{"id":7183,"date":"2019-11-12T21:10:26","date_gmt":"2019-11-12T19:10:26","guid":{"rendered":"https:\/\/baraka.cc\/?p=7183"},"modified":"2019-11-12T21:10:26","modified_gmt":"2019-11-12T19:10:26","slug":"heyecanimi-besle-halide-erkivanc","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=7183","title":{"rendered":"Heyecan\u0131m\u0131 Besle &#8211; Halide Erk\u0131van\u00e7"},"content":{"rendered":"<p style=\"text-align: center;\"><em>Argasdi derginizin 56. say\u0131s\u0131ndan bir tiyatro yaz\u0131s\u0131&#8230;<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/baraka.cc\/wp-content\/uploads\/2019\/11\/foto-1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-7184\" alt=\"foto (1)\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2019\/11\/foto-1-300x198.jpg\" width=\"300\" height=\"198\" srcset=\"https:\/\/baraka.cc\/wp-content\/uploads\/2019\/11\/foto-1-300x198.jpg 300w, https:\/\/baraka.cc\/wp-content\/uploads\/2019\/11\/foto-1.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>As\u0131rlard\u0131r toplumlar\u0131n hayat\u0131na dokunan, ya\u015famlar\u0131ndan izler ta\u015f\u0131yan ve insanlar\u0131n ruhuna hitap eden bir sanat faaliyeti, tiyatro&#8230; Geli\u015fmi\u015fli\u011fin sembolleri aras\u0131nda yer alan, ortak bir eme\u011fin insanda toplan\u0131p v\u00fccut buldu\u011fu sanatsal bir \u00fcretim&#8230; \u0130nsanlar\u0131n sanata olan a\u00e7l\u0131\u011f\u0131, her \u00e7a\u011fda kendisini g\u00f6stermekle kalmay\u0131p sanatsal \u00fcretime de yol a\u00e7\u0131yor. Yine de ilerlemenin ve \u00fcretimin \u00f6n\u00fcndeki o her d\u00f6nem kendisini g\u00f6steren kar\u015f\u0131t g\u00fc\u00e7ler, otoriteler veya insanlar h\u00e2l\u00e2 var.<\/p>\n<p>Orta\u00e7a\u011f\u2019da tiyatro g\u00f6sterileri yasaklanm\u0131\u015f oldu\u011fundan, tiyatro ile ilgili d\u00fc\u015f\u00fcnce de \u00fcretilememi\u015ftir. Yaln\u0131zca okullarda Latince \u00f6\u011frenimine ba\u011fl\u0131 olarak okutulan Latin ozanlar\u0131n\u0131n oyunlar\u0131 bilinmekte, yaz\u0131nla ilgili incelemelerde bu oyunlar\u0131n \u00f6zelliklerinden s\u00f6z edilmektedir. \u00d6te yandan din adamlar\u0131, halk\u0131n tiyatro sevgisinin i\u00e7ten i\u00e7e ya\u015fad\u0131\u011f\u0131n\u0131 g\u00f6zlemledikleri i\u00e7in, her f\u0131rsatta bu sanat\u0131 su\u00e7lam\u0131\u015f, tiyatronun zararl\u0131 etkilerine kar\u015f\u0131 uyar\u0131larda bulunmu\u015flard\u0131r. Orta\u00e7a\u011f\u2019da tiyatro d\u00fc\u015f\u00fcncesi, tiyatroyu su\u00e7lama bi\u00e7iminde geli\u015fir.<\/p>\n<p>Bunlar insan\u0131 hayrete d\u00fc\u015f\u00fcrse ve sadece ge\u00e7mi\u015fte kalm\u0131\u015f yasak\u00e7\u0131 zihniyetler olarak g\u00f6r\u00fclse de, asl\u0131nda \u00f6yle de\u011fil. Tamam bug\u00fcn belki tiyatro yasak de\u011fil ama ne kadar \u00f6zg\u00fcr? S\u00f6z\u00fcm\u00fcz, sahnemiz ne kadar bizim?<\/p>\n<p>Saint Augustine, trajik sahne oyunlar\u0131n\u0131n ayart\u0131c\u0131 oldu\u011funu, ruhu tuza\u011fa d\u00fc\u015f\u00fcr\u00fcp yozla\u015ft\u0131rd\u0131\u011f\u0131n\u0131 s\u00f6ylemi\u015f, baz\u0131 heyecanlar\u0131 kurutacak yerde besledi\u011fini s\u00f6yleyerek tiyatronun sak\u0131ncalar\u0131n\u0131 belirtmi\u015ftir. Ve ben s\u00f6yledi\u011fi bu s\u00f6zle tiyatroyu neden bu kadar \u00e7ok sevdi\u011fimi ve herkesin neden \u00f6zg\u00fcr tiyatroyu savunmas\u0131 gerekti\u011fini ke\u015ffettim. Heyecan\u0131m\u0131 beslemesi; bu bitmek bilmeyen co\u015fkumu, heyecan\u0131m\u0131, bir \u015feyler anlatmak, \u00f6\u011frenmek arzumu tiyatroya bor\u00e7luyum. Sonra d\u00fc\u015f\u00fcnd\u00fcm benim bu kadar heyecan duydu\u011fum, beni bu kadar mutlu eden bir \u015fey nas\u0131l olur da ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze kadar b\u00fct\u00fcn otoriteleri rahats\u0131z eder? Bence sebeplerimiz ayn\u0131; tiyatro, dayan\u0131\u015fmay\u0131 \u00f6\u011fretir, d\u00fc\u015f\u00fcnceyi eyleme sokma yetene\u011fini geli\u015ftirir, d\u00fc\u015f\u00fcnerek, yorumlayarak okumay\u0131 \u00f6\u011fretir, toplumun ki\u015fili\u011fi ezmesini \u00f6nler. \u00d6zetle otoriteler, \u00f6zg\u00fcr tiyatrolar\u0131 ve izledi\u011fini anlayabilen tiyatro severleri istemezler.