prati\u011fin bir par\u00e7as\u0131d\u0131r diye\u2026 Bunun dikkat \u00e7ekici ve g\u00fczel yan\u0131n\u0131 bu<\/p>\n","protected":false},"author":17,"featured_media":11093,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,38,42,1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2025\/05\/image-1.png","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2SU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11092"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11092"}],"version-history":[{"count":2,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11092\/revisions"}],"predecessor-version":[{"id":11110,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11092\/revisions\/11110"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/11093"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}