{"id":4155,"date":"2016-05-23T08:10:57","date_gmt":"2016-05-23T06:10:57","guid":{"rendered":"https:\/\/baraka.cc\/?p=4155"},"modified":"2016-05-23T08:10:57","modified_gmt":"2016-05-23T06:10:57","slug":"aci-kayip-konuk-yazar-yasar-ersoy","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=4155","title":{"rendered":"ACI KAYIP Konuk yazar: Ya\u015far Ersoy"},"content":{"rendered":"

Argasdi’nin “Onur” dosya konulu 42. say\u0131s\u0131nda konu\u011fumuz olan \u00fcstad Ya\u015far Ersoy’un “Ac\u0131 Kay\u0131p” isimli yaz\u0131s\u0131n\u0131 payla\u015f\u0131yoruz sizlerle…<\/p>\n

Argasdi’deki di\u011fer makaleleri, kitap, film, tiyatro tan\u0131t\u0131mlar\u0131n\u0131 ve memleketin ahvali, feminist\u0130Z, liseliy\u0130Z gibi s\u00fcrekli sayfalar\u0131 merak ederseniz, dergimiz t\u00fcm market, kitap\u00e7\u0131 ve gazete bayilerde…<\/p>\n

\"argasdi<\/a><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/b><\/p>\n

Sevgili \u201cOnur\u201dumuzu kaybettik.<\/em><\/strong><\/p>\n

Cenazesi kktc Meclisi\u2019nde saat 10.00\u2019da d\u00fczenlenecek t\u00f6renin ard\u0131ndan topra\u011fa verilecektir.<\/em><\/strong><\/p>\n

T\u00fcm K\u0131br\u0131sl\u0131 T\u00fcrklere duyurulur.<\/em><\/strong><\/p>\n

Toplum \u201cOnur\u201dsuz kald\u0131… Ba\u015f\u0131m\u0131z sa\u011f olsun.<\/em><\/strong><\/p>\n

Son zamanlarda gazetelere b\u00f6yle bir \u00f6l\u00fcm ilan\u0131 vermeyi ve ertesi g\u00fcn \u00fczerinde \u201cONUR\u201d yaz\u0131l\u0131 bir tabutu kktc Meclisi \u00f6n\u00fcnden kald\u0131rmay\u0131 planl\u0131yorum. \u00a0\u00c7\u00fcnk\u00fc toplum g\u00f6z g\u00f6re g\u00f6re \u201cOnur\u201dunu kaybetti. Nas\u0131l ki, t\u00fcm kktc yetkililerinin \u0131srarla uyar\u0131lmalar\u0131na ra\u011fmen umursamazl\u0131klar\u0131 ve insana de\u011fer vermezlikleri y\u00fcz\u00fcnden g\u00f6z g\u00f6re g\u00f6re, iki bu\u00e7uk ya\u015f\u0131nda \u201cDo\u011fa\u201dy\u0131 kaybetti\u011fimiz gibi\u2026<\/p>\n

\u201cOnur\u201d, insan\u0131n kendine kar\u015f\u0131 duydu\u011fu sayg\u0131, \u015feref, \u00f6zsayg\u0131, haysiyet, izzetinefistir. \u0130nsan onuru, insanla birlikte olu\u015fup geli\u015fir, uygarl\u0131\u011f\u0131n \u00fcr\u00fcnleriyle peki\u015fir. \u0130nsan Haklar\u0131 Evrensel Bildirisi\u2019nde \u201cB\u00fct\u00fcn insanlar h\u00fcr, haysiyet ve haklar bak\u0131m\u0131ndan e\u015fit do\u011farlar\u201d<\/b> diye belirtilir. Ve g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi onurlu bir hayatla insan haklar\u0131 ya\u015fam bulabilece\u011fi vurgulan\u0131r.<\/p>\n

Onurlu insan, onurlu toplum, onurlu halk, onurlu ulus, onurlu devlet… Ama onur yitip gitti mi, onursuz insan, onursuz toplum, onursuz halk, onursuz ulus, onursuz devlet kal\u0131r geriye\u2026 Yitip gitti mi onur, hangi erdemi koydu\u011fun yerde bulabilirsin? Onurun yerini onursuzluk ald\u0131 m\u0131, ne erdem kal\u0131r, ne insan hakk\u0131, ne adalet, ne e\u015fitlik, ne vefa, ne sayg\u0131, ne sevgi… Bu nedenle tarih boyunca, d\u00fcn oldu\u011fu gibi bug\u00fcn de, halka y\u00f6nelik politik bir eylemin, onurdan, bu y\u00fcce duygudan yoksun kald\u0131\u011f\u0131nda s\u0131f\u0131ra inece\u011fini, yok olaca\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz.<\/p>\n

