![\"sokak](\"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/02\/sokak-bizi-\u00e7a\u011f\u0131r\u0131yor-foto.jpg\")
<\/a><\/i><\/b><\/p>\n<\/p>\n
Sanat, ayn\u0131 \u00e7a\u011fda ya\u015fayan insanlar aras\u0131nda oldu\u011fu kadar, tarihi s\u00fcre\u00e7te ya\u015famlar\u0131 kesi\u015fmeyecek olan ki\u015filer aras\u0131nda da bir etkile\u015fim sa\u011flar ve d\u00fcn ile bug\u00fcn, ge\u00e7mi\u015f ile gelecek aras\u0131nda bir k\u00f6pr\u00fc kurar. Sanat\u0131n bir di\u011fer \u00f6nemli \u00f6zelli\u011fi ise insanlar\u0131n yarat\u0131c\u0131 g\u00fcc\u00fc ile birle\u015fen bir eylem olmas\u0131d\u0131r. Bu a\u00e7\u0131dan sanat bir direni\u015ftir ve insanlar taraf\u0131ndan, insanlar i\u00e7in olu\u015fturulan, belirli bir fikriyat\u0131 yaymak i\u00e7in gerekli nesneyi ya da prati\u011fi \u00fcretmeye \u00e7abalar.<\/p>\n
\u00d6zg\u00fcrl\u00fc\u011f\u00fcn provas\u0131n\u0131 yapabilece\u011fimiz yegane alan ku\u015fkusuz sanat dallar\u0131ndan ge\u00e7mektedir. \u00d6rne\u011fin bak\u0131n\u0131z Augusto Boal ne demi\u015f; “Tiyatro eylemdir! Belki de tiyatro kendi i\u00e7inde devrimci de\u011fildir; ama hi\u00e7 ku\u015fku yok ki tiyatro bir devrim provas\u0131d\u0131r”. Kapitalist sistemin g\u00fcc\u00fcyle fiziksel ve mental olarak zay\u0131flayan, ezilen, her t\u00fcr istismara, bask\u0131ya maruz kalm\u0131\u015f toplum ancak \u00f6zg\u00fcrl\u00fck m\u00fccadelesinde zafere ula\u015fabilir. Bu m\u00fccadelenin de en uygun dura\u011f\u0131 insanlar\u0131n s\u0131n\u0131rs\u0131z yarat\u0131c\u0131l\u0131kla \u00fcretim yapabilecekleri sanat dallar\u0131d\u0131r.<\/p>\n
Ancak maalesef her durumda oldu\u011fu gibi bu durumda da yollar\u0131 t\u0131kamak i\u00e7in kollar\u0131 s\u0131vayan kapitalizm, sanat\u0131 da ele ge\u00e7irmi\u015f durumdad\u0131r. Ne yaz\u0131kt\u0131r ki sanat\u0131n al\u0131n\u0131p-sat\u0131ld\u0131\u011f\u0131, metala\u015ft\u0131r\u0131ld\u0131\u011f\u0131 ve \u00e7a\u011fda\u015f k\u00fclt\u00fcr safsatas\u0131 alt\u0131nda kapitalist k\u00fclt\u00fcr end\u00fcstrisinin her \u015feyi bi\u00e7imlendirdi\u011fi bir \u00e7\u00fcr\u00fcmenin tam orta yerindeyiz. Kapal\u0131 salonlarda zengin kesimler aras\u0131nda yap\u0131lan m\u00fczayedelerde tablolar\u0131n, eserlerin, foto\u011fraflar\u0131n, vs. sat\u0131\u015flar\u0131n\u0131n ger\u00e7ekle\u015ftirildi\u011fi, \u00fclkelerin \u201cbilmem ka\u00e7 milyon dolarla en \u00e7ok sanat eseri alarak\u201d k\u00fclt\u00fcr yat\u0131r\u0131mc\u0131s\u0131 ilan edildi\u011fi, tarihi olarak zengin olan memleketlerin k\u00fclt\u00fcr turizmi yapmak ve sanat\u0131 satmak i\u00e7in paralar harcad\u0131\u011f\u0131 bir cinnetin seyircileriyiz. Kendi yaratt\u0131\u011f\u0131 ma\u011fduriyetleri hi\u00e7 yokmu\u015f gibi g\u00f6stermeyi pek seven sevgili kapitalizm ayr\u0131ca sanat\u0131 bu a\u015famada da \u00e7ok iyi kullanmaktad\u0131r. Sadece