{"id":11435,"date":"2025-09-06T07:30:00","date_gmt":"2025-09-06T05:30:00","guid":{"rendered":"https:\/\/baraka.cc\/?p=11435"},"modified":"2025-08-18T01:36:36","modified_gmt":"2025-08-17T23:36:36","slug":"mukadderat-ayse-dilara-ozturk-film-incelemesi","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=11435","title":{"rendered":"Mukadderat – Ay\u015fe Dilara \u00d6zt\u00fcrk (Film \u0130ncelemesi)"},"content":{"rendered":"\n
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Anlam\u0131 “kader” olan bu kelime, devlet, toplum, aile gibi kurumlar taraf\u0131ndan biz kad\u0131nlara bi\u00e7ilen al\u0131\u015f\u0131lm\u0131\u015f bir kaderi ya\u015faman\u0131n d\u0131\u015f\u0131na \u00e7\u0131kabilece\u011fimizi ve as\u0131l o zaman kendi hayat\u0131m\u0131zda fig\u00fcran de\u011fil ba\u015frol olarak anlam ve de\u011fer bulabilece\u011fimizi anlatan feminist bir hikayeye d\u00f6n\u00fc\u015f\u00fcyor. Sultan isimli bir kad\u0131n\u0131n 40 y\u0131ll\u0131k e\u015fini topra\u011fa vermesiyle ba\u015fl\u0131yor bu hik\u00e2ye. Sultan, e\u015finin \u00f6l\u00fcm\u00fcnden hemen sonra ya\u015fad\u0131\u011f\u0131 yaln\u0131zl\u0131k duygusundan korktu\u011fu i\u00e7in yeniden evlenme karar\u0131 al\u0131r ve bunu \u00e7ocuklar\u0131yla payla\u015f\u0131r. Ancak \u00e7ocuklar\u0131 Nevzat ve Reyhan, annelerinin bu karar\u0131n\u0131 tepkiyle kar\u015f\u0131lar. Neden yeniden evlenmek istedi\u011fini anlamazlar. Anlamad\u0131klar\u0131 gibi, karar\u0131na sayg\u0131 da duymazlar. Film boyunca kasabada h\u00e2kim olan ‘elalem ne der’ bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n g\u00f6sterilmesi ve karakterlerin buna kar\u015f\u0131 durmas\u0131 dikkat \u00e7ekicidir. El alemcilik anlay\u0131\u015f\u0131na g\u00f6re, Sultan art\u0131k dul bir kad\u0131nd\u0131r ve \u00f6yle de kalmal\u0131d\u0131r. Kocas\u0131ndan kalan har\u00e7l\u0131k ile (tekrardan evlenmemek \u015fart\u0131yla) ba\u011f\u0131na bah\u00e7esine bak\u0131p, y\u0131llard\u0131r oldu\u011fu gibi d\u00fcmd\u00fcz ve geleceksiz bir hayat ya\u015fay\u0131p ama\u00e7s\u0131z olmas\u0131 beklenilir.<\/p>\n\n\n\n

Fakat Sultan di\u015fli ve inat\u00e7\u0131 bir karakterdir. Bu y\u00fczden yana yak\u0131na yeniden evlenme ve kendine bir u\u011fra\u015f bulma d\u00fcrt\u00fcs\u00fcyle ba\u015fka insanlarla tan\u0131\u015f\u0131p onlar\u0131n evlilik hakk\u0131ndaki d\u00fc\u015f\u00fcncelerini \u00f6\u011frenmeye \u00e7al\u0131\u015f\u0131r. Birisi eskiden onu be\u011fenen ve evlenmek isteyen mahalle bakkal\u0131d\u0131r. Di\u011feri ise pazarda taze olmayan \u00fcr\u00fcnler satan bir pazarc\u0131. Fakat birisi var ki Sultan’\u0131n bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 tamamen de\u011fi\u015ftirir. Bu ki\u015fi sayesinde Sultan, ikinci bahar\u0131n\u0131 ya\u015famak i\u00e7in yeniden evlenmesine veya ba\u015f\u0131nda duracak bir erkek fig\u00fcr\u00fcne ihtiyac\u0131 olmad\u0131\u011f\u0131n\u0131 anlar. Bundan sonras\u0131 ise kendini se\u00e7mektir. Sultan’\u0131n hik\u00e2yesi, yaln\u0131zl\u0131k korkusuyla ba\u015flayan bir ser\u00fcvene d\u00f6n\u00fc\u015ft\u00fck\u00e7e, kendini ke\u015ffetme ve g\u00fc\u00e7lenme s\u00fcrecine evrilir. Bu, onun hem bireysel hem de toplumsal d\u00fczeyde etkileyici bir d\u00f6n\u00fc\u015f\u00fcm ya\u015fad\u0131\u011f\u0131n\u0131 g\u00f6sterir.<\/p>\n\n\n\n

