{"id":11602,"date":"2025-11-09T07:30:00","date_gmt":"2025-11-09T05:30:00","guid":{"rendered":"https:\/\/baraka.cc\/?p=11602"},"modified":"2025-11-19T17:08:46","modified_gmt":"2025-11-19T15:08:46","slug":"sanat-bos-zamanin-tuketimi-degilozgurlugun-ifadesi-pinar-piro","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=11602","title":{"rendered":"Sanat: Bo\u015f Zaman\u0131n T\u00fcketimi De\u011fil, \u00d6zg\u00fcrl\u00fc\u011f\u00fcn \u0130fadesi – P\u0131nar Piro"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

Bug\u00fcn h\u00e2l\u00e2 bir\u00e7ok \u00e7evrede sanat, \u201cbo\u015f zamanlarda u\u011fra\u015f\u0131lacak\u201d bir hobi ya da l\u00fcks olarak g\u00f6r\u00fcl\u00fcyor. Oysa bu g\u00f6r\u00fc\u015f, sanat\u0131n toplumsal de\u011ferini k\u00fc\u00e7\u00fcmseyen, onu \u00fcretim s\u00fcre\u00e7lerinin d\u0131\u015f\u0131nda ve hayat\u0131n merkezinden uzak bir noktaya iten bir anlay\u0131\u015f\u0131n \u00fcr\u00fcn\u00fcd\u00fcr. Sanat\u0131 de\u011fersizle\u015ftiren bu bak\u0131\u015f a\u00e7\u0131s\u0131, kapitalist toplumun dayatt\u0131\u011f\u0131 yo\u011fun i\u015f ya\u015fam\u0131, uzun mesai saatleri ve devletlerin sanat\u0131 yaln\u0131zca vitrin s\u00fcs\u00fc olarak g\u00f6rmesinden beslenmektedir.<\/p>\n\n\n\n

Neden Sanata \u0130htiya\u00e7 Duyar\u0131z?<\/strong><\/h3>\n\n\n\n

G\u00fcnl\u00fck tela\u015f i\u00e7inde, i\u015fin ve ge\u00e7im derdinin ortas\u0131nda \u201czaman\u0131m olsayd\u0131 resim yapard\u0131m, tiyatroya giderdim, \u015fark\u0131 s\u00f6ylerdim\u201d c\u00fcmlesini duymayan yoktur. Bu yakla\u015f\u0131m, sanat\u0131 hayat\u0131n kenar\u0131na itmektedir. Oysa sanat, l\u00fcks bir u\u011fra\u015f de\u011fil, en temel ihtiya\u00e7lar\u0131m\u0131zdan biridir. \u0130nsan\u0131n bir ekme\u011fe, bir bardak suya nas\u0131l ihtiyac\u0131 varsa; bir \u015fark\u0131ya, bir renge, bir hik\u00e2yeye de \u00f6yle ihtiyac\u0131 vard\u0131r. \u00c7\u00fcnk\u00fc sanat, insan\u0131n nefes alan ruhudur. G\u00fcn boyu a\u011f\u0131r bir i\u015fte \u00e7al\u0131\u015fan bir emek\u00e7i, ak\u015fam evine d\u00f6nd\u00fc\u011f\u00fcnde yorgun bedenini doyurur ama yorgun ruhunu da beslemek zorundad\u0131r. Bunun i\u00e7in kimi zaman bir t\u00fcrk\u00fc s\u00f6yler, kimi zaman \u00e7ocu\u011funa bir masal anlat\u0131r, kimi zaman da eline ald\u0131\u011f\u0131 kalemle birka\u00e7 sat\u0131r karalar. \u0130\u015fte bu, sanatt\u0131r. Sanat\u0131n k\u00f6k\u00fc tam da bu s\u0131radan anlar\u0131n i\u00e7indedir. Sanatla dinlenir, sanatla derdimizi anlat\u0131r, sanatla \u00f6zg\u00fcrle\u015firiz.<\/p>\n\n\n\n

Sanat Bo\u015f Zaman U\u011fra\u015f\u0131 m\u0131d\u0131r?<\/strong><\/h3>\n\n\n\n