kendi fikriyat\u0131 do\u011frultusunda icra edilen sanat\u0131 yayg\u0131nla\u015ft\u0131r\u0131p \u00e7a\u011f\u0131m\u0131z\u0131n sanat\u0131n\u0131n bu oldu\u011funu iddia ederek, kendi s\u00f6z\u00fcn\u00fc s\u00f6yleyen sanat\u00e7\u0131lar\u0131 y\u00fccelterek toplumu \u00f6zendirip istedi\u011fi \u015fekle d\u00f6n\u00fc\u015ft\u00fcrmeyi ama\u00e7lamaktad\u0131r. Biliyoruz ki, her d\u00f6nemin yayg\u0131n sanat\u0131, o d\u00f6nemin egemenlerinin fikirlerini yans\u0131t\u0131r. Kapitalizmin \u201cg\u00f6steriye d\u00f6n\u00fc\u015fen sanat\u201d deyi\u015fiyle \u00e7izdi\u011fi \u00e7er\u00e7eve; sanat yap\u0131t\u0131n\u0131n, bir yap\u0131ttan \u00e7ok bir meta haline gelmesini, sanat\u0131n markala\u015fmas\u0131n\u0131, estetik niteli\u011finden \u00e7ok parasal de\u011ferinin \u00f6nemsenmesinin alt\u0131n\u0131 \u00e7iziyor. \u201cContemporary Art\u201d ad\u0131 alt\u0131nda veya g\u00fcncel sanat ad\u0131n\u0131 kullanarak bir t\u00fcr \u201cseri \u00fcretim\u201de dikkat \u00e7ekiyor. \u201c\u0130nsan varl\u0131\u011f\u0131ndan uzakla\u015fm\u0131\u015f, havadan varsay\u0131mlara s\u0131\u011f\u0131nm\u0131\u015f, dolay\u0131s\u0131yla varl\u0131k nedenini yads\u0131ma yanl\u0131\u015fl\u0131\u011f\u0131na d\u00fc\u015fm\u00fc\u015f olan yap\u0131t, sanat ortam\u0131nda kal\u0131c\u0131 olma \u015fans\u0131n\u0131 da yitirmi\u015f oluyor.\u201d (1)<\/p>\n
Kapitalizm de sokakta!<\/b><\/p>\n
Sokaktaki alan\u0131 fark eden, muhalif sesi kontrol alt\u0131na alan, alamad\u0131klar\u0131n\u0131 k\u0131san kapitalizm sokak sanat\u0131n\u0131 da metala\u015ft\u0131rmaya \u00e7al\u0131\u015fmaktad\u0131r. Soka\u011fa en ba\u015flarda d\u00f6k\u00fcl\u00fcp bu k\u00fclt\u00fcre en h\u0131zl\u0131 adapte olan gen\u00e7ler i\u00e7in giri\u015fi tabii ki \u00fccretli olan \u00e7ad\u0131r kampl\u0131 gen\u00e7lik festivalleri, her sanat \u00fcr\u00fcn\u00fcn\u00fcn sat\u0131ld\u0131\u011f\u0131, kapitalizmin izin verdi\u011fi s\u0131n\u0131rlar i\u00e7erisinde bestelenen alternatif m\u00fcziklerin \u00e7al\u0131nd\u0131\u011f\u0131 sanat sokaklar\u0131 olu\u015fturmu\u015f, kendine muhalif kitleleri buraya \u00e7ekmeye ba\u015flam\u0131\u015ft\u0131r. B\u00f6ylece kendini garanti alt\u0131na alan kapitalizm hem t\u00fcketim k\u00fclt\u00fcr\u00fcn\u00fc beslemekte hem de kendine kar\u015f\u0131 gelen t\u00fcm olgular\u0131 kontrol alt\u0131na alarak kendi \u00fcretimlerini \u00f6n plana \u00e7\u0131karmaktad\u0131r.<\/p>\n
