{"id":12321,"date":"2026-09-22T14:21:40","date_gmt":"2026-09-22T12:21:40","guid":{"rendered":"https:\/\/baraka.cc\/?p=12321"},"modified":"2026-09-22T14:21:43","modified_gmt":"2026-09-22T12:21:43","slug":"yasamadi-da-olumu-de-adayi-birlestiren-kadin-sevgul-uludag-alasya-sansal-rahvancioglu-feministiz-82-sayi","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=12321","title":{"rendered":"Ya\u015famad\u0131 da \u00d6l\u00fcm\u00fc de Aday\u0131 Birle\u015ftiren Kad\u0131n: SEVG\u00dcL ULUDA\u011e – Ala\u015fya \u015eansal Rahvanc\u0131o\u011flu (Feminist\u0130Z 82. Say\u0131)"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

Ge\u00e7ti\u011fimiz Haziran adam\u0131z, \u00e7ok de\u011ferli bir gazeteci, yazar ve bar\u0131\u015f tutkununu kaybetti. Sevg\u00fcl Uluda\u011f, sadece bir gazeteci de\u011fildi; \u00f6mr\u00fcn\u00fc bu adan\u0131n ortak yaralar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmaya adam\u0131\u015f bir bar\u0131\u015f a\u015f\u0131\u011f\u0131yd\u0131 ayn\u0131 zamanda.<\/p>\n\n\n\n

Sevg\u00fcl Uluda\u011f 1958 y\u0131l\u0131nda Lefko\u015fa\u2019da d\u00fcnyaya geldi ve gazetecilik kariyerine 1980 y\u0131l\u0131nda Northern Weekly Mail ile ba\u015flad\u0131. Cyprus Today, K\u0131br\u0131s Postas\u0131, Halk\u0131n Sesi, Bozkurt, Politis, Ortam, Vatan ve Yenid\u00fczen gazetelerinde, Olay ve K\u0131br\u0131sl\u0131 dergilerinde, Bianet\u2019te yaz\u0131lar yazd\u0131. Kitaplar\u0131 ise \u015funlard\u0131r: \u201cPetroyka Notlar\u0131\u201d, \u201cKad\u0131nlar \u0130\u00e7in Politika Strateji ve Planlama\u201d, \u201cCyprus: The Untold Stories\u201d ve \u201c\u0130ncisini Kaybeden \u0130stiridyeler\u201d. Ayr\u0131ca \u201cMilliyet\u00e7ili\u011fin \u00d6ks\u00fcz B\u0131rakt\u0131klar\u0131\u201d ad\u0131nda bir r\u00f6portaj serisi de yazm\u0131\u015f ve Yenizd\u00fczen\u2019de yay\u0131mlam\u0131\u015ft\u0131r. Gazetecilik kariyerinin ba\u015flar\u0131nda K\u0131br\u0131s Postas\u0131\u2019nda yay\u0131mlad\u0131\u011f\u0131 yaz\u0131 serisi \u201cGen\u00e7lik Gen\u00e7lik Dedi\u011fimiz\u201d adan\u0131n gen\u00e7leriyle, sorunlar\u0131 ile ilgili r\u00f6portajlar i\u00e7ermi\u015ftir. Bu seri kapsam\u0131nda madde ba\u011f\u0131ml\u0131s\u0131, i\u015fsiz ve asker gen\u00e7lerle konu\u015fup bu halk\u0131n gen\u00e7lerinin, tabu olarak g\u00f6r\u00fcnen dertlerini gazete sayfalar\u0131na ta\u015f\u0131ma cesareti g\u00f6stermi\u015ftir. Uluda\u011f\u2019\u0131n tabular\u0131 de\u015fme ve ger\u00e7e\u011fi \u00e7\u0131r\u0131l\u00e7\u0131plak safl\u0131\u011f\u0131yla sayfalara ta\u015f\u0131maya olan adanm\u0131\u015fl\u0131\u011f\u0131 gazetecilik kariyerinin en ba\u015f\u0131ndan beri barizdi. Bu yaz\u0131 serisi, askerin i\u00e7erisindeki fiziksel \u015fiddeti g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kard\u0131\u011f\u0131 nedeniyle K\u0131br\u0131s Postas\u0131\u2019ndan ayr\u0131lmas\u0131na sebep olmu\u015ftur.<\/p>\n\n\n\n

