{"id":11872,"date":"2026-02-24T07:30:00","date_gmt":"2026-02-24T05:30:00","guid":{"rendered":"https:\/\/baraka.cc\/?p=11872"},"modified":"2026-01-30T19:03:20","modified_gmt":"2026-01-30T17:03:20","slug":"nazim-hikmetin-muzigi-selcuk-manecioglu","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=11872","title":{"rendered":"Naz\u0131m Hikmet’in M\u00fczi\u011fi – Sel\u00e7uk Manecio\u011flu"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

T\u00fcrk ve D\u00fcnya Edebiyat\u0131n\u0131n en \u00f6nemli \u015fairlerinden ve edebiyat\u00e7\u0131lar\u0131ndan olan Naz\u0131m Hikmet, tiyatro eserleri, yaz\u0131lar\u0131, \u015fiirleri ile sanata b\u00fcy\u00fck katk\u0131lar sa\u011flam\u0131\u015f, eserleri d\u00fcnya \u00fczerinde ba\u015fka toplumlar taraf\u0131ndan bir\u00e7ok dile \u00e7evrilmi\u015f ve sanat ad\u0131na \u00f6nemli izler b\u0131rakm\u0131\u015ft\u0131r. Naz\u0131m\u0131n eserleri sadece \u015fiir, tiyatro gibi sanat dallar\u0131nda s\u0131n\u0131rl\u0131 kalmay\u0131p \u00fcretimlerinin \u00e7o\u011fu kendi \u00fclkesi ve d\u00fcnyan\u0131n di\u011fer \u00fclkelerindeki m\u00fczisyenler taraf\u0131ndan bestelenerek \u015fark\u0131, operet, oratoryo ve m\u00fczikallere d\u00f6n\u00fc\u015ft\u00fcr\u00fclerek g\u00fcn\u00fcm\u00fcze dek \u00f6l\u00fcms\u00fcz hale getirilmi\u015ftir.<\/p>\n\n\n\n

Naz\u0131m Hikmet\u2019in eserlerinin m\u00fczik ile ba\u011flant\u0131s\u0131 ilk olarak 1930\u2019lu y\u0131llarda olu\u015fmaya ba\u015flam\u0131\u015ft\u0131r. Senaryosunu kendisinin yazd\u0131\u011f\u0131 \u201cMineli Ku\u015f\u201d filmi i\u00e7in iki \u015fark\u0131 s\u00f6z\u00fc de haz\u0131rlar. Bu \u015fark\u0131 s\u00f6zleri besteci ve m\u00fczisyen olan Mesut Cemil taraf\u0131ndan notaya al\u0131n\u0131p seslendirilir. Fakat Naz\u0131m Hikmet\u2019in politik davalar\u0131 ve yasaklar\u0131 y\u00fcz\u00fcnden film ile birlikte \u015fark\u0131lar\u0131 da yar\u0131da kalm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

1933 y\u0131l\u0131nda T\u00fcrkiye\u2019de \u201cT\u00fcrk Be\u015fleri\u201d olarak adland\u0131r\u0131lan be\u015f \u00f6nemli Klasik T\u00fcrk M\u00fczi\u011fi bestecilerinden ilki olan Cemal Re\u015fit Rey \u201cL\u00fck\u00fcs Hayat\u201d isimli opereti haz\u0131rlamaktayd\u0131. Bu operetin \u015fark\u0131 s\u00f6zlerini Ekrem Re\u015fit Rey yazmaktayd\u0131. \u015eark\u0131n\u0131n geriye kalan s\u00f6zlerini yeti\u015ftirememesinden dolay\u0131 Naz\u0131m Hikmet\u2019den yard\u0131m ister ve Cemal Re\u015fit Rey\u2019in M\u00fczi\u011fi ile Naz\u0131m Hikmet\u2019in s\u00f6zlerinin birle\u015fti\u011fi bir \u015fark\u0131 ortaya \u00e7\u0131kar. Naz\u0131m, bu m\u00fczikalde bir ana ak\u0131m e\u011flence m\u00fczi\u011fine bile s\u0131n\u0131fsal bak\u0131\u015f\u0131 yans\u0131tmay\u0131 ba\u015farm\u0131\u015ft\u0131r. Klasik M\u00fczik formunda da ilk olarak Naz\u0131m\u2019\u0131n \u015fiirleri bu operette ba\u015flar.<\/p>\n\n\n\n

Klasik m\u00fczik formunda son \u00fcretim 2007 y\u0131l\u0131nda Faz\u0131l Say\u2019\u0131n Naz\u0131m \u015fiirlerinden besteledi\u011fi \u201cNaz\u0131m Hikmet Oratoryosu\u201d dur. Genco Erkal, Zuhal Olcay gibi \u00f6nemli isimlerin yer ald\u0131\u011f\u0131 bu Oratoryo da Naz\u0131m\u2019\u0131n memleket hasreti, hapishane y\u0131llar\u0131, Hiro\u015fima gibi \u00f6nemli konular i\u00e7ermektedir.<\/p>\n\n\n\n