Antik Yunan\u2019da sanat, bo\u015f zaman\u0131n s\u00fcs\u00fc de\u011fil, insan\u0131n en de\u011ferli vaktiydi. \u201cBo\u015f zaman\u201d t\u00fcketmek i\u00e7in de\u011fil, \u00fcretmek ve \u00f6zg\u00fcrle\u015fmek i\u00e7indi. Bug\u00fcn ise kapitalist d\u00fczen, bo\u015f zaman\u0131 al\u0131\u015fveri\u015f merkezlerinde t\u00fcketilecek, ekrana kilitlenecek, oyalan\u0131lacak anlar olarak sunmaktad\u0131r. Oysa ger\u00e7ek bo\u015f zaman, bask\u0131s\u0131z, \u00f6zg\u00fcr ve \u00fcretken bir zaman demektir. Sanat da tam da b\u00f6ylesi anlarda hayat bulur. Kapitalizm ise bu alan\u0131 daraltmaktad\u0131r; uzun mesai saatleri, d\u00fc\u015f\u00fck \u00fccretler, g\u00fcvencesizlik ve sanat\u0131 halktan uzakla\u015ft\u0131ran politikalarla sanat, emek\u00e7ilerin hayat\u0131na girmekte zorlanmaktad\u0131r. Bug\u00fcn insanlar\u0131n sanata vakit ay\u0131ramamas\u0131n\u0131n nedeni, onlar\u0131n \u201cisteksizli\u011fi\u201d veya \u201ctembelli\u011fi\u201d de\u011fil; sistemin dayatt\u0131\u011f\u0131 a\u011f\u0131r ya\u015fam ko\u015fullar\u0131d\u0131r. \u00c7al\u0131\u015fanlar\u0131n uzun saatlere varan i\u015f y\u00fck\u00fc, geriye kalan zamanlar\u0131n\u0131 sadece dinlenmeye ay\u0131rmalar\u0131na neden olmaktad\u0131r. Bir toplumun i\u015f\u00e7isine sanata vakit ay\u0131ramayacak kadar a\u011f\u0131r ko\u015fullar dayatmas\u0131, o toplumun \u00f6zg\u00fcrle\u015fme potansiyelini k\u00f6reltir. Sanata vakit ay\u0131rmak, yaln\u0131zca bireysel bir l\u00fcks de\u011fil, toplumsal bir hak olmal\u0131d\u0131r. Devletlerin, halk\u0131n sanat \u00fcretimine kat\u0131laca\u011f\u0131 at\u00f6lyeler, eri\u015filebilir k\u00fclt\u00fcr merkezleri, \u00f6zg\u00fcr sahneler yaratmas\u0131 gerekmektedir; ancak bunun kapitalist bir d\u00fczende m\u00fcmk\u00fcn olmayaca\u011f\u0131 \u00e7ok nettir.<\/p>\n\n\n\n