Lefko\u015fa Belediye Tiyatrosu olarak sahneledi\u011fimiz bir\u00e7ok oyunda oldu\u011fu gibi, Nelson Mandela\u2019n\u0131n hayat\u0131na ithaf edilmi\u015f ADA oyununda da halka ya da insan haklar\u0131na y\u00f6nelik her m\u00fccadelenin onurdan yoksun olamayaca\u011f\u0131n\u0131 g\u00f6stermeye \u00e7al\u0131\u015ft\u0131k.<\/p>\n

Bir m\u00fccadelede yenilebilinir ama onurlu bir \u015fekilde yenilirsen gelece\u011fe \u0131\u015f\u0131k ta\u015f\u0131rs\u0131n, gelece\u011fi ayd\u0131nlat\u0131rs\u0131n… T\u0131pk\u0131 Spartak\u00fcs ve arkada\u015flar\u0131 gibi… S\u0131n\u0131fl\u0131 toplumlar\u0131n ortaya \u00e7\u0131kard\u0131\u011f\u0131 s\u00f6m\u00fcr\u00fcye kar\u015f\u0131 ekmek, \u00f6zg\u00fcrl\u00fck ve onurlu insanca ya\u015fam i\u00e7in M.\u00d6 70\u2019li y\u0131llarda Spartak\u00fcs ve arkada\u015flar\u0131 ba\u015fkald\u0131r\u0131r, m\u00fccadele verirler. \u201cDiz \u00e7\u00f6kerek ya\u015famaktansa, ayakta \u00f6lmenin ye\u011f\u201d<\/b> tutuldu\u011fu ilk \u00f6rnektir onurlu m\u00fccadeleye\u2026 Bu hakl\u0131 m\u00fccadele sonunda yenilirler ve Roma ordusu taraf\u0131ndan 27 bin ki\u015fi \u00e7arm\u0131ha gerilerek \u00f6ld\u00fcr\u00fcl\u00fcr. T\u0131pk\u0131 \u201ctarihsel, sosyal, ekonomik \u015fartlar\u0131n zaruri neticesi\u201d<\/b> \u015eeyh Bedrettin ve B\u00f6rkl\u00fcce Mustafa\u2019n\u0131n yenilgisi gibi… T\u0131pk\u0131 Galile Galileo, Giordano Bruno gibi ve daha niceleri gibi…<\/p>\n

Onur aptalca bir gurur de\u011fildir. Onurlu insan erdemli insand\u0131r. Onurlu insan en ba\u015fta insan haklar\u0131na sayg\u0131l\u0131d\u0131r, \u00f6zg\u00fcrl\u00fck\u00e7\u00fcd\u00fcr, e\u015fitlik\u00e7idir. Onurlu insan adaletten sapmaz, gelen bask\u0131 ve tehditlere kar\u015f\u0131 dik durmas\u0131n\u0131 bilir, d\u00fcr\u00fcstt\u00fcr, yalana ba\u015f vurmaz, g\u00fcvenilir ve tutarl\u0131d\u0131r. En \u00f6nemlisi dost olarak g\u00f6r\u00fclebilecek ki\u015fidir.<\/p>\n

K\u0131br\u0131sl\u0131 T\u00fcrk toplumunun yak\u0131n ge\u00e7mi\u015finde onursuzlu\u011fun takvim \"30474\"<\/a>yapraklar\u0131n\u0131 kopara kopara bug\u00fcnlere ula\u015ft\u0131k. Bir deyi\u015f vard\u0131r: \u201cVar\u0131lan sonu\u00e7, o g\u00fcne kadar yap\u0131lan i\u015flerin \u00f6zetidir.\u201d <\/b>i\u015fgal ve ganimet rejimiyle bedel \u00f6demeden ve \u00fcretmeden ya\u015famaya al\u0131\u015ft\u0131r\u0131lan K\u0131br\u0131sl\u0131 T\u00fcrkler; demokrasisi \u201cm\u0131\u015f\u201d gibi, meclisi \u201cm\u0131\u015f\u201d gibi, h\u00fck\u00fcmeti \u201cm\u0131\u015f\u201d gibi, devleti \u201cm\u0131\u015f\u201d gibi bir toplumsal yap\u0131da ve \u201cm\u0131\u015f\u201d gibi ya\u015fam\u0131n onursuzlu\u011funda, Ankara ve i\u015fbirlik\u00e7i Lefko\u015fa iktidarlar\u0131 taraf\u0131ndan verili olan bu d\u00fczeni sorgulamadan kabul ederek, \u00fcretmeden, \u00fccretli ve maa\u015fl\u0131 kullar olmaya raz\u0131 tutum ve tav\u0131r i\u00e7inde her \u015feyi Godot\u2019nun gelip \u00e7\u00f6zmesini beklemeye koyulurlar, di\u011fer taraftan da da\u011f\u0131 ta\u015f\u0131 bayrak doldurmay\u0131 erdem sayarak \u201cOnur\u201dlar\u0131n\u0131 yitirirler. \u00c7\u00fcnk\u00fc bu bekleyi\u015f sonucu toplumu seviyesizlik, ucuzluk, \u00e7irkinlik, yozluk, ak\u0131l d\u0131\u015f\u0131l\u0131k, yalanc\u0131l\u0131k, iki y\u00fczl\u00fcl\u00fck, bulan\u0131kl\u0131k, dengesizlik, ilkellik, ilkesizlik, partizanl\u0131k, bencillik, tembellik, nemelaz\u0131mc\u0131l\u0131k ve pop\u00fclizm d\u00f6rt yandan ku\u015fat\u0131r.<\/b><\/p>\n

