{"id":5707,"date":"2018-01-04T10:13:40","date_gmt":"2018-01-04T08:13:40","guid":{"rendered":"https:\/\/baraka.cc\/?p=5707"},"modified":"2018-01-04T10:13:40","modified_gmt":"2018-01-04T08:13:40","slug":"gecmisten-gelecege-muzik-calgi-ritim-saadet-caluda","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=5707","title":{"rendered":"Ge\u00e7mi\u015ften Gelece\u011fe M\u00fczik, \u00c7alg\u0131, Ritim &#8211; Saadet \u00c7aluda"},"content":{"rendered":"<p style=\"text-align: center;\">\u00a0<a href=\"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/1423654645868-1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-5708\" alt=\"1423654645868 (1)\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/1423654645868-1-300x147.jpg\" width=\"300\" height=\"147\" srcset=\"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/1423654645868-1-300x147.jpg 300w, https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/1423654645868-1.jpg 629w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><b>\u00a0<\/b><\/p>\n<p>M\u00fczik<b>, <\/b>sesin bi\u00e7im ve anlaml\u0131 titre\u015fimler kazanm\u0131\u015f halidir. Ba\u015fka bir deyi\u015fle de sesin ve sessizli\u011fin belirli bir zaman aral\u0131\u011f\u0131nda ifade edildi\u011fi sanatsal\u00a0bir formdur. Doktor L\u00fctfi Erol\u2019un m\u00fczi\u011fin ortaya \u00e7\u0131k\u0131\u015f\u0131 hakk\u0131ndaki yaz\u0131s\u0131na bir g\u00f6z atarsak; \u2018\u2018M\u00fczik, ilk insanlarda i\u015faret verme g\u00f6revi g\u00f6ren \u00fcnlem ve ba\u011f\u0131rt\u0131lardan ortaya \u00e7\u0131kar. \u0130lk insanlar \u00e7al\u0131\u015fma s\u0131ras\u0131nda harcad\u0131\u011f\u0131 \u00e7abay\u0131 hafifletmek amac\u0131yla dans edip \u015fark\u0131 s\u00f6ylemi\u015ftir. Ayaklar\u0131, elleri, g\u0131rtla\u011f\u0131 ve beyni ile yaratt\u0131\u011f\u0131 kendi d\u00fcnyas\u0131n\u0131 giderek \u00e7e\u015fitli seslerle doldurmu\u015f; zamanla bir delik \u00f6k\u00fcz boynuzundan, i\u00e7i oyuk bir kam\u0131\u015ftan ya da kemikten uyumlu sesler elde etmi\u015ftir.\u2019\u2019<\/p>\n<p>\u0130lk olu\u015fumunu g\u00f6rd\u00fc\u011f\u00fcm\u00fcz \u00e7alg\u0131 t\u00fcr\u00fc \u00fcflemelilerdir. Bu \u015fekilde \u00fcflemeliler do\u011fmu\u015f ve h\u0131zla enstr\u00fcman geli\u015fimi ba\u015flam\u0131\u015ft\u0131r. \u0130nsanlar, ellerine ge\u00e7en her uygun gereci, do\u011fald\u0131r ki ses \u00e7\u0131karan bir ara\u00e7 yapm\u0131\u015flard\u0131r. Kemiklerden d\u00fcd\u00fck;\u00a0 t\u00fcrl\u00fc kam\u0131\u015flardan ve kabaklardan sallayarak ve vurularak ses veren vurmal\u0131 \u00e7alg\u0131lar; midye kabuklar\u0131, i\u00e7i bo\u015f ya da bo\u015falt\u0131lm\u0131\u015f a\u011fa\u00e7 dallar\u0131ndan ses veren borular, hayvan derilerinden \u00e7e\u015fitli davullar olmu\u015ftur.<\/p>\n<p>Ge\u00e7mi\u015ften edindi\u011fimiz bilgilere g\u00f6re, ilk ezgiler tanr\u0131lar ve kahramanlar i\u00e7in olu\u015fturulur. M\u00fczi\u011fin M\u0131s\u0131r, Hindistan, Suriye ve Antik Yunan\u2019da din etkisi alt\u0131nda geli\u015fti\u011fi fikri ne kadar karanl\u0131k ve kan\u0131ts\u0131z olsa da m\u00fczik ara\u015ft\u0131rmac\u0131lar\u0131 bu fikir \u00fczerinde birle\u015fmekte ve kiliseyi m\u00fczi\u011fin esas geli\u015fiminde ba\u015flang\u0131\u00e7 noktas\u0131 olarak kabul etmektedirler.<\/p>\n<p>Gelece\u011fe do\u011fru yola \u00e7\u0131kt\u0131\u011f\u0131m\u0131z zaman, m\u00fczi\u011fin genel anlamda \u00f6ncelikle kendini savunma, avlanma, e\u011flence ihtiyac\u0131ndan ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. \u0130lerleyen zamanlarda \u00fcflemeli, vurmal\u0131, telli olarak gruplayarak dinsel bir ba\u015flang\u0131\u00e7 ile s\u00fcregelip h\u0131zla geli\u015fti\u011fini fark ediyoruz. G\u00fcn\u00fcm\u00fczde m\u00fczik sanat\u0131n\u0131n her yerde kar\u015f\u0131m\u0131za \u00e7\u0131kt\u0131\u011f\u0131n\u0131 ve \u00e7evresel etkenlerden faydaland\u0131\u011f\u0131n\u0131 a\u00e7\u0131k\u00e7a g\u00f6rebiliriz. Vurmal\u0131 \u00e7alg\u0131lar eski \u00e7a\u011flardaki gibi derilerden olu\u015fturulmaktad\u0131r. Farkl\u0131 olan tek \u015fey ise ge\u00e7mi\u015fte savunma ama\u00e7l\u0131 kullan\u0131l\u0131rken g\u00fcn\u00fcm\u00fczde m\u00fczi\u011fin temelini a\u015f\u0131lamak ve kulak geli\u015fimi i\u00e7in kullan\u0131lmas\u0131d\u0131r.