{"id":2226,"date":"2014-03-03T09:45:13","date_gmt":"2014-03-03T07:45:13","guid":{"rendered":"https:\/\/baraka.cc\/?p=2226"},"modified":"2014-03-03T09:45:13","modified_gmt":"2014-03-03T07:45:13","slug":"tukenis-guzergahiniz-size-kalsin-biz-sanat-ve-direnisi-alalim","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=2226","title":{"rendered":"\u201cT\u00fckeni\u015f G\u00fczergah\u0131\u201dn\u0131z Size Kals\u0131n, Biz \u201cSanat ve Direni\u015f\u201di Alal\u0131m!"},"content":{"rendered":"

Say\u0131n \u00dcmit \u0130nat\u00e7\u0131,<\/p>\n

\"inatci_makale\"<\/a>10 \u015eubat Pazartesi tarihli Realist Gazetesi\u2019nde yer alan \u201cArabahmet K\u00fclt\u00fcr Evi\u201d ba\u015fl\u0131kl\u0131 yaz\u0131n\u0131z\u0131, k\u00fclt\u00fcr-sanata k\u0131ymet verdi\u011finizi ve sol de\u011ferlere itibar etti\u011finizi sand\u0131\u011f\u0131mdan dolay\u0131 hayretler i\u00e7erisinde okudum. Belediyeye, yani t\u00fcm beldeye, yani b\u00fct\u00fcn Lefko\u015fal\u0131lara ait Arabahmet K\u00fclt\u00fcr Evi\u2019nin GA\u00dc\u2019ye verilmesine kar\u015f\u0131 direnen \u00f6rg\u00fctl\u00fc bir ki\u015fi olarak, isim vermeseniz de yaz\u0131n\u0131zda bizlerden ve Baraka\u2019dan bahsetti\u011finizi\u00a0 anlamaktay\u0131m. Bu nedenle bu cevabi yaz\u0131m\u0131 da k\u00f6\u015fenizde yay\u0131nlaman\u0131z\u0131n bas\u0131n eti\u011finin bir gere\u011fi oldu\u011funa inan\u0131yorum.<\/p>\n

 <\/p>\n

 <\/p>\n

Nazen \u015eansal- Baraka K\u00fclt\u00fcr Merkezi Aktivisti<\/p>\n

 <\/p>\n

\u201cT\u00fckeni\u015f G\u00fczergah\u0131\u201dn\u0131z Size Kals\u0131n, Biz \u201cSanat ve Direni\u015f\u201di Alal\u0131m!*<\/b><\/p>\n

Son y\u0131llarda\u00a0 bizi \u00e7epe\u00e7evre saran bir dalga var…<\/p>\n

Sosyal bir varl\u0131k olmak, insan kalmak i\u00e7in sahip olmam\u0131z gereken \u015feylerimizi elimizden al\u0131p piyasaya a\u00e7an; e\u011fitimi, sa\u011fl\u0131\u011f\u0131, kentsel alanlar\u0131, sanat kurumlar\u0131n\u0131 \u00f6nce g\u00f6zden \u00e7\u0131kar\u0131p, kendi haline terk edip sonra sermayeye sunan bir dalga bu…<\/p>\n

Son y\u0131llarda bizi \u00e7epe\u00e7evre saran bir dalga var…<\/p>\n

S\u0131n\u0131f\u0131m\u0131z\u0131n, saf\u0131m\u0131z\u0131n fark\u0131na varmak, herkesin insanca ya\u015famas\u0131n\u0131 istemek i\u00e7in bakmam\u0131z gereken pencereyi pusland\u0131ran; bir yandan farkl\u0131l\u0131klar\u0131m\u0131z\u0131, sosyoekonomik katmanlar\u0131m\u0131z\u0131 ortaya koyarken \u00f6te yandan toplumu iyiye g\u00f6t\u00fcrecek, \u00e7at\u0131\u015fmas\u0131z ortak bir irade varm\u0131\u015f, olabilirmi\u015f gibi sunan bir dalga bu…<\/p>\n