\u015eair Fikret Demira\u011f\u2019\u0131n da dizelerinde vurgulad\u0131\u011f\u0131 gibi:<\/p>\n

\u201cBir\u00e7ok \u015fey s\u0131f\u0131r derece \u00e7\u0131lg\u0131nl\u0131k, delilik <\/b><\/p>\n

S\u0131f\u0131r derece bencillik, ta\u015fl\u0131k, ihanet<\/b><\/p>\n

\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0******\u00a0\u00a0\u00a0\u00a0\u00a0 ******\u00a0\u00a0\u00a0\u00a0\u00a0 ******<\/b><\/p>\n

\u00a0Bir\u00e7ok \u015fey s\u0131f\u0131r derece utanmazl\u0131k, aptall\u0131k<\/b><\/p>\n

S\u0131f\u0131r derece ay\u0131pl\u0131, \u00e7a\u011fd\u0131\u015f\u0131, g\u00f6z\u00fckanl\u0131\u201d <\/b>ya\u015fan\u0131r.<\/b><\/p>\n

\"IMG_0001<\/a>Onurlu insan olmak, onurlu toplum olmak, onurlu parti olmak, onurlu siyaset\u00e7i olmak, onurlu akademisyen olmak, onurlu sanat\u00e7\u0131 olmak ilkeli ve d\u00fcr\u00fcst olmay\u0131, ilkelere sad\u0131k kalmay\u0131 gerektirir. \u0130lkeli olmak ise gerekti\u011finde seve seve maddi ve manevi bedel \u00f6demeyi zorunlu k\u0131lar. \u0130lkelerinden d\u00f6nen, \u00f6d\u00fcn veren insan ya da \u00f6rg\u00fct onursuzluk bata\u011f\u0131nda yitip gider.<\/p>\n

Tarihte bir\u00e7ok \u00f6rnekte g\u00f6rd\u00fc\u011f\u00fcm\u00fcz gibi ilkeli insanlar, giyotine ya da idam sehpas\u0131na \u00e7\u0131karken dahi d\u00fc\u015f\u00fcncelerinden d\u00f6nmezler. J.J Rousseau\u2019nun da s\u00f6yledi\u011fi gibi\u00a0 \u201cOnurunu kaybettikten sonra, ya\u015famaktan daha feci bir \u00f6l\u00fcm olur mu?\u201d<\/b><\/p>\n

Bu i\u015fgal ve ganimet rejiminde Ankara ve i\u015fbirlik\u00e7i Lefko\u015fa iktidarlar\u0131n\u0131n, \u00fcretim d\u0131\u015f\u0131 konformist ya\u015fam bi\u00e7imine al\u0131\u015ft\u0131rd\u0131klar\u0131 K\u0131br\u0131sl\u0131 T\u00fcrk toplumunda \u015f\u00f6yle bir etraf\u0131n\u0131za bak\u0131n; ilkeli, tutarl\u0131, maddi ve manevi bedel \u00f6demeye haz\u0131r ka\u00e7 insan g\u00f6rebilirsiniz? Ka\u00e7 parti, ka\u00e7 sendika, ka\u00e7 birlik-dernek\u2026 Bir, iki belki\u2026 Onlar da konformist d\u00fczen uyarcas\u0131 s\u00fcr\u00fc \u00e7o\u011funluk taraf\u0131ndan marjinal olarak nitelendirilirler. K\u00f6y\u00fcn delisi olarak g\u00f6r\u00fcl\u00fcrler.<\/p>\n