Hadi ne duruyoruz, soka\u011fa!<\/b><\/em><\/b><\/em><\/p>\n Kapitalizmin metala\u015ft\u0131rd\u0131\u011f\u0131 sanata ve sanat\u00e7\u0131lara alternatif olarak atabilece\u011fimiz en g\u00fc\u00e7l\u00fc ad\u0131m kendi sanat\u0131m\u0131z\u0131 var ederek her kesime ula\u015fabilece\u011fimiz \u00fcretimlerimizi soka\u011fa ta\u015f\u0131makt\u0131r. Sisteme ayk\u0131r\u0131 sanat\u00e7\u0131lar var etmek, herkes i\u00e7in sanat yapmak ve t\u00fcm ezilenlerin sesi olmak bulundu\u011fumuz ko\u015fullarda elzemdir. S\u00f6z\u00fcm\u00fcz\u00fc \u015fark\u0131 nakaratlar\u0131na, fikriyat\u0131m\u0131z\u0131 oyun repliklerine, m\u00fccadelemizi ya\u011fl\u0131 boyalara d\u00f6n\u00fc\u015ft\u00fcrerek \u00f6zg\u00fcr bir d\u00fcnyan\u0131n temel ta\u015flar\u0131n\u0131 \u00f6rmeliyiz. \u00c7\u00fcnk\u00fc yarat\u0131c\u0131 sanat, sava\u015f y\u0131k\u0131c\u0131l\u0131\u011f\u0131na kar\u015f\u0131 duran; durmakla kalmay\u0131p iyi, g\u00fczel ve do\u011frunun \u00f6n\u00fcn\u00fc a\u00e7an bir dinamiktir ve bunu herkese ula\u015ft\u0131rmak \u00e7ok \u00f6nemlidir.<\/em><\/p>\n \u0130\u015fte tam da bu noktada yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z\u0131 kullanarak sanatsal \u00fcretimlerimizi soka\u011fa d\u00f6kmeli, \u00f6zelle\u015ftirmeden yaka silken halk\u0131, patronlar\u0131 taraf\u0131ndan ezilen t\u00fcm i\u015f\u00e7ileri, \u015fiddet direni\u015f\u00e7isi kad\u0131nlar\u0131 ve daha pek \u00e7o\u011funu kolektif \u00e7abam\u0131za dahil etmeli, hep birlikte \u00fcreterek kapitalizm canavar\u0131n\u0131n elinden sanat\u0131 s\u00f6ke s\u00f6ke almal\u0131y\u0131z. Sanat\u0131 d\u00f6rt duvar aras\u0131ndan \u00e7\u0131kar\u0131p muhalif s\u00f6z\u00fcm\u00fcz\u00fc k\u0131smadan, bilakis daha da a\u00e7arak tiyatroya, m\u00fczi\u011fe, heykele ve resme \u00e7evirerek sokaklara d\u00f6kmeliyiz.<\/p>\n \u00a0<\/em><\/p>\n Kaynaklar;<\/em><\/em><\/p>\n (1)<\/em>\u00a0Kaya \u00d6zsezgin, The Sanat \u00c7a\u011f\u0131, Kaynak Yay\u0131nlar\u0131, 2013.<\/i><\/p>\n (2)<\/em>\u00a0Kolektif, Argasdi Se\u00e7me Yaz\u0131lar, Argasdi Yay\u0131nlar\u0131, 2014, Sanat ve Sokak-Nazen \u015eansal<\/i><\/p>\n","protected":false},"excerpt":{"rendered":" Argasdi 49. Say\u0131s\u0131nda “SOKAK” dosyas\u0131yla okurlar\u0131na merhaba diyor… sanat ve sokak ili\u015fkisini irdeleyen makalemizi keyifle okuman\u0131z\u0131 dileriz. \u201cZalim h\u00fck\u00fcmetler sanatsal ifade \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc bast\u0131rmaya \u00e7al\u0131\u015fabilirler ama<\/p>\n","protected":false},"author":7,"featured_media":5764,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,44,9,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2018\/02\/sokak-bizi-\u00e7a\u011f\u0131r\u0131yor-foto.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-1uX","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/5763"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5763"}],"version-history":[{"count":2,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/5763\/revisions"}],"predecessor-version":[{"id":5766,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/5763\/revisions\/5766"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/5764"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}