{"id":11441,"date":"2025-09-11T07:30:59","date_gmt":"2025-09-11T05:30:59","guid":{"rendered":"https:\/\/baraka.cc\/?p=11441"},"modified":"2025-08-27T10:02:47","modified_gmt":"2025-08-27T08:02:47","slug":"yanginda-kaybettiklerimiz-arman-garip","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=11441","title":{"rendered":"Yang\u0131nda Kaybettiklerimiz – Arman Garip (Kitap \u0130ncelemesi)"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

Korku hikayelerini en \u00e7ok \u00e7ocuklar sever. G\u00fcne\u015f batt\u0131ktan sonra park k\u00f6\u015felerinde k\u00fc\u00e7\u00fck \u00e7ocuklar\u0131 ayaklar\u0131 ters d\u00f6nm\u00fc\u015f cin, geceleri gezen gulyabani ve benzeri bir\u00e7ok yarat\u0131\u011f\u0131n donatt\u0131\u011f\u0131 hikayelerle korkutan abi ve ablalarla kar\u015f\u0131la\u015fabilirsiniz. E\u011fer onlar\u0131 biraz g\u00f6zlemleme \u015fans\u0131n\u0131z olursa sanki isteyerek kendilerini kurban etmi\u015f \u00e7ocuklar\u0131n miza\u00e7lar\u0131 sizi \u015fa\u015f\u0131rtabilir. Birileri onlar\u0131 oraya m\u0131hlam\u0131\u015f, kar\u015f\u0131lar\u0131nda ad\u0131m ad\u0131m, ilmek ilmek \u00f6r\u00fclen faciadan g\u00f6zlerini ka\u00e7\u0131ram\u0131yor gibi bir halleri vard\u0131r.<\/p>\n\n\n\n

Yang\u0131nda Kaybettiklerimiz, Buenos Aires\u2019in fakir mahalleleri ve Arjantin\u2019in k\u00f6ylerinde ge\u00e7en k\u0131sa hikayelerden olu\u015fan bir kitap. Yoksullu\u011fun, yolsuzlu\u011fun, sosyal adaletsizli\u011fin, kapitalist ve patriyarkal \u015fiddetin yaratt\u0131\u011f\u0131 problemlerin i\u00e7inde m\u00fccadele eden insanlar\u0131n kar\u015f\u0131la\u015ft\u0131klar\u0131 \u201cger\u00e7ek\u00fcst\u00fc\u201d tekinsizlikler, \u00e7o\u011funlukla hi\u00e7 de \u00f6yle ger\u00e7ek\u00fcst\u00fc gibi hissettirmiyor ve bu kitab\u0131n tekinsizli\u011fine tekinsizlik katm\u0131\u015f. \u00d6yk\u00fclerin \u00e7o\u011funda diktat\u00f6rl\u00fck d\u00f6nemiyle ilgili -bazen \u00fcst\u00fc kapal\u0131, bazen ise a\u015fikar- bir\u00e7ok referansa rastl\u0131yoruz, fakat Enriquez asla ge\u00e7mi\u015fin g\u00fcn\u00fcm\u00fcz ile harmanland\u0131\u011f\u0131 halden \u00e7\u0131kmam\u0131za izin vermiyor. Aksine, anlatt\u0131klar\u0131, tarihsel ger\u00e7e\u011fin ancak b\u00f6yle hikayelerle anla\u015f\u0131labilece\u011fi havas\u0131n\u0131 veriyor. Korku hikayelerinin ve \u00fcrettikleri fig\u00fcrlerin kimisine g\u00f6re beklenmedik say\u0131labilecek bir evrenselli\u011fi var. \u0130stisnaya yer b\u0131rakmadan her k\u00fclt\u00fcrde o veya bu \u015fekilde kendilerini var etmi\u015fler. \u00dcst\u00fcne \u00fcstl\u00fck \u00e7o\u011fu zaman toplumsal ya\u015fam\u0131n inceliklerine inmenin ba\u015fka t\u00fcrl\u00fc kolay\u0131na rastlanamayacak yollar\u0131n\u0131 a\u00e7m\u0131\u015flar. Hayaletlerin, konu\u015fan \u00f6l\u00fclerin, annelerin \u00e7ocuklar\u0131n\u0131 e\u011fitirken e\u015fsiz desteklerini esirgemeyen \u00f6c\u00fclerin de\u011ferleri nas\u0131l \u00f6l\u00e7\u00fclebilir? Ya ba\u015f\u0131 ayn\u0131 anda g\u00f6\u00e7men krizleri ve vir\u00fcslerle ciddi belada olan d\u00fcnyam\u0131zda zombi ikonografisinin artan pop\u00fclerli\u011fi, yine neredeyse evrensel olarak mevcut de\u011fil mi?<\/p>\n\n\n\n