Objektif kriterlerle son 42 y\u0131ll\u0131k ya\u015fam\u0131m\u0131z\u0131 ya da toplumsal haf\u0131zam\u0131z\u0131 bir anl\u0131\u011f\u0131na g\u00f6z \u00f6n\u00fcne getirirsek, demek istedi\u011fim hususlar daha iyi anla\u015f\u0131lacakt\u0131r. Ancak ger\u00e7ekten g\u00f6rmeye \u00e7al\u0131\u015fal\u0131m… \u00c7\u00fcnk\u00fc \u201ck\u00f6r olmaktan daha k\u00f6t\u00fcs\u00fc nedir?\u201d<\/b> diye sormu\u015flar. Cevap \u201ck\u00f6r olmamak ama yine de hi\u00e7bir \u015fey g\u00f6rememek\u201d<\/b> olmu\u015f. Toplumsal haf\u0131zam\u0131z\u0131 g\u00f6rmeye \u00e7al\u0131\u015fal\u0131m:<\/p>\n

– 1974 sonras\u0131 toplum, \u201cganimet toplumu\u201dna d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc. \u201cBu ev benim, bu villa senin, bu arsa onun, bu otel bizim, bu fabrika sizin\u201d<\/b> diyerek K\u0131br\u0131sl\u0131 Rumlar\u0131n mallar\u0131n\u0131 kap\u0131\u015f, kap\u0131\u015f kap\u0131\u015ft\u0131k… Hi\u00e7 \u201conur\u201dumuza dokunmadan sevin\u00e7le alk\u0131\u015f tuttuk, hatta Ankara\u2019n\u0131n talimat\u0131yla \u201cm\u0131\u015f\u201d gibi meclisimizde \u0130TEM yasas\u0131 yaparak ko\u00e7an da\u011f\u0131tt\u0131k…<\/p>\n

– E\u015fde\u011fer puan\u0131, m\u00fccahitlik puan\u0131, bire iki emeklilik, pe\u015fin \u00f6deme vb. ald\u0131\u011f\u0131m\u0131z siyasi r\u00fc\u015fvetlerle \u201conur\u201dumuzu \u00e7i\u011fnemekte bir beis g\u00f6rmedik…<\/p>\n

– Ta\u015f\u0131ma n\u00fcfus ile toplumun demografik yap\u0131s\u0131na m\u00fcdahale edilip de\u011fi\u015ftirilirken sustuk! Bencil \u00e7\u0131karlar\u0131m\u0131z\u0131n pe\u015finde ko\u015ftuk. Hatta se\u00e7im d\u00f6nemlerinde gemilerle, u\u00e7aklarla insan ta\u015f\u0131nd\u0131, vatanda\u015f yap\u0131ld\u0131, oy sat\u0131n al\u0131nd\u0131… B\u00f6ylece demokrasimiz katledilirken \u201conur\u201dumuzu sat\u0131l\u0131\u011fa \u00e7\u0131kard\u0131k…<\/p>\n

– Ankara\u2019n\u0131n askeri ve sivil m\u00fcdahaleleriyle K\u0131br\u0131sl\u0131 T\u00fcrk toplumunun demokrasisi g\u00fcd\u00fckle\u015ftirilirken \u015f\u00fckran \u00e7ekmekten ve yalakal\u0131ktan can \u00e7eki\u015fen \u201conur\u201dumuzun ac\u0131 \u00e7eken sesini hi\u00e7 duymad\u0131k…<\/p>\n

– Se\u00e7en ve se\u00e7ilen aras\u0131nda toplumsal yarara dayal\u0131 de\u011fil de, bencilce \u00e7\u0131kara dayal\u0131 bir al\u0131\u015f-veri\u015f olu\u015fturulurken \u201conur\u201dumuzun yerlerde s\u00fcr\u00fcnmesine d\u00f6n\u00fcp bakmad\u0131k…<\/p>\n

– Demokratik, sosyal, hukuk d\u00fczeni yerine kleptokrasiye ve pl\u00fctokrasiye dayal\u0131 bir d\u00fczeni, \u201conur\u201dumuzu kaybetme pahas\u0131na tercih ettik.<\/p>\n

– Toplumun ya\u015fam bi\u00e7imi; r\u00fc\u015fvet, partizanl\u0131k, insan kay\u0131rmac\u0131l\u0131k, oy ticareti, rant kollama, politik dalavere ile yozla\u015ft\u0131r\u0131l\u0131rken, bu ya\u015fam bi\u00e7iminden nemalanma yolunu se\u00e7en b\u00fcy\u00fck \u00e7o\u011funluk \u201conur\u201dunu paraya tahvil etme yar\u0131\u015f\u0131na girdi…<\/p>\n