Sevg\u00fcl Uluda\u011f, sonraki gazetecilik hayat\u0131n\u0131n b\u00fcy\u00fck \u00e7o\u011funlu\u011funda Yenid\u00fczen gazetesinde yazm\u0131\u015ft\u0131r. Ayr\u0131ca 2001\u2019de K\u0131br\u0131sl\u0131 T\u00fcrk toplumunun ilk internet dergisi olan Hamamb\u00f6c\u00fcleri\u2019nin yay\u0131mlamas\u0131na katk\u0131da bulunmu\u015ftur. Dergi, \u201ccopy left\u201d olarak sanal bir ortamda okurla bulu\u015fmu\u015f ve mottosu \u201cHamamb\u00f6c\u00fcleri pis de\u011fildirler. Pislikleri temizlemek i\u00e7in ya\u015farlar. Devlet hamamb\u00f6c\u00fclerini sevmez \u00e7\u00fcnk\u00fc hamamb\u00f6c\u00fcleri ona ne kadar pis oldu\u011funu hat\u0131rlat\u0131r!\u201d olarak belirtilmi\u015ftir. Uluda\u011f, ya\u015fam\u0131 boyunca K\u0131br\u0131s\u2019ta bar\u0131\u015f ve kad\u0131n hareketine adanm\u0131\u015f bir aktivistti. Adan\u0131n halklar\u0131n\u0131n bir araya gelmesini sa\u011flayarak, bar\u0131\u015f i\u00e7in bir yol a\u00e7\u0131lmas\u0131na \u00f6nc\u00fcl\u00fck etti.<\/p>\n\n\n\n

Sevg\u00fcl Uluda\u011f\u2019\u0131n en \u00e7arp\u0131c\u0131 \u00f6zelliklerinden biri gelece\u011fe ve gen\u00e7li\u011fe olan inanc\u0131 olabilir. Besledi\u011fi bu umut, kendini var etti\u011fi her alana ta\u015f\u0131yor, adada bar\u0131\u015f, beraberlik ve gelecek ad\u0131na at\u0131lan her ad\u0131mda orada bulunmas\u0131na ve kendini toplumun \u00f6nemli bir \u00f6znesi olarak tarihe kaz\u0131mas\u0131na katk\u0131 sa\u011fl\u0131yordu. Baraka K\u00fclt\u00fcr Merkezi\u2019nin ilk y\u0131llar\u0131nda, derne\u011fin kurucu metinlerinden say\u0131lan r\u00f6portaj\u0131 ger\u00e7ekle\u015ftirmi\u015f olmas\u0131, Baraka\u2019n\u0131n kurulu\u015f amac\u0131n\u0131 ve hedeflerini ifade etmesine vesile olmas\u0131, bizler i\u00e7in \u00e7ok anlaml\u0131 bir emektir. Kendilerine yeni bir var olu\u015f alan\u0131 a\u00e7ma hevesiyle yola \u00e7\u0131kan gen\u00e7lerin fikirlerine ve ama\u00e7lar\u0131na inan\u0131p, s\u00f6zlerini ve emellerini yaz\u0131ya ta\u015f\u0131ma deste\u011fini g\u00f6stermesi, onun gen\u00e7li\u011fe ve gelece\u011fe olan inanc\u0131n\u0131n kan\u0131t\u0131 niteli\u011findedir.<\/p>\n\n\n\n