<\/p>\n<p>Daha detayl\u0131 inceleyecek olursak; m\u00fczi\u011fin temeli ritimdir ve \u00e7ocuk ya\u015fta ritim geli\u015fimi \u00e7ok \u00f6nemlidir. G\u00fcn\u00fcm\u00fczde \u00fc\u00e7 ya\u015ftan ba\u015flayarak ritim e\u011fitimi verilebilmektedir. Bu alanda bilgilerinden yararland\u0131\u011f\u0131m\u0131z Alman besteci ve m\u00fczik e\u011fitimcisi Carl Orff diyor ki: \u2018\u2018\u0130nsan\u0131n i\u00e7inde zaten var olan yarat\u0131c\u0131 g\u00fc\u00e7leri a\u00e7\u0131\u011fa \u00e7\u0131karmas\u0131na ortam haz\u0131rlayan, temelinde ritim, hareket ve konu\u015fma olan, insanlar\u0131n i\u00e7lerinden geldi\u011fi gibi m\u00fczik yap\u0131p, dans etmesine, do\u011fa\u00e7lama yapmas\u0131na olanak tan\u0131yan, insana b\u00fct\u00fcn sanatsal alanlar\u0131 kombine ederek \u00f6\u011frenme, ke\u015ffetme, deneme ve yaratma ortam\u0131 sunan bir e\u011fitim anlay\u0131\u015f\u0131d\u0131r.\u2019\u2019 Orff E\u011fitiminde kullan\u0131lan \u00e7alg\u0131lar\u0131n hepsi do\u011fadan, ge\u00e7mi\u015ften esinlenmi\u015ftir. \u00d6rne\u011fin; marakas, yer davulu, tef, zil&#8230; Bu \u00e7alg\u0131lar \u00e7e\u015fitlenerek ilerler ve deri, tahta, a\u011fa\u00e7 ve benzeri malzemelerden olu\u015fturulur. Her \u00e7ocu\u011fun bu temel ritim e\u011fitimini alma \u015fans\u0131na sahip olaca\u011f\u0131 bir e\u011fitim sistemimiz olmal\u0131d\u0131r. \u00c7evresel materyallerden fazlas\u0131yla yararlanma \u015fans\u0131m\u0131z vard\u0131r. En yayg\u0131n olan da at\u0131k malzemelerden olu\u015fturulan \u00e7alg\u0131lard\u0131r.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/Intrumentarium_Orff-Schulwerkde_la_soci\u00e9t\u00e9_Studio_49-1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-5709\" alt=\"Intrumentarium_Orff-Schulwerkde_la_soci\u00e9t\u00e9_Studio_49 (1)\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/Intrumentarium_Orff-Schulwerkde_la_soci\u00e9t\u00e9_Studio_49-1-300x117.jpg\" width=\"300\" height=\"117\" srcset=\"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/Intrumentarium_Orff-Schulwerkde_la_soci\u00e9t\u00e9_Studio_49-1-300x117.jpg 300w, https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/Intrumentarium_Orff-Schulwerkde_la_soci\u00e9t\u00e9_Studio_49-1.jpg 460w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Sonu\u00e7 olarak genel anlamda m\u00fczik \u00e7evresel fakt\u00f6rlerden yararlanarak do\u011far ve geli\u015fimini s\u00fcrd\u00fcr\u00fcr. \u0130nsanlar ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze, g\u00fcn\u00fcm\u00fczden gelece\u011fe her zaman ihtiyac\u0131na y\u00f6nelik yarat\u0131r. <b>M\u00fczi\u011fi yarat\u0131r<\/b>; seslerle, s\u00f6zlerle kendini anlat\u0131r, <b>\u00e7alg\u0131y\u0131 yarat\u0131r<\/b>; farkl\u0131 t\u0131n\u0131lar\u0131 canland\u0131r\u0131r, elektronik ortamlara ta\u015f\u0131r. <b>Ritmi yarat\u0131r<\/b>; insan v\u00fccudundan ses \u00e7\u0131karmak \u00fczere g\u00f6rd\u00fc\u011f\u00fc her materyalden hayat\u0131n ritmini ya\u015fat\u0131r.<\/p>\n<p>&nbsp;<\/p>\n<p>Saadet \u00c7aluda<\/p>\n<p>sadet_flute@hotmail.com<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0\u00a0 M\u00fczik, sesin bi\u00e7im ve anlaml\u0131 titre\u015fimler kazanm\u0131\u015f halidir. Ba\u015fka bir deyi\u015fle de sesin ve sessizli\u011fin belirli bir zaman aral\u0131\u011f\u0131nda ifade edildi\u011fi sanatsal\u00a0bir formdur. Doktor<\/p>\n","protected":false},"author":3,"featured_media":5708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,38,42,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/01\/1423654645868-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-1u3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/5707"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5707"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/5707\/revisions"}],"predecessor-version":[{"id":5710,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/5707\/revisions\/5710"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/5708"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}