Bahsetti\u011fimiz ilk dalga, halk\u0131n elinden ald\u0131k\u00e7a bir \u015feyleri, ikinci dalgan\u0131n tesirindekiler me\u015frula\u015ft\u0131r\u0131rlar bunun teorik zeminini… Direnenleri be\u011fenmez, anlams\u0131z bulurlar s\u0131n\u0131f \u00e7eli\u015fkisini. Kendi kaleminin ucunu dahi karanl\u0131ktan kurtaramayan bu t\u00fcr \u201cayd\u0131n\u201dlar, bilerek veya bilmeyerek sermayenin saf\u0131nda yer al\u0131rlar.<\/p>\n

Neden mi bunlar\u0131 yazmak ihtiyac\u0131 hissettim? \u015eu Arabahmet K\u00fclt\u00fcr Evi meselesi…<\/p>\n

Bir yandan Baraka K\u00fclt\u00fcr Merkezi\u2019nin, duyarl\u0131 sanat\u00e7\u0131lar\u0131n ve k\u00fclt\u00fcr sanata sahip \u00e7\u0131kan ki\u015filerin \u00a0tepkileri s\u00fcrerken \u00f6te yandan, ayd\u0131n-sanat\u00e7\u0131 kimli\u011fiyle tan\u0131nan \u00dcmit \u0130nat\u00e7\u0131, Arabahmet K\u00fclt\u00fcr Evi\u2019nin \u00f6zelle\u015ftirilmesini a\u00e7\u0131k\u00e7a savunabiliyor. Bunu yaparken de ne sermaye ile toplumsal \u00e7\u0131kar \u00e7eli\u015fkilerini ne de bir kamu \u00fcniversitesi say\u0131labilecek DA\u00dc ile tamamen \u00f6zel bir \u015firket olan GA\u00dc\u2019n\u00fcn farkl\u0131l\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcp ortaya koyuyor. Kim bilir, belki de duygu ve sezgilerin bile matematiksel bir hesab\u0131 oldu\u011funu s\u00f6ylerken, sahiplenici tepkilerin alt\u0131nda bencillik ararken kendine ayna tutuyor. Oysa Arabahmet halk\u0131nd\u0131r diyenlerin hesab\u0131 kitab\u0131, duygusu akl\u0131 belli; onlar t\u00fcm d\u00fcnyadaki yol arkada\u015flar\u0131 gibi kamusal olan\u0131n tasfiyesine ve bunun yarataca\u011f\u0131, sadece sermayeyenin bak\u0131\u015f a\u00e7\u0131s\u0131yla s\u0131n\u0131rl\u0131, \u00e7er\u00e7evesi \u00e7izilmi\u015f bir \u00f6zg\u00fcr alan b\u0131rakan yeni k\u00fclt\u00fcre kar\u015f\u0131 direniyor. T\u0131pk\u0131 Roma\u2019da Teatro Valle\u2019yi \u00f6zelle\u015ftirmeden kurtaranlar veya Gezi Park\u0131\u2019n\u0131n AVM\u2019ye d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesini engelleyenler gibi…<\/p>\n

Say\u0131n \u0130nat\u00e7\u0131, bizim s\u0131n\u0131fl\u0131 toplum olarak tarifledi\u011fimiz, toplumun de\u011fi\u015fik sosyoekonomik katmanlardan olu\u015ftu\u011funu ortaya koymakla birlikte hepimizi tarifsiz ve \u00e7eli\u015fkisiz bir \u201cbiz\u201din i\u00e7ine dahil ediveriyor. Kar g\u00fcd\u00fcs\u00fcyle hareket eden, \u00e7al\u0131\u015fanlar\u0131na haklar\u0131n\u0131 vermeyen, bilgiye meta, \u00f6\u011frencilere m\u00fc\u015fteri olarak bakan \u00f6zel bir \u00fcniversieyi bu toplumun bir kurumu ilan etmesi, bak\u0131\u015f\u0131ndaki puslanman\u0131n ta kendisi. Var olan \u00e7\u00fcr\u00fcm\u00fc\u015f devlet yap\u0131s\u0131ndansa \u00f6zeli tercih eder hale gelmek, bu iki se\u00e7enek(sizlik) aras\u0131nda s\u0131k\u0131\u015fmak gibi bir ufuksuzlu\u011fa mecbur muyuz? Sosyal sorumluluk safsatas\u0131yla cebini doldurman\u0131n derdinde olan, i\u015fine gelince g\u00fcler y\u00fcz g\u00f6sterip i\u015fine gelince sivri di\u015flerini \u00e7\u0131karan patronlar\u0131 savunmakla, halka de\u011fil patronlara hizmet etmeyi ye\u011f tutan devleti onaylamaktan ba\u015fka yollar da yok mudur? Arabahmet K\u00fclt\u00fcr Evi\u2019nin Belediye y\u00f6netiminde kalmas\u0131n\u0131, e\u015fitlik\u00e7i, kat\u0131l\u0131mc\u0131 ve demokratik bir anlay\u0131\u015fla farkl\u0131 sanat gruplar\u0131na ev sahipli\u011fi yapmas\u0131n\u0131 isteyenlerin ve bunun i\u00e7in Belediyeye a\u00e7\u0131k \u00e7ek verenlerin yapt\u0131\u011f\u0131 bu de\u011fil de nedir?<\/p>\n