– Neoliberal politikalarla ve Ankara\u2019n\u0131n dayatmalar\u0131yla toplumun de\u011ferlerinin \u00f6zelle\u015ftirme ad\u0131na, bir bir hara\u00e7 mezat pe\u015fke\u015f \u00e7ekilmesine toplumun k\u0131l\u0131 k\u0131p\u0131rdamad\u0131 ancak bunun kar\u015f\u0131l\u0131\u011f\u0131nda kamu g\u00f6revlilerinin maa\u015flar\u0131n\u0131n \u00f6denmesi \u015ferefine mangal\u0131nda \u201conur\u201dunu k\u0131zart\u0131p yiyip i\u00e7mekte beis g\u00f6rmedi\u2026<\/p>\n

– Koltukta oturma pahas\u0131na Ankara\u2019dan gelen talimatlarla ekonomik paketler uygulayarak, \u201cG\u00f6\u00e7 Yasas\u0131\u201d<\/b> ve benzeri yasalar yaparak; e\u015fitlik, adalet ilkelerini ve toplumun \u201conur\u201dunu \u00e7i\u011fneyip hazmeden ve \u00fcst\u00fcne sifonu \u00e7eken siyaset\u00e7iye, toplum, \u00fc\u00e7 maymunu oynad\u0131…<\/p>\n

– \u00d6zelle\u015ftirme ad\u0131na her \u015feyin, her alan\u0131n \u00e7etele\u015fti\u011fi toplumumuzda \u201conur\u201d, unutuldu, itildi, kak\u0131ld\u0131, hor g\u00f6r\u00fcld\u00fc, k\u00f6y\u00fcn delisine d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc…<\/p>\n

– Toplumda e\u011fitim \u00e7etesi, sa\u011fl\u0131k \u00e7etesi, trafik \u00e7etesi, uyu\u015fturucu \u00e7etesi, kumar \u00e7etesi, fuhu\u015f \u00e7etesi, arsa \u00e7etesi, hara\u00e7 \u00e7etesi, r\u00fc\u015fvet \u00e7etesi olu\u015furken do\u011fal olarak toplumda \u201conur\u201dun ad\u0131 aptala \u00e7\u0131kart\u0131ld\u0131…<\/p>\n

– S\u00fcnni M\u00fcsl\u00fcmanla\u015ft\u0131r\u0131lmaya \u00e7al\u0131\u015f\u0131lan K\u0131br\u0131sl\u0131 \u201conur\u201da, okuldan daha \u00e7ok cami yap\u0131ld\u0131, Kuran kurslar\u0131 d\u00fczenlendi, dini promosyonlar da\u011f\u0131t\u0131ld\u0131…<\/p>\n

\"Yasar-Ersoy-2_w500\"<\/a><\/p>\n

K\u0131br\u0131sl\u0131 \u201conur\u201d, \u201cbu toplum laik\u201d<\/b> diye isyan eder ama y\u00f6neticileri ve toplumu onu g\u00f6rmez, duymaz. Onlar anavatanlar\u0131na \u015f\u00fckran \u00e7ekerek camiye, umreye gitmeye, dualarla, yasinlerle a\u00e7\u0131l\u0131\u015flar yapmaya, temeller atmaya devam ederler.<\/p>\n

– \u201cEmek en y\u00fcce de\u011ferdir\u201d<\/b> diyerek asgari \u00fccreti a\u00e7l\u0131k s\u0131n\u0131r\u0131nda tutan; \u201cG\u00f6\u00e7 Yasas\u0131\u201d<\/b>yla e\u015fitsizlik yaratan; patronlar\u0131 memnun etmek i\u00e7in i\u015f\u00e7ilerin ve emek\u00e7ilerin sendikas\u0131z, sosyal g\u00fcvencesiz \u00e7al\u0131\u015fmalar\u0131na g\u00f6z yuman, i\u015f\u00e7ilerin \u201ci\u015f kazalar\u0131\u201d<\/b> ad\u0131 alt\u0131nda cinayete kurban gitmelerini umursamayan iktidar kar\u015f\u0131s\u0131nda \u201conur\u201d kahr\u0131ndan \u00f6lmesin de ne yaps\u0131n…<\/p>\n