Naz\u0131m Hikmet\u2019in \u015fiirlerinin dayan\u0131\u015fma m\u00fczi\u011fi olarak bestelenmesi 1960\u2019l\u0131 y\u0131llar\u0131n ba\u015flar\u0131na denk gelir, ilk besteleyen Pete Seeger ise Naz\u0131m\u2019\u0131n \u201cK\u00fc\u00e7\u00fck bir K\u0131z \u00c7ocu\u011fu\u201d \u015fiirini se\u00e7mi\u015ftir. Bir \u0130sko\u00e7 halk \u015fark\u0131s\u0131na Naz\u0131m\u2019\u0131n \u015fiirini uyarlayan Seeger\u2019\u0131n besteledi\u011fi bu \u015fark\u0131 ritmik ve melodik anlamda \u201cKlasik Amerikan Protest Folk M\u00fczi\u011fi\u201d \u00f6geleri ta\u015f\u0131maktad\u0131r.<\/p>\n\n\n\n

1965 y\u0131l\u0131nda Yves Montand, \u201c D\u00fcnyan\u0131n En Tuhaf Mahluku\u201d \u015fiirini \u201cMon Frere (Akrep Gibisin)\u201d ad\u0131yla bestelemi\u015ftir. 1971 y\u0131l\u0131nda Ruhi Su\u2019nun \u201cSeferberlik T\u00fcrk\u00fcs\u00fc\u201d ad\u0131yla yay\u0131nlanan alb\u00fcm\u00fcnde Naz\u0131m\u2019\u0131n \u201cDavet\u201d \u015fiiri bulunmaktad\u0131r. Bu \u015fiir bestelendikten sonra alb\u00fcmde \u201cS\u00fcvarinin T\u00fcrk\u00fcs\u00fc\u201d ad\u0131yla yer al\u0131r. Yap\u0131lan bu beste ile Ruhi Su, T\u00fcrkiye\u2019de Naz\u0131m Hikmet \u015fiirini besteleyen ilk besteci olarak an\u0131lmaktad\u0131r.<\/p>\n\n\n\n

Ruhi Su\u2019dan sonra Selda Ba\u011fcan, Cem Karaca, Edip Akbayram, Ahmet Kaya, \u0130lhan \u015ee\u015fen, Esin Av\u015far, Kerem G\u00fcney, Ezginin G\u00fcnl\u00fc\u011f\u00fc ve Z\u00fclf\u00fc Livaneli gibi \u00f6nemli m\u00fczisyenler taraf\u0131ndan da Naz\u0131m Hikmet \u015fiirleri bestelenmi\u015ftir. M\u00fczik tarihine bakl\u0131d\u0131\u011f\u0131nda Z\u00fclf\u00fc Livaneli, Naz\u0131m Hikmet \u015fiirlerini en \u00e7ok besteleyen besteci olarak g\u00f6r\u00fclmektedir.<\/p>\n\n\n\n

Naz\u0131m Hikmet\u2019in \u015fiirleri, m\u00fczi\u011fin hemen hemen t\u00fcm alanlar\u0131nda yerini almay\u0131 ba\u015farm\u0131\u015ft\u0131r. Bazen sahnede \u00e7a\u011fda\u015f bir klasik m\u00fczik ile, bazen bir t\u00fcrk\u00fc formunda, bazen protest halk m\u00fczi\u011fi ile, bazen de pop, rock gibi bir\u00e7ok m\u00fczik tarz\u0131nda hayat bulur Naz\u0131m\u2019\u0131n \u015fiirleri.<\/p>\n\n\n\n

Kaynak:
www<\/a>.<\/a>gazeteduvar.com.trmemleketten-ve-dunyadan-nazim-hikmet-sarkilari<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk ve D\u00fcnya Edebiyat\u0131n\u0131n en \u00f6nemli \u015fairlerinden ve edebiyat\u00e7\u0131lar\u0131ndan olan Naz\u0131m Hikmet, tiyatro eserleri, yaz\u0131lar\u0131, \u015fiirleri ile sanata b\u00fcy\u00fck katk\u0131lar sa\u011flam\u0131\u015f, eserleri d\u00fcnya \u00fczerinde ba\u015fka<\/p>\n","protected":false},"author":17,"featured_media":11873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,38,42,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2026\/01\/image-24.png","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-35u","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11872"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11872"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11872\/revisions"}],"predecessor-version":[{"id":11874,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/11872\/revisions\/11874"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/11873"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}