K\u0131br\u0131s\u2019ta bar\u0131\u015f,birlik ve dayan\u0131\u015fma alanlar\u0131nda at\u0131lan her ad\u0131ma ya \u00f6nc\u00fc ya da destek olan Sevg\u00fcl Uluda\u011f, Baraka\u2019n\u0131n da bile\u015feni oldu\u011fu \u201cSava\u015fa Hay\u0131r Koalisyonu\u201d taraf\u0131ndan d\u00fczenlenen \u201cOrtak Ac\u0131m\u0131z ve Gelece\u011fimiz Bizi Birle\u015ftiriyor\u201d etkinliklerinin de \u00f6znesi olmu\u015ftur. 2007 y\u0131l\u0131nda organize edilen bu etkinlik, bir panelden ve ortak mezar ziyaretlerinden olu\u015fan bir programa sahipti. \u0130ki halk\u0131n da kay\u0131plar\u0131 i\u00e7in, ortak mezarlara \u00e7i\u00e7ek konulmas\u0131 planlanan etkinlikte, K\u0131br\u0131sl\u0131 T\u00fcrkler ve Elenler g\u00fcneydeki bir toplu mezara \u00e7i\u00e7ek koyduktan sonra kuzeydeki bir toplu mezara gitmek \u00fczere beraber hareket ettiler. Ancak K\u0131br\u0131s\u2019\u0131n kuzeyindeki polisin m\u00fcdahaleleri y\u00fcz\u00fcnden eylemde karga\u015fa \u00e7\u0131kt\u0131 ve K\u0131br\u0131sl\u0131 Elenlerin, kuzeydeki ortak mezarlara bar\u0131\u015f\u00e7\u0131l bir ziyaret i\u00e7in ge\u00e7i\u015fleri bu fa\u015fist zihniyet taraf\u0131ndan engellenmeye \u00e7al\u0131\u015f\u0131ld\u0131. Bu eylemlerin \u00f6nemli bir par\u00e7as\u0131 olan Uluda\u011f, her iki taraftaki toplu mezarlarda eylemcilere kay\u0131plar ve g\u00f6m\u00fc alanlar\u0131 ile ilgili bilgiler verdi.<\/p>\n\n\n\n

Sevg\u00fcl Uluda\u011f\u2019\u0131n geride b\u0131rakt\u0131\u011f\u0131 en de\u011ferli kaynaklar adam\u0131z\u0131n ge\u00e7mi\u015finin a\u00e7t\u0131\u011f\u0131 yaralar\u0131 insani bir yerden g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kard\u0131\u011f\u0131 r\u00f6portajlar\u0131 olabilir. Bunlardan 3 tanesi, \u201c\u0130ncisini Kaybeden \u0130stiridyeler\u201d kitab\u0131nda bir araya getirilip bas\u0131lm\u0131\u015ft\u0131r. Kitaba ad\u0131n\u0131 veren seri, babas\u0131n\u0131 kaybeden \u00e7ocuklar\u0131n hikayelerini aktar\u0131yordu. Uluda\u011f, bu b\u00f6l\u00fcm\u00fcn giri\u015fine \u015f\u00f6yle yazm\u0131\u015ft\u0131 \u201cKaybolanlar, te\u015fkilatlar\u0131 y\u00f6netenler, sava\u015f karar\u0131 verenler, g\u00f6\u00e7 karar\u0131 verenler de\u011fildi, emek\u00e7ilerdi.(\u2026)<\/p>\n\n\n\n