42 y\u0131ld\u0131r Ankara ve i\u015fbirlik\u00e7i alt y\u00f6netim Lefko\u015fa\u2019n\u0131n iktidar koltuklar\u0131nda \u00e7\u00fcr\u00fcd\u00fc, \u00e7\u00fcr\u00fct\u00fcld\u00fc \u201conur\u201d… Ve politika kulisinin la\u011f\u0131mlar\u0131nda \u201conur\u201dun devlet kat\u0131nda hi\u00e7lendi\u011fini, toplum ya\u015fam\u0131ndan d\u0131\u015fland\u0131\u011f\u0131n\u0131 ya\u015fayarak vard\u0131k bug\u00fcnlere… Ve hem \u201conur\u201dumuzu, hem \u201cDo\u011fa\u201dm\u0131z\u0131 kaybettik… \u00c7\u0131\u011fr\u0131ndan \u00e7\u0131km\u0131\u015f bu \u00fclkede; do\u011fan\u0131n, eme\u011fin, insan\u0131n, paran\u0131n meta kategorisine indirgendi\u011fi bir toplumda art\u0131k her \u015feyin metala\u015fmas\u0131 ve \u201conur\u201dun da yitip gitmesi \u015fa\u015f\u0131rt\u0131c\u0131 de\u011fildir. Art\u0131k al\u0131n\u0131p sat\u0131lmayan hi\u00e7bir \u015fey yok. Para, silah, uyu\u015fturucu, \u00e7ocuk, kad\u0131n, su, hava, insan organlar\u0131, sanat eserleri…<\/p>\n

Tabi ki d\u00fcnyam\u0131zda ya\u015fanan ve kapitalizmin zaferi olarak nitelendirilen globalizasyonun bu ya\u015fad\u0131klar\u0131m\u0131z\u0131 direkt olarak bi\u00e7imlendirdi\u011fini de vurgulamak isterim. Shakespeare\u2019in deyi\u015fiyle \u201cD\u00fcnya z\u0131vanadan \u00e7\u0131k\u0131yor.\u201d<\/b> Kapitalizmin vah\u015fi uygulamalar\u0131yla; g\u00f6k kubbe delinmi\u015ftir, do\u011fan\u0131n dengeleri bozulmu\u015ftur, k\u00fcreselle\u015fme u\u011fruna k\u00fcresel \u0131s\u0131nma hayat\u0131 yok etme noktas\u0131na gelmi\u015ftir. Sermayenin k\u00fcreselle\u015fmesi ile toplumlar\u0131n dirlik d\u00fczenli\u011fi kalmam\u0131\u015f, toplumlar k\u00fcreselle\u015fme ad\u0131na sosyal, k\u00fclt\u00fcrel, ekonomik s\u00f6m\u00fcr\u00fcyle Amerikanla\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. \u201cSo\u011fuk Sava\u015f\u201d<\/b> d\u00f6nemi s\u00f6zde sona ermi\u015f, k\u00fcreselle\u015fen elit zenginlerin kapitalist piyasa neoliberal ekonomisiyle insan insan olmaktan, do\u011fa do\u011fa olmaktan, toplum toplum olmaktan, bilim bilim olmaktan, sanat sanat olmaktan \u00e7\u0131km\u0131\u015ft\u0131r. Her \u015fey metala\u015ft\u0131. K. Marx\u2019\u0131n vurgulad\u0131\u011f\u0131 gibi \u201cmetalar d\u00fcnyas\u0131 b\u00fcy\u00fcd\u00fck\u00e7e insanlar d\u00fcnyas\u0131 k\u00fc\u00e7\u00fcl\u00fcyor.\u201d <\/b>Ne yaz\u0131k ki, k\u00fc\u00e7\u00fclen insanlar d\u00fcnyas\u0131nda da \u201conur\u201d yerlerde s\u00fcr\u00fcn\u00fcyor.<\/b><\/p>\n

K\u0131br\u0131sl\u0131 T\u00fcrk toplumunda sanat\u00e7\u0131n\u0131n \u201conur\u201du da genel olarak kapitalizmin, \u00f6zel olarak da i\u015fgal ve ganimet rejiminin t\u00fcm k\u00f6t\u00fcl\u00fcklerinden pay\u0131na d\u00fc\u015feni ald\u0131. Bir iki sanat\u00e7\u0131y\u0131 tenzih ederek s\u00f6ylemek gerekirse, bu rejimde sanat\u00e7\u0131 da \u201conur\u201dunu yitirdi.<\/p>\n

\u00c7\u00fcnk\u00fc sanat ve sanat\u00e7\u0131, insan\u0131 \u201cinsan\u201d <\/b>yapan de\u011ferlere kar\u015f\u0131 her eylemin, kar\u015f\u0131s\u0131nda yer al\u0131r. Sadece eseriyle kar\u015f\u0131 durmaz, \u201conur\u201dlu duru\u015fuyla da kar\u015f\u0131 tavr\u0131n\u0131 sergiler. B\u00f6yle bir \u201conur\u201dlu duru\u015f, sanat\u0131n sahici varolu\u015f nedenidir. Sanat\u00e7\u0131n\u0131n kimli\u011fini, ortaya koydu\u011fu eser kadar hayattaki \u201conur\u201dlu duru\u015fu da belirler. Hatta sanat\u00e7\u0131, iyi eserler ortaya koymas\u0131na kar\u015f\u0131n hayattaki duru\u015fu sakatsa, yanl\u0131\u015fsa k\u0131saca eserindeki sav\u0131, hayattaki duru\u015fu ile \u00e7eli\u015fiyorsa yani birbirlerini yalanl\u0131yorsa, o sanat\u00e7\u0131n\u0131n kimli\u011fi sahici de\u011fildir. Dahas\u0131 \u201conur\u201dunu yitirmi\u015ftir. \u00c7\u00fcnk\u00fc kimli\u011fini yalan \u00fczerine in\u015fa etmi\u015ftir. Ve topluma da yalan yaymaktad\u0131r.<\/p>\n