<\/p>\n<p><b>Peki biz ne istiyoruz? <\/b><\/p>\n<p>Seyirci i\u00e7inde ya\u015fad\u0131\u011f\u0131 sorunlar\u0131n sahneden do\u011fru bir bi\u00e7imde aktar\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fc anda, ayakta duracak direnci de elde eder. Tiyatronun seyircisine kar\u015f\u0131 sorumlulu\u011fu vard\u0131r. Bundan on y\u0131l kadar \u00f6nce \u00f6len, tan\u0131nm\u0131\u015f Alman tiyatro y\u00f6netmeni Hans Schweikart, \u00e7a\u011f\u0131m\u0131zda her y\u00f6nden tehlike i\u00e7inde ve tehdit alt\u0131nda bulunan insanlar i\u00e7in tiyatronun sorumlulu\u011funu \u015f\u00f6yle a\u00e7\u0131klam\u0131\u015ft\u0131r: &#8220;Tiyatro, seyircisine, kendi ya\u015fant\u0131s\u0131nda bilmedi\u011fi \u015feyleri, yani daha \u00e7ok bilmekten ka\u00e7\u0131nd\u0131\u011f\u0131 ger\u00e7ekleri g\u00f6stermekle y\u00fck\u00fcml\u00fcd\u00fcr. \u0130\u015f adamlar\u0131n\u0131n yaratt\u0131\u011f\u0131 harikalar ile d\u00fcnyan\u0131n bir anda yok olmas\u0131 korkusu aras\u0131nda sersemlemi\u015f olan insanlar ya\u015fam\u0131n verdi\u011fi g\u00fcvensizlik kar\u015f\u0131s\u0131nda, tiyatrodan ayaklar\u0131n\u0131 sa\u011flamca basabilecekleri bir zemin dilemektedirler.&#8221;\u00a0 Shakespeare&#8217;in Hamlet&#8217;te dedi\u011fi gibi, sahne &#8220;\u00e7a\u011f\u0131n\u0131n aynas\u0131 ve k\u0131salt\u0131lm\u0131\u015f tarihi&#8221;dir. Bunun i\u00e7in de sahne, \u00e7a\u011f\u0131n\u0131 do\u011fru olarak, a\u00e7\u0131k ve se\u00e7ik, bozmadan yorumlay\u0131p yans\u0131tabildi\u011fi anda \u00f6nemli bir ara\u00e7t\u0131r. \u00d6yle ki, tiyatro, g\u00fczeli abartmadan, k\u00f6t\u00fcy\u00fc \u00f6rtbas etmeden, \u00e7irkini saklamadan ve do\u011fruyu yads\u0131madan g\u00f6revini yapmal\u0131d\u0131r. B\u0131rak\u0131n tiyatro g\u00f6revini yaps\u0131n, \u00f6zg\u00fcrce s\u00f6z\u00fcn\u00fc s\u00f6ylesin, bizi uyand\u0131rs\u0131n, aya\u011fa kald\u0131rs\u0131n, \u00f6nce sesimiz olsun sonra hep beraber ses olal\u0131m.<\/p>\n<p>Bir de \u015fu ger\u00e7e\u011fi hi\u00e7 unutmayal\u0131m: Devlet \u00f6denekli tiyatrolar, h\u00fck\u00fcmetlerin de\u011fil, devletin tiyatrosudur. Devlet ise halk\u0131nd\u0131r, h\u00fck\u00fcmetlerin de\u011fil.<\/p>\n<p>&nbsp;<\/p>\n<p>Halide Erk\u0131van\u00e7<\/p>\n<p>halideerkivanc0@gmail.com<\/p>\n<p>&nbsp;<\/p>\n<p><i>Kaynaklar:<\/i><\/p>\n<p><i>\u00dclkenin Kalk\u0131nmas\u0131nda Tiyatronun Rol\u00fc &#8211; \u00d6zdemir Nutku<\/i><\/p>\n<p><i>D\u00fcnden Bug\u00fcne Tiyatro D\u00fc\u015f\u00fcncesi- Sevda \u015eener<\/i><\/p>\n<p><i>Uygulamal\u0131 Tiyatro E\u011fitimi- Y\u0131lmaz Ar\u0131kan<\/i><\/p>\n<p><i>\u00a0<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Argasdi derginizin 56. say\u0131s\u0131ndan bir tiyatro yaz\u0131s\u0131&#8230; As\u0131rlard\u0131r toplumlar\u0131n hayat\u0131na dokunan, ya\u015famlar\u0131ndan izler ta\u015f\u0131yan ve insanlar\u0131n ruhuna hitap eden bir sanat faaliyeti, tiyatro&#8230; Geli\u015fmi\u015fli\u011fin sembolleri<\/p>\n","protected":false},"author":3,"featured_media":7184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,9,42,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2019\/11\/foto-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-1RR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7183"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7183"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7183\/revisions"}],"predecessor-version":[{"id":7185,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7183\/revisions\/7185"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/7184"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}