Bu topraklarda hayatlar\u0131n\u0131 al\u0131n teri d\u00f6kerek kazananlard\u0131.\u201d Kitab\u0131n ikinci b\u00f6l\u00fcm\u00fc olan r\u00f6portaj dizisi \u201cKay\u0131plar\u0131n \u0130zinde\u201d, sava\u015f\u0131n \u00e7irkin y\u00fcz\u00fcn\u00fc, a\u00e7t\u0131\u011f\u0131 yaralar\u0131 ve geride b\u0131rakt\u0131\u011f\u0131 belirsiz bo\u015flu\u011fu seriyor sayfalara. Sevg\u00fcl Uluda\u011f, bu b\u00f6l\u00fcm\u00fcn giri\u015fini \u015fu c\u00fcmlelerle tamaml\u0131yor: \u201cO \u00e7irkin s\u00f6zc\u00fckten, \u2018sava\u015f\u2019tan arta kalan b\u00fct\u00fcn yaralar\u0131m\u0131z\u0131 sarmad\u0131k\u00e7a, iyile\u015ftirmedik\u00e7e, \u2018tabu\u2019 olmaktan \u00e7\u0131karmad\u0131k\u00e7a, \u2018bar\u0131\u015f\u2019 denen o b\u00fcy\u00fcl\u00fc topraklara asla ula\u015famayaca\u011f\u0131z \u00e7\u00fcnk\u00fc\u2026\u201d Sava\u015f\u0131n ortak yaralar\u0131n\u0131 beraber sarman\u0131n, bu ac\u0131lar\u0131 payla\u015fman\u0131n \u00f6nemini vurguluyor Uluda\u011f, ki \u201cbir daha asla b\u00f6ylesi cinayetlerin i\u015flenemeyece\u011fi yeni bir \u00fclke yaratma cesaretini bulabilelim\u2026\u201d Kitab\u0131n son b\u00f6l\u00fcm\u00fcn\u00fc olu\u015fturan r\u00f6portaj serisi ise \u201c\u00d6l\u00fcm\u00fcn K\u0131y\u0131s\u0131ndan D\u00f6nenler\u201din hikayelerini kendi a\u011f\u0131zlar\u0131ndan anlatmalar\u0131 i\u00e7in bir platform sa\u011fl\u0131yor. Bu kitab\u0131n bir par\u00e7as\u0131 olmayan di\u011fer bir s\u00f6yle\u015fi derlemesi ise \u201cMilliyet\u00e7ili\u011fin \u00d6ks\u00fcz B\u0131rakt\u0131klar\u0131\u201d isminde, iki taraf\u0131n da milliyet\u00e7i \u00f6rg\u00fctleri taraf\u0131ndan \u00f6ld\u00fcr\u00fclen insanlar\u0131n aileleri ile r\u00f6portaj yapt\u0131\u011f\u0131 bir seridir. Sevg\u00fcl Uluda\u011f, bar\u0131\u015f gazetecili\u011fi kapsam\u0131nda da incelenebilir. Bu gazetecilik alan\u0131, sava\u015f\u0131n trajedisini ve buruklu\u011funu, bar\u0131\u015f in\u015fa etme amac\u0131yla ela alan, bu ac\u0131lar\u0131 \u00e7at\u0131\u015fma ve nefreti de\u011fil, uzla\u015f\u0131 ve insani anlay\u0131\u015f\u0131 te\u015fvik etme amac\u0131yla kullanan bir gazeteciliktir. Medyan\u0131n bar\u0131\u015f\u0131 desteklemekte ve in\u015fa etmekte bir sorumlulu\u011fu oldu\u011funun alt\u0131n\u0131 \u00e7izerek, sadece var olan \u00e7at\u0131\u015fmalara n\u00fcansla yakla\u015fmakla kalmay\u0131p, ayn\u0131 zamanda bu \u00e7at\u0131\u015fmalar\u0131n tarihsel altyap\u0131lar\u0131n\u0131 da g\u00f6z \u00f6n\u00fcnde bulundurmay\u0131 te\u015fvik eder.<\/p>\n\n\n\n

Sevg\u00fcl Uluda\u011f\u2019\u0131n K\u0131br\u0131s\u2019\u0131n ortak kay\u0131plar\u0131na yakla\u015f\u0131m\u0131 ve bar\u0131\u015f in\u015fa etmeye olan umudu bu ba\u011flamda bar\u0131\u015f gazetecili\u011finin g\u00fczel bir \u00f6rne\u011fidir. Yenid\u00fczen\u2019de 11 Mart 2026\u2019da yay\u0131mlanan \u201cKay\u0131plar\u0131m\u0131z\u0131 kuyularda ararken, sava\u015f bulutlar\u0131 yeniden \u00fcst\u00fcm\u00fczde\u201d adl\u0131 yaz\u0131s\u0131nda da alt\u0131n\u0131 \u00e7izdi\u011fi gibi, \u00e7at\u0131\u015fman\u0131n nelere mal oldu\u011funu bilen bir toplumun mensubu olarak, co\u011frafyam\u0131zda yarat\u0131lan ve normalle\u015ftirilmek istenen sava\u015f ortam\u0131na \u0131srarla \u201cHAYIR\u201d demi\u015ftir.<\/p>\n\n\n\n