Film ilerledik\u00e7e Sultan, yeniden evlilik fikrinden vazge\u00e7erek kendi ayaklar\u0131 \u00fczerinde durmay\u0131 se\u00e7er. K\u00fcl\u00fcst\u00fcr d\u00fcld\u00fcl\u00fcne atlay\u0131p kendi bah\u00e7esinde yeti\u015ftirdi\u011fi sebzeleri satmak i\u00e7in pazara do\u011fru yola koyulur. Elinin hamuruyla erkek i\u015fine kar\u0131\u015ft\u0131\u011f\u0131n\u0131 ve pazarc\u0131l\u0131\u011f\u0131n ona uygun olmad\u0131\u011f\u0131n\u0131 s\u00f6ylerler. Hi\u00e7birini duymaz, bildi\u011fini okur. Pazarc\u0131l\u0131kla beraber bir de pansiyon i\u015fletmeye ba\u015flar. Kasabadaki kad\u0131nlara bu pansiyonda i\u015f vererek destek olur. Birisi perde asar, di\u011feri cam siler, \u00f6b\u00fcr\u00fc yemek pi\u015firir. Ba\u015fard\u0131klar\u0131 \u015fey ise birlik olmakt\u0131r. Sultan kendini bulduk\u00e7a ba\u015fkalar\u0131na da \u0131\u015f\u0131k olur, yol a\u00e7ar. Sultan’\u0131n bu giri\u015fimleri, k\u00fc\u00e7\u00fck bir kasabada bile g\u00fc\u00e7l\u00fc bir kad\u0131n fig\u00fcr\u00fcn\u00fcn nas\u0131l b\u00fcy\u00fck bir kad\u0131n dayan\u0131\u015fmas\u0131na \u00f6nc\u00fcl\u00fck edebilece\u011fini ve kad\u0131nlar\u0131n isterlerse her \u015feyi ba\u015farabilece\u011fini g\u00f6sterir.<\/p>\n\n\n\n

\u00d6zetle Mukadderat, bireyin toplumsal bask\u0131lar\u0131 ve bireysel korkular\u0131n\u0131 a\u015farak nas\u0131l ger\u00e7ek bir de\u011fi\u015fim yaratabilece\u011finin hik\u00e2yesidir. Sultan’\u0131n korkular\u0131n\u0131 cesarete d\u00f6n\u00fc\u015ft\u00fcrmesi, hem kendi hayat\u0131n\u0131 anlaml\u0131 hale getirir, hem de ba\u015fkalar\u0131na ilham olur. Bu film erkek egemen toplumda kad\u0131n\u0131n bireysel direni\u015finin ne kadar b\u00fcy\u00fck ve \u00f6nemli oldu\u011funu g\u00f6stermektedir. Sonu\u00e7 olarak Mukadderat, kad\u0131n hik\u00e2yesi \u00fczerinden aile, tabular ve bireysel direni\u015f temalar\u0131n\u0131 s\u0131cak, duygu y\u00fckl\u00fc ve d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc bir anlat\u0131mla i\u015fler. \u0130zleyiciye sadece bir hik\u00e2ye sunmaz ayn\u0131 zamanda hayat, kad\u0131n g\u00fcc\u00fc ve toplum \u00fczerine d\u00fc\u015f\u00fcnme f\u0131rsat\u0131 da verir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Anlam\u0131 “kader” olan bu kelime, devlet, toplum, aile gibi kurumlar taraf\u0131ndan biz kad\u0131nlara bi\u00e7ilen al\u0131\u015f\u0131lm\u0131\u015f bir kaderi ya\u015faman\u0131n d\u0131\u015f\u0131na \u00e7\u0131kabilece\u011fimizi ve as\u0131l o zaman kendi<\/p>\n","protected":false},"author":17,"featured_media":11436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2025\/08\/ARGASDI-SAYI-78-KALITELI-11.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2Yr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11435"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11435"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11435\/revisions"}],"predecessor-version":[{"id":11437,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11435\/revisions\/11437"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/11436"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}