\"foto-22-nisan\"<\/a><\/p>\n

P. Picasso\u2019nun \u015fu s\u00f6z\u00fcn\u00fc hat\u0131rlatmakta fayda var: \u201cSanat\u0131 para kazanma arac\u0131 durumuna getirenlerin \u00e7o\u011fu sahtek\u00e2rd\u0131r. Hay\u0131r! Resim evlere, saraylara s\u00fcs olsun diye icat edilmedi. Siz sanat\u00e7\u0131n\u0131n ne oldu\u011funu san\u0131yorsunuz? Ressamsa yaln\u0131zca g\u00f6zleri olan, m\u00fczisyense yaln\u0131zca kulaklar\u0131 olan ya da \u015fairse y\u00fcre\u011finin k\u0131p\u0131rt\u0131s\u0131nda harp \u00e7alan, boks\u00f6rse yaln\u0131zca kaslar\u0131 olan bir gerizekal\u0131 m\u0131? Tam tersine! Sanat\u00e7\u0131 ayn\u0131 zamanda politik bir ki\u015fidir ve d\u00fcnyada olup bitene iyi, k\u00f6t\u00fc, korkun\u00e7 olaylara t\u00fcm varl\u0131\u011f\u0131yla tepki g\u00f6sterir.\u201d <\/b>Burada Picasso\u2019nun bahsetti\u011fi, sanat\u00e7\u0131n\u0131n \u201conur\u201dlu duru\u015fudur. Bu \u201conur\u201dlu duru\u015f, \u00f6zg\u00fcrl\u00fckten, e\u015fitlikten, bar\u0131\u015ftan, adaletten, insani t\u00fcm de\u011ferlerden yana, t\u00fcm k\u00f6t\u00fcl\u00fcklere kar\u015f\u0131 bir duru\u015ftur.<\/b><\/p>\n

Sanat, s\u00f6yleyecek s\u00f6z\u00fc olanlar\u0131n i\u015fi oldu\u011funa g\u00f6re, \u201conur\u201d kavram\u0131 da bu duyarl\u0131l\u0131kla insanla\u015fma s\u00fcrecinin ayr\u0131lmaz bir par\u00e7as\u0131 olmak durumundad\u0131r. Bu anlam\u0131yla sanat\u00e7\u0131n\u0131n \u201conur\u201dlu duru\u015fu, ayd\u0131n kimli\u011finden gelen sorumlulu\u011funu da belirler. Bu sorumluluk ise sanat\u00e7\u0131n\u0131n muhalif tavr\u0131d\u0131r. Yazar ve d\u00fc\u015f\u00fcn\u00fcr Albert Camus, sanat\u00e7\u0131n\u0131n zorbal\u0131\u011fa kar\u015f\u0131 \u00e7\u0131kmas\u0131 gerekti\u011fini vurgular. O, ne susmay\u0131, ne de yans\u0131z kalmay\u0131 benimser. Ac\u0131 \u00e7eken kitleler sustuk\u00e7a birilerinin onlar\u0131n yerine konu\u015fmas\u0131 gerekti\u011fini s\u00f6yler. Sanat\u00e7\u0131n\u0131n her ko\u015fulda, her zorbal\u0131k kar\u015f\u0131s\u0131nda konu\u015fmas\u0131na vurgu yapar. Camus, \u201ctehlikelere g\u00f6\u011f\u00fcs germekten ba\u015fka \u00e7aremiz yok\u201d <\/b>der ve \u015funu ekler: \u201cElbette sanat tek ba\u015f\u0131na do\u011fruluk ve \u00f6zg\u00fcrl\u00fck getirecek bir dirili\u015f sa\u011flayamaz ama sanat olmad\u0131k\u00e7a bu dirili\u015f, bi\u00e7imini bulamaz\u201d.<\/b><\/p>\n

