{"id":6642,"date":"2019-02-13T12:01:11","date_gmt":"2019-02-13T10:01:11","guid":{"rendered":"https:\/\/baraka.cc\/?p=6642"},"modified":"2019-02-13T12:01:11","modified_gmt":"2019-02-13T10:01:11","slug":"bertolt-brecht-muzigi-saadet-caluda","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=6642","title":{"rendered":"BERTOLT BRECHT M\u00dcZ\u0130\u011e\u0130- Saadet \u00c7aluda"},"content":{"rendered":"

Usta bir \u015fairin \u015fiirlerini bestelemek de ustal\u0131k gerektirir.\u00a0 Brecht’in bu yolda tan\u0131\u015ft\u0131\u011f\u0131 bestecileri bulaca\u011f\u0131n\u0131z makalemizde m\u00fczi\u011fin sorgulay\u0131c\u0131 yan\u0131n\u0131 cesurca ortaya koyan eserlerini de daha net anlayaca\u011f\u0131z. Hala bir Argasdi edinmediyseniz en yak\u0131n gazete bayinize, Khora Kitabevlerine ya da Baraka K\u00fclt\u00fcr Merkezi’ne u\u011frayabilirsiniz…<\/em><\/p>\n

As\u0131l ad\u0131\u00a0Eugen Berthold Friedrich Brecht olan Bertolt Brecht, 10 \u015eubat<\/a>\u00a01898<\/a>\u2019de\u00a0Augsburg<\/a>\u2019da d\u00fcnyaya geldi.\u00a020. y\u00fczy\u0131l\u0131n<\/a>\u00a0en etkili\u00a0Alman<\/a>\u00a0\u015fairi, oyun yazar\u0131 ve\u00a0tiyatro<\/a>\u00a0y\u00f6netmeni olarak nitelendirilir. Eserleri uluslararas\u0131 alanda da sayg\u0131 ile kabul g\u00f6rm\u00fc\u015f ve \u00f6d\u00fcllendirilmi\u015ftir. Kendisini “Kom\u00fcnist<\/a>” olarak tan\u0131mlayan Brecht\u2019in hayat\u0131m\u0131zda ve bak\u0131\u015f a\u00e7\u0131m\u0131zdaki yeri g\u00f6z ard\u0131 edilemez. Brecht\u2019in \u015fiirlerine ezgilerle hayat veren ve 1900\u2019l\u00fc y\u0131llardan g\u00fcn\u00fcm\u00fcze gelen, ismi Brecht ile an\u0131lan 3 besteci Kurt Weill, Hans Eisler ve Paul Dessau\u2019dur. Brecht ile hem politik hem de m\u00fczikal anlamda en fazla ba\u011f\u0131 bulunan besteci 17 \u015fiirinin 13\u2019\u00fcn\u00fc melodilerle bulu\u015fturan Kurt Weill\u2019dir.\"sadet<\/a><\/p>\n

Kurt Weill, 2 Mart 1900-3 Nisan 1950 y\u0131llar\u0131 aras\u0131nda ya\u015fam\u0131\u015f, 1920’lerin sonlar\u0131nda yazd\u0131\u011f\u0131 m\u00fczikaller ve \u015fark\u0131larla\u00a0Almanya<\/a>‘da olduk\u00e7a pop\u00fcler olmu\u015ftur. Eserleri, Alban Berg, Darius Milhaud ve Stravinsky gibi besteciler taraf\u0131ndan be\u011fenilmi\u015ftir. En \u00e7ok bilinen eseri ilk kez\u00a031 A\u011fustos<\/a>\u00a01928<\/a>‘de sahnelenen\u00a0\u00dc\u00e7 Kuru\u015fluk Opera<\/a>‘d\u0131r. Kurt Weill ve Brecht 1927-1933\u00a0 y\u0131llar\u0131 aras\u0131nda \u00f6l\u00fcms\u00fcz yap\u0131tlara ad\u0131n\u0131 yazd\u0131rm\u0131\u015ft\u0131r. Weill, John Gay’in yazm\u0131\u015f oldu\u011fu Dilenciler Operas\u0131 \u00fczerine\u00a0Bertolt Brecht<\/a>\u00a0ile beraber \u00e7al\u0131\u015fm\u0131\u015f ve bu eserdeki olaylar dizisini koruyarak Brecht’in s\u00f6zleriyle yeni besteler olu\u015fturup, yolculuklar\u0131n\u0131 ba\u015flatm\u0131\u015ft\u0131r. Yoksulluk, sefalet ve haydutlu\u011fun kol gezdi\u011fi 1920\u2019ler Londra\u2019s\u0131n\u0131 arka plan\u0131na alan\u00a0\u00dc\u00e7 Kuru\u015fluk Opera, Berlin\u2019de sahnelendi. Bu sahne, sonralar\u0131 Brecht\u2019in tiyatrosu olarak an\u0131lacak olan \u2013ve h\u00e2l\u00e2 ya\u015fayan- Berliner Ensemble\u2019d\u0131. Brecht\u2019in metniyle Weill\u2019\u0131n m\u00fczi\u011fi m\u00fcthi\u015f bir uyum yakalam\u0131\u015ft\u0131. Bu \u201cbamba\u015fka\u201d bir operayd\u0131.<\/p>\n