Psikoloji, sosyoloji, antropoloji, biyoloji gibi alanlar arac\u0131l\u0131\u011f\u0131yla korku fig\u00fcrleri ve hikayeleri hakk\u0131nda birbirinden de\u011fi\u015fik ve \u00e7ok de\u011ferli bir\u00e7ok analiz yapmak m\u00fcmk\u00fcn oldu\u011fu gibi, yaz\u0131l\u0131 ve s\u00f6zl\u00fc edebiyat yoluyla da bu esrarengiz alan\u0131n anlatt\u0131klar\u0131 hakk\u0131nda ger\u00e7eklere ula\u015fmak m\u00fcmk\u00fcn. Neden mi? \u00c7\u00fcnk\u00fc korku hikayeleri, adlar\u0131 \u00fcst\u00fcnde, toplumca payla\u015ft\u0131\u011f\u0131m\u0131z korkular\u0131m\u0131z\u0131n hikayeleri, halihaz\u0131rda ger\u00e7ekli\u011fimize kabul edemedi\u011fimiz ve belki asla edemeyece\u011fimiz kar\u015f\u0131la\u015fmalar\u0131 kendilerine dert edinen ender alanlardan. Her iyi edebiyat gibi iyi korku hikayelerinin anlatmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 da bir tan\u0131d\u0131ktan dinlerken, kitap okurken, televizyonda izlerken aniden \u00fczerimizden ge\u00e7en \u00fcrpermede bize g\u00f6z k\u0131rpan, incelikli bir nokta.<\/p>\n\n\n\n

Mariana Enriquez bir r\u00f6portaj\u0131nda korku hikayeleri yazmaya ba\u015flamadan \u00f6nce yazd\u0131klar\u0131n\u0131 asla be\u011fenemedi\u011fini, \u00fcretti\u011fi kad\u0131n karakterleri fazlas\u0131yla kendisine benzetti\u011fini, s\u0131k\u0131c\u0131 buldu\u011funu s\u00f6yl\u00fcyor. Ancak korku hikayesi formunun kazand\u0131rd\u0131\u011f\u0131 o tekinsizlik kalemine dokundu\u011fu zaman anlatmaya \u00e7al\u0131\u015ft\u0131klar\u0131n\u0131 anlatabildi\u011fini hissetmeye ba\u015flam\u0131\u015f. Hem de ne anlatmak! Arjantin\u2019de do\u011fup b\u00fcy\u00fcm\u00fc\u015f, halen gazetecilik yapan ve punk ge\u00e7mi\u015fi sayesinde sokaklar\u0131 ve varo\u015fu \u00e7ok iyi tan\u0131yan Enriquez, Arjantin\u2019de sosyalist Peron y\u00f6netimine yap\u0131lan 1976 darbesinin ard\u0131nda b\u0131rakt\u0131\u011f\u0131 y\u0131k\u0131m\u0131, fakirli\u011fi, g\u00fcndelik hayata sirayet etmi\u015f vah\u015feti resmediyor bize. K\u00f6r g\u00f6ze parmak sokmadan, kolayc\u0131 Amerikan korkular\u0131 gibi sansasyonel, u\u00e7uk, abart\u0131 bir ucuzlu\u011fa ka\u00e7madan, incelikle \u2013sanki bir sevdi\u011finiz bir arkada\u015f\u0131n\u0131z dinlerken inanmakla inanmamak aras\u0131nda kald\u0131\u011f\u0131n\u0131z, \u201cdelirdi mi acaba\u201d diye sizi \u015f\u00fcpheye d\u00fc\u015f\u00fcren bir an\u0131s\u0131n\u0131 anlat\u0131r gibi. Yersiz kabal\u0131\u011fa tahamm\u00fcl\u00fcm\u00fcz\u00fcn gittik\u00e7e azald\u0131\u011f\u0131 bu d\u00f6nemde bu kitab\u0131n bu kadar sevilmesinin sebeplerinden biri de bu olsa gerek.<\/p>\n\n\n\n

Adam\u0131z elbette korku hikayelerinden m\u00fcnezzeh de\u011fil. May\u0131s ay\u0131nda d\u00fcnyan\u0131n yapay zeka kullan\u0131larak \u00e7ekilen ilk uzun metraj korku filmlerinden birisinin (F\u0131s\u0131lt\u0131l\u0131 Tepe, \u015eafak Yolcu\u2019nun Tepenin Bek\u00e7ileri kitab\u0131ndan esinlenmi\u015f) bu adadan \u00e7\u0131kmas\u0131n\u0131n bir tesad\u00fcf oldu\u011funu sanmak abesle i\u015ftigal olur. Enriquez\u2019in kitaplar\u0131, do\u011frudan s\u00f6ylenemeyen, s\u00f6ylenirse ger\u00e7e\u011finin \u00fczerinden atlan\u0131lacak o toplumsal \u015fiddetle bizi kar\u015f\u0131 kar\u015f\u0131ya b\u0131rakabilen eserler. Yang\u0131nda Kaybettiklerimiz de, bu minvalde, son zamanlarda edebiyat tutkunlar\u0131n\u0131n susuzlu\u011funu giderebilen yegane co\u011frafya olan Latin Amerika\u2019n\u0131n en g\u00fczide kitaplar\u0131ndan.<\/p>\n","protected":false},"excerpt":{"rendered":"

Korku hikayelerini en \u00e7ok \u00e7ocuklar sever. G\u00fcne\u015f batt\u0131ktan sonra park k\u00f6\u015felerinde k\u00fc\u00e7\u00fck \u00e7ocuklar\u0131 ayaklar\u0131 ters d\u00f6nm\u00fc\u015f cin, geceleri gezen gulyabani ve benzeri bir\u00e7ok yarat\u0131\u011f\u0131n donatt\u0131\u011f\u0131<\/p>\n","protected":false},"author":17,"featured_media":11442,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2025\/08\/ARGASDI-SAYI-78-KALITELI-13.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2Yx","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11441"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11441"}],"version-history":[{"count":4,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11441\/revisions"}],"predecessor-version":[{"id":11475,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11441\/revisions\/11475"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/11442"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}