Sanat\u00e7\u0131n\u0131n \u201conur\u201dunun ayd\u0131n sorumlulu\u011fundan geldi\u011fi asla unutulmamal\u0131d\u0131r. Ayd\u0131n sorumlulu\u011funun ise tarihten s\u00fcz\u00fcl\u00fcp gelen \u00f6l\u00e7\u00fcleri vard\u0131r. Bu \u00f6l\u00e7\u00fcleri J.P. Sartre \u015f\u00f6yle belirtir: \u201cDo\u011faya, topluma, tarihe ve insana dair ger\u00e7eklerin bilgisine ula\u015fmak ve bu ger\u00e7ekleri a\u00e7\u0131klamak… Dolay\u0131s\u0131yla ilerici d\u00fc\u015f\u00fcncelere sahip olmak\u2026 Haks\u0131zl\u0131\u011f\u0131n kar\u015f\u0131s\u0131nda olmak… Dolay\u0131s\u0131yla zalimin kar\u015f\u0131s\u0131nda ve mazlumun yan\u0131nda saf tutmak… Zorbal\u0131k kar\u015f\u0131s\u0131nda ilke ve d\u00fc\u015f\u00fcncelerinden vazge\u00e7memek\u2026 Dolay\u0131s\u0131yla bu u\u011furda bedel \u00f6demeyi g\u00f6ze almak…\u201d<\/b> Sartre\u2019in sayd\u0131\u011f\u0131 \u00f6l\u00e7\u00fcler sadece sanat\u00e7\u0131n\u0131n ayd\u0131n sorumlulu\u011fundan gelen \u201conur\u201dlu duru\u015funun \u00f6l\u00e7\u00fcleri de\u011fil, insanl\u0131\u011f\u0131n \u201conur\u201d \u00f6l\u00e7\u00fcleridir ayn\u0131 zamanda.<\/p>\n

\u015eimdi soral\u0131m ka\u00e7 sanat\u00e7\u0131m\u0131z Picasso\u2019nun, Camus\u2019nun ve Sartre\u2019in belirtti\u011fi \u00f6l\u00e7\u00fclerde \u201conur\u201dludur! Toplumumuzda bir iki sanat\u00e7\u0131y\u0131 tenzih ederek s\u00f6yleyeyim, \u00e7ok sanat\u00e7\u0131 \u201cBen sanat\u00e7\u0131y\u0131m\u201d <\/b>diyerek toplumsal, siyasal meselelere burun k\u0131v\u0131rarak kay\u0131ts\u0131z kalmaktan ya da meselelere de\u011finmeden te\u011fet ge\u00e7erek, bir \u015fey s\u00f6yler(mi\u015f) gibi yaparak kendine \u00fcst\u00fcn bir paye bi\u00e7er ve \u201conur\u201dla de\u011fil \u201cgurur\u201dla ba\u015f\u0131 dik dola\u015f\u0131r. Oysa \u201cgurur\u201dun oldu\u011fu yerde \u201conur\u201d var olamaz. \u00c7\u00fcnk\u00fc \u201cgurur\u201d olabildi\u011fince \u00f6zneldir. Kendini be\u011fenmedir, b\u00fcy\u00fcklenmedir, kibirdir, \u00f6v\u00fcnme ile birlikte kurumdur, \u00e7al\u0131md\u0131r.<\/p>\n

1974\u2019den bu yana i\u015fgal ve ganimet rejiminde bedel \u00f6demeden zenginle\u015fen ve sonradan g\u00f6rme sosyo-psikolojik, sosyo-k\u00fclt\u00fcrel ve sosyo-ekonomik yap\u0131ya sahip olan K\u0131br\u0131sl\u0131 T\u00fcrk toplumunun ve sanat\u00e7\u0131s\u0131n\u0131n ezici \u00e7o\u011funlu\u011fu \u201conur\u201d yerine \u201cgurur\u201d ta\u015f\u0131maktad\u0131r. Ve Dario Fo\u2019nun s\u00f6yledi\u011fi gibi \u201cBa\u015f\u0131 diktir\u2026 \u00c7\u00fcnk\u00fc g\u0131rtla\u011f\u0131na kadar boka batm\u0131\u015ft\u0131r.\u201d\u00a0<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Argasdi’nin “Onur” dosya konulu 42. say\u0131s\u0131nda konu\u011fumuz olan \u00fcstad Ya\u015far Ersoy’un “Ac\u0131 Kay\u0131p” isimli yaz\u0131s\u0131n\u0131 payla\u015f\u0131yoruz sizlerle… Argasdi’deki di\u011fer makaleleri, kitap, film, tiyatro tan\u0131t\u0131mlar\u0131n\u0131 ve<\/p>\n","protected":false},"author":3,"featured_media":4156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[40,9,1,39],"tags":[],"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/4155"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4155"}],"version-history":[{"count":4,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/4155\/revisions"}],"predecessor-version":[{"id":4165,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/4155\/revisions\/4165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/4156"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}