Kurt Weill m\u00fczi\u011finin derinlerine inecek olursak; \u201cKurt Weill\u2019\u0131n m\u00fczi\u011fi, olabildi\u011fince geni\u015f bir izleyici kitlesine ula\u015fmay\u0131 hedefleyen, oyuncuya belirli tav\u0131rlar\u0131 dile getirme olana\u011f\u0131 vererek do\u011frudanl\u0131\u011f\u0131n alt\u0131n\u0131 \u00e7izen, eylem ve s\u00f6ylemin ko\u015futlu\u011funu \u00f6nemseyen, birbirinden farkl\u0131 tarz ve elemanlardan beslenebilen, \u00e7o\u011ful yap\u0131l\u0131 (caz, dans m\u00fczi\u011fi, kabare, halk m\u00fczi\u011fi, mar\u015f, vb.) s\u0131radan olan\u0131 yeniden i\u015fleyip yabanc\u0131la\u015ft\u0131ran ve emin olunan her \u015feyi sorgulamaya \u00e7a\u011f\u0131ran parodik, alayc\u0131 bir m\u00fcziktir\u2019\u2019.(1) Ya\u015fad\u0131\u011f\u0131 d\u00f6nem, Bat\u0131 m\u00fczi\u011finde 1910\u2019dan g\u00fcn\u00fcm\u00fcze uzanan 1. ve 2. Payla\u015f\u0131m Sava\u015f\u0131\u2019n\u0131n oldu\u011fu, atonalite (tond\u0131\u015f\u0131 sesler) kullan\u0131lan, teknolojinin hayat\u0131m\u0131zda yer ald\u0131\u011f\u0131 \u00c7a\u011fda\u015f D\u00f6nem olsa da Weill\u2019\u0131n m\u00fczik anlay\u0131\u015f\u0131nda 1750-1800\u2019l\u00fc y\u0131llarda ortaya \u00e7\u0131kan Klasik D\u00f6nemin etkileri g\u00f6r\u00fcl\u00fcr. Buna ba\u011fl\u0131 olarak Weill\u2019\u0131n kariyerinde etkili olmu\u015f besteciler, Klasik D\u00f6nem bestecileri Mozart ve Mahler\u2019dir. Mozart\u2019\u0131n \u2018m\u00fczikal ekonomi\u2019, \u2018saydaml\u0131k\u2019 ve \u2018do\u011frudanl\u0131k\u2019 kavramlar\u0131 ve Sihirli Fl\u00fct eseri Weill\u2019\u0131n m\u00fczi\u011fini de etkilemi\u015ftir.<\/p>\n

Kurt Weill, Nazi Partisi\u2019nin iktidara geldi\u011fi 1933 senesinde Almanya\u2019y\u0131 terk etmek zorunda kal\u0131r. B\u00f6ylece Brecht\u2019le olan 6 y\u0131ll\u0131k i\u015fbirli\u011fi de sona ermi\u015f olur. ABD\u2019ye yerle\u015fir ve Broadway m\u00fczikallerinin aranan bestecisi haline gelir. 1950\u2019de hayat\u0131n\u0131 kaybeden Weill\u2019\u0131n m\u00fczik d\u00fcnyas\u0131nda b\u0131rakt\u0131\u011f\u0131 etki, Brecht\u2019le geli\u015ftirdikleri yeni bir sahne m\u00fczi\u011fi anlay\u0131\u015f\u0131 olmu\u015ftur. Hayat\u0131 boyunca toplumundan kopuk olmayan i\u015flevsel bir sanat\u0131 savunan Kurt Weill\u2019\u0131n m\u00fczikleri h\u00e2l\u00e2 dipdiri ve h\u00e2l\u00e2 bizleri emin oldu\u011fumuz her \u015feyi yeniden sorgulamaya davet ediyor…<\/p>\n

G\u00fcn\u00fcm\u00fcze gelecek olursak, K\u0131br\u0131s\u2019ta da sergilenen Genco Erkal yorumu ile dinlenecek \u2018Bertolt Brecht\u2019 eserlerinin yerini ne tutar bilmiyorum. S\u00f6ner g\u00f6rkemli \u0131\u015f\u0131klar, ba\u015flar \u015fiir, birle\u015fir Weill\u2019\u0131n m\u00fczi\u011fi ve Brecht seslenir;<\/p>\n

Ben Bertolt Brecht<\/p>\n

Kara ormanlardan ta\u015f\u0131m\u0131\u015f \u015fehre anam beni<\/p>\n

\u00c7ekip gidene dek ben bu D\u00fcnyadan<\/p>\n

\u00c7\u0131kmayacak ormanlar\u0131n so\u011fu\u011fu i\u00e7imden…<\/p>\n

 <\/p>\n

(1 )http:\/\/haber.sol.org.tr\/serbest-kursu\/ben-kurt-weill-haberi-55136<\/i><\/b><\/a><\/i><\/b><\/p>\n

https:\/\/www.youtube.com\/watch?v=C2ODfuMMyss-<\/i><\/b><\/a> Sihirli Fl\u00fct Operas\u0131 <\/span><\/i><\/b><\/p>\n

\u00a0<\/span><\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Usta bir \u015fairin \u015fiirlerini bestelemek de ustal\u0131k gerektirir.\u00a0 Brecht’in bu yolda tan\u0131\u015ft\u0131\u011f\u0131 bestecileri bulaca\u011f\u0131n\u0131z makalemizde m\u00fczi\u011fin sorgulay\u0131c\u0131 yan\u0131n\u0131 cesurca ortaya koyan eserlerini de daha net<\/p>\n","protected":false},"author":7,"featured_media":6643,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,44,9,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2019\/02\/sadet-yazi-foto.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-1J8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/6642"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6642"}],"version-history":[{"count":2,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/6642\/revisions"}],"predecessor-version":[{"id":6645,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/6642\/revisions\/6645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/6643"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}