Sevg\u00fcl Uluda\u011f\u2019\u0131n r\u00f6portajlar\u0131, sava\u015f\u0131n korkun\u00e7lu\u011funu \u00e7\u0131r\u0131l\u00e7\u0131plak bir \u015fekilde yans\u0131t\u0131yor olsa da, iki taraf\u0131n da milliyet\u00e7ileri taraf\u0131ndan hi\u00e7bir zaman kullan\u0131lamad\u0131. Bu ac\u0131lar\u0131n korkun\u00e7lu\u011fu hi\u00e7bir zaman d\u00fc\u015fmanl\u0131\u011f\u0131 ve nefreti k\u00f6r\u00fcklemeye alet edilemedi. Bunun nedeni, her iki taraf\u0131n da ortak ac\u0131lar\u0131n\u0131 halklar\u0131n karde\u015fli\u011fi temelinde yans\u0131t\u0131yor olmas\u0131 ve her sat\u0131r\u0131n bar\u0131\u015f umudunu tekrardan in\u015fa etmeye olan adanm\u0131\u015fl\u0131\u011f\u0131yd\u0131. Onun miras\u0131, K\u0131br\u0131s\u2019\u0131n kay\u0131plar\u0131n\u0131, ac\u0131lar\u0131n\u0131, kanayan yaralar\u0131n\u0131, trajedilerini iki taraf\u0131n da milliyet\u00e7ilerinin elinden s\u00f6k\u00fcp al\u0131p, bunlar\u0131 insani bir mesele haline getirme cesaretidir. Daha da \u00f6nemlisi, adam\u0131z\u0131n sava\u015f kay\u0131plar\u0131n\u0131 birer birer ele al\u0131p, onlar\u0131 bar\u0131\u015fa giden yolda yol g\u00f6sterici ve birle\u015ftirici olarak kullanmas\u0131d\u0131r.<\/p>\n\n\n\n

Ya\u015fam\u0131n\u0131 ba\u015fkalar\u0131n\u0131n ac\u0131lar\u0131na adayan Sevg\u00fcl Uluda\u011f, hayat\u0131n\u0131n son d\u00f6nemindeki hastal\u0131\u011f\u0131n\u0131 ve ac\u0131lar\u0131n\u0131 kendine saklamay\u0131 ye\u011flemi\u015f. Pek \u00e7ok seveni onunla cenazesinde vedala\u015fabildi. Cenazesi de t\u0131pk\u0131 hayat\u0131 gibi iki toplumlu, samimi bir bulu\u015fmaya vesile oldu.<\/p>\n\n\n\n

2002 y\u0131l\u0131nda, daha yeni kurulan derne\u011fimizin a\u00e7\u0131lmas\u0131 \u00fcst\u00fcne yazd\u0131\u011f\u0131 \u201cBaraka\u201d adl\u0131 yaz\u0131s\u0131nda umudunu kaybetmekten korktu\u011fundan bahsediyor Sevg\u00fcl Uluda\u011f; \u201c(G)\u00f6z\u00fcm arkada kalmak istemiyordum, bundan emin olmak istiyordum \u00e7\u00fcnk\u00fc \u00e7evremde olup bitenler d\u00fc\u015f k\u0131r\u0131kl\u0131\u011f\u0131 yarat\u0131yordu\u2026 \u0130lkeler \u00e7i\u011fneniyordu, \u2018yolda\u015f\u2019 \u2018yolda\u015f\u2019\u0131 sat\u0131yor, \u2018ihanet\u2019 ediyor, \u2018arkadan b\u0131\u00e7akl\u0131yor\u2019du\u2026 Bunun ger\u00e7ek olamayaca\u011f\u0131na inanmak istiyordum\u2026 Belki her \u015feyin \u00f6zeti tek s\u00f6zc\u00fckt\u00fc \u2018umut\u2019\u2026 Hala \u2018umut\u2019 oldu\u011funa inanmaya \u00e7ok ihtiyac\u0131m vard\u0131. Sonraki sat\u0131rlar\u0131nda Barakan\u0131n a\u00e7\u0131l\u0131\u015f etkinli\u011fine kat\u0131lmak isteyip kat\u0131lamad\u0131\u011f\u0131ndan s\u00f6z ediyor fakat \u201cy\u00fcre\u011fim orda at\u0131yordu\u201d diyor. \u201cBaraka az\u0131nl\u0131klar\u0131n d\u00fc\u015f\u00fc: gen\u00e7li\u011fin direni\u015fi, biz orta ya\u015f militanlar\u0131n\u0131n vizyonlar\u0131ndan farkl\u0131 kendi vizyonlar\u0131n\u0131 kovalay\u0131\u015f\u0131\u2026 Bunun i\u00e7in emek harcay\u0131\u015f\u0131, al\u0131n teri d\u00f6k\u00fc\u015f\u00fc\u2026 Baraka\u2019ya \u201cMerhaba\u201d diyorum! Elbette umutla!\u201d<\/p>\n\n\n\n