Sanat Kimlerin \u0130\u015fidir?<\/strong><\/h3>\n\n\n\n

Sanat\u0131 yaln\u0131zca \u201c\u00fcst\u00fcnlerin\u201d i\u015fi olarak g\u00f6renler, onu halktan koparmak ve ayr\u0131cal\u0131kl\u0131 bir z\u00fcmrenin elinde tutmak isterler. Bu yakla\u015f\u0131m, sanat\u0131n s\u0131n\u0131fsal bir mesele oldu\u011funu ortaya koymaktad\u0131r. \u00c7\u00fcnk\u00fc i\u015f\u00e7i, emek\u00e7i ya da dar gelirli bir insan\u0131n hayat\u0131na sanat\u0131n girmesi hem bireysel hem de toplumsal bir \u00f6zg\u00fcrle\u015fme anlam\u0131na gelir. Egemenler, tam da bu nedenle sanat\u0131 halktan uzakla\u015ft\u0131rmay\u0131 tercih eder. Tarlada s\u00f6ylenen t\u00fcrk\u00fcden, duvarlara \u00e7izilen resimden, fabrikadan \u00e7\u0131kan hik\u00e2yeden korkarlar. Ama t\u00fcm ger\u00e7ekli\u011fiyle sanat, yukar\u0131dan a\u015fa\u011f\u0131ya inen bir ayr\u0131cal\u0131k de\u011fil; halk\u0131n g\u00fcndelik ya\u015fam\u0131nda filizlenen bir ihtiya\u00e7t\u0131r. Ve tarihin her d\u00f6neminde ezilenlerin sanat\u0131, egemenlere kar\u015f\u0131 m\u00fccadele arac\u0131 olarak kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\u00dcstelik sanat i\u00e7in b\u00fcy\u00fck b\u00fct\u00e7elere gerek yoktur. Bir f\u0131r\u00e7a ve eski bir tahta par\u00e7as\u0131, bir resim i\u00e7in yeterlidir. Birka\u00e7 ki\u015fi yan yana gelip sokakta bir oyun oynayabilir. Bir ka\u015f\u0131k bir tava ile ritim tutup \u015fark\u0131 s\u00f6ylemek bile en b\u00fcy\u00fck orkestran\u0131n verece\u011fi co\u015fkuyu ya\u015fatabilir. T\u00fcm bunlar, sanat\u0131n en yal\u0131n ve en \u00f6zg\u00fcr bi\u00e7imleridir. Sanat, pahal\u0131 sergilerin, \u00f6zel tiyatrolar\u0131n, bilet kuyruklar\u0131n\u0131n \u00f6tesindedir; sokakta, evde, i\u015fyerinde, k\u0131sacas\u0131 insan\u0131n oldu\u011fu her yerde vard\u0131r. Burjuvazinin yaln\u0131zca paras\u0131 olanlara sundu\u011fu bir ayr\u0131cal\u0131k de\u011fil; emek\u00e7ilerin ya\u015fam\u0131n\u0131 g\u00fczelle\u015ftiren, dayan\u0131\u015fmay\u0131 b\u00fcy\u00fcten ortak bir dildir.<\/p>\n\n\n\n

Sonu\u00e7 Olarak<\/strong><\/h3>\n\n\n\n

Sanat, ne bo\u015f zaman\u0131n s\u00fcs\u00fc ne de l\u00fcks t\u00fcketimin bir par\u00e7as\u0131d\u0131r. Sanat, halk\u0131n ya\u015fam\u0131na dokunan, onu d\u00f6n\u00fc\u015ft\u00fcren ve \u00f6zg\u00fcrle\u015ftiren bir pratiktir. \u0130nsan\u0131n en \u00f6zg\u00fcr zaman\u0131nda k\u00f6k salan, kolektif ya\u015fam\u0131n i\u00e7inde verilen emekle b\u00fcy\u00fcyen bir g\u00fc\u00e7t\u00fcr ve ancak halk\u0131n i\u00e7inden geldi\u011fi zaman devrimci bir enerjiye d\u00f6n\u00fc\u015febilir. \u015eimdi bize d\u00fc\u015fen ise; devleti, sanat\u0131 halk\u0131n ya\u015fam\u0131n\u0131n do\u011fal bir par\u00e7as\u0131 haline getirecek ko\u015fullar\u0131 yaratmaya zorlamakt\u0131r. \u00c7al\u0131\u015fma saatlerini k\u0131saltmak, k\u00fclt\u00fcrel etkinlikleri eri\u015filebilir k\u0131lmak, sanat\u00e7\u0131lar\u0131 desteklemek ve her bireyin \u00fcretici yan\u0131n\u0131 ortaya \u00e7\u0131karabilece\u011fi alanlar a\u00e7mak. T\u00fcm bunlar, ger\u00e7ekle\u015fmesi imk\u00e2ns\u0131z istekler de\u011fil; daha g\u00fczel bir d\u00fcnya kurmak i\u00e7in at\u0131lacak ad\u0131mlard\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bug\u00fcn h\u00e2l\u00e2 bir\u00e7ok \u00e7evrede sanat, \u201cbo\u015f zamanlarda u\u011fra\u015f\u0131lacak\u201d bir hobi ya da l\u00fcks olarak g\u00f6r\u00fcl\u00fcyor. Oysa bu g\u00f6r\u00fc\u015f, sanat\u0131n toplumsal de\u011ferini k\u00fc\u00e7\u00fcmseyen, onu \u00fcretim s\u00fcre\u00e7lerinin<\/p>\n","protected":false},"author":17,"featured_media":11603,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[67,38,42,1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2025\/10\/ARGASDI_SAYI_79_son_hal1-2.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-318","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11602"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11602"}],"version-history":[{"count":3,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11602\/revisions"}],"predecessor-version":[{"id":11710,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11602\/revisions\/11710"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/11603"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}