S\u0131n\u0131f\u0131n\u0131n do\u011fal ve zorunlu e\u011filimi olarak kar\u0131na kar katmak d\u00fc\u015f\u00fcncesiyle, \u00fcretim, payla\u015f\u0131m ve dayan\u0131\u015fmayla kendimizi ger\u00e7ekle\u015ftirebilece\u011fimiz alanlar\u0131m\u0131za g\u00f6z diken egemenleri de halka dahil etmek, hepimizin, \u00e7at\u0131\u015fmadan ortakla\u015fmac\u0131 bir toplumsal davran\u0131\u015f sergileyebilece\u011fini iddia etmek ya kapitalizmi hi\u00e7 anlamamak ya da yeni moda ayd\u0131n tavr\u0131yla g\u00fc\u00e7l\u00fcn\u00fcn yan\u0131nda yer alman\u0131n me\u015fru zeminini yaratmakt\u0131r.<\/p>\n

\u201cHalk kim? \u00dc\u00e7 be\u015f bele\u015f\u00e7i mi?\u201d diye soruyor say\u0131n \u0130nat\u00e7\u0131, ne yaz\u0131k ki t\u00fckeni\u015f g\u00fczergah\u0131nda ilerlerken… Halk, bele\u015f olarak pek \u00e7ok hakka sahip olmas\u0131 gereken ancak neoliberal d\u00f6nemin faturas\u0131n\u0131 s\u00fcrekli \u00f6demek zorunda b\u0131rak\u0131lanlard\u0131r. Arabahmet K\u00fclt\u00fcr Evi meselesinde halk, sanat kurumlar\u0131n\u0131 ve k\u00fclt\u00fcr sanat alg\u0131s\u0131n\u0131 sermayeye teslim etmemek i\u00e7in direnenlerdir. Sanat ve direni\u015f diyenlerdir…<\/p>\n

 <\/p>\n

* \u201cT\u00fckeni\u015f G\u00fczergah\u0131\u201d \u00dcmit \u0130nat\u00e7\u0131\u2019n\u0131n bir \u015fiir cd\u2019sinin, \u201cSanat ve Direni\u015f\u201d ise bir kitab\u0131n\u0131n ismidir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Say\u0131n \u00dcmit \u0130nat\u00e7\u0131, 10 \u015eubat Pazartesi tarihli Realist Gazetesi\u2019nde yer alan \u201cArabahmet K\u00fclt\u00fcr Evi\u201d ba\u015fl\u0131kl\u0131 yaz\u0131n\u0131z\u0131, k\u00fclt\u00fcr-sanata k\u0131ymet verdi\u011finizi ve sol de\u011ferlere itibar etti\u011finizi sand\u0131\u011f\u0131mdan<\/p>\n","protected":false},"author":1,"featured_media":2172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[38,42],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2014\/02\/arabahmet_eylem-497x330.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-zU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/2226"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2226"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/2226\/revisions"}],"predecessor-version":[{"id":2229,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/2226\/revisions\/2229"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/2172"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}