Sevg\u00fcl Uluda\u011f\u2019a veda ederken, onu umuduyla an\u0131yoruz. Gen\u00e7li\u011fe olan umuduyla. Bu adaya olan umuduyla. Gelece\u011fe olan umuduyla. Bar\u0131\u015fa olan umuduyla\u2026 Umut ad\u0131na d\u00f6kt\u00fc\u011f\u00fc al\u0131n teriyle an\u0131yoruz onu. Ve bu adan\u0131n gen\u00e7leri, emek\u00e7ileri olarak, ya\u015fam\u0131 da \u00f6l\u00fcm\u00fc de aday\u0131 birle\u015ftiren kad\u0131n Sevg\u00fcl Uluda\u011f\u2019\u0131n g\u00f6z\u00fcn\u00fcn arkada kalmayaca\u011f\u0131 bir gelecek in\u015fa edece\u011fiz.<\/p>\n\n\n\n

Kaynaklar: Irvan, S. (2008) \u201cOral History as a Method for Peace Journalists: Sevg\u00fcl Uluda\u011f as a Case Study\u201d, Faculty of Communication and Media Studies Eastern Mediterranean University, sf. 245-251.<\/p>\n\n\n\n

Uluda\u011f, S. (2026) \u201cKay\u0131plar\u0131m\u0131z\u0131 kuyularda ararken, sava\u015f bulutlar\u0131 yeniden tepemizde\u2026\u201d, Yenid\u00fczen, 11 Mart. Link: https:\/\/www.yeniduzen.com\/kayiplarimizi-kuyularda-ararken-savasbulutlari-yeniden-tepemizde-25248yy.htm <\/p>\n\n\n\n

Baysal, B. (2006) \u201cK\u00fct\u00fcp-ha!-ne? Ben okudum, pek hazettim. \u0130ncisini Kaybeden \u0130stiridyeler\u201d, Argasdi, 3 (3.5), sf. 36.<\/p>\n\n\n\n

Hamamb\u00f6c\u00fcleri (2001) Link: https:\/\/web.archive.org\/web\/20250214120320\/https:\/\/hamamboculeri.org\/<\/p>\n\n\n\n

Uluda\u011f, S. (2002) \u201cM\u00fcn\u00fcr Rahvanc\u0131o\u011flu ve Osman Mekans\u0131z anlatt\u0131: Baraka K\u00fclt\u00fcr Merkezi\u201d Yenge\u00e7 Sepeti. Link: https:\/\/www.baraka.cc\/ down\/km3.doc <\/p>\n\n\n\n

Uluda\u011f, S. (2002) \u201cBaraka\u201d Yeralt\u0131 Notlar\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"

Ge\u00e7ti\u011fimiz Haziran adam\u0131z, \u00e7ok de\u011ferli bir gazeteci, yazar ve bar\u0131\u015f tutkununu kaybetti. Sevg\u00fcl Uluda\u011f, sadece bir gazeteci de\u011fildi; \u00f6mr\u00fcn\u00fc bu adan\u0131n ortak yaralar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmaya<\/p>\n","protected":false},"author":8,"featured_media":12322,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[40,67,38,9,42,1,39],"tags":[],"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/12321"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12321"}],"version-history":[{"count":2,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/12321\/revisions"}],"predecessor-version":[{"id":12324,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/12321\/revisions\/12324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/12322"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}