{"id":7370,"date":"2020-02-05T14:39:50","date_gmt":"2020-02-05T12:39:50","guid":{"rendered":"https:\/\/baraka.cc\/?p=7370"},"modified":"2020-02-05T14:39:50","modified_gmt":"2020-02-05T12:39:50","slug":"askin-acinin-ve-devrimin-kadini-zekiye-senturkler","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=7370","title":{"rendered":"A\u015fk\u0131n, Ac\u0131n\u0131n ve Devrimin Kad\u0131n\u0131 &#8211; Zekiye \u015eent\u00fcrkler"},"content":{"rendered":"<p><em>Frida dosya konulu 59. say\u0131m\u0131zdan Frida ve a\u015fklar\u0131na dair makalemizi keyifle okuyacaks\u0131n\u0131z. Argasdi&#8217;yi 10 TL kar\u015f\u0131l\u0131\u011f\u0131nda t\u00fcm gazete bayiilerinden, Khora Kitap Cafe ve Baraka K\u00fclt\u00fcr Merkezi lokalinden temin edebilirsiniz.<\/em><\/p>\n<p><i><a href=\"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/02\/resim.jpeg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright\" alt=\"resim\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/02\/resim-213x300.jpeg\" width=\"213\" height=\"300\" \/><\/a>\u201cSadece ruhen ve\u00a0bedenen zay\u0131f d\u00fc\u015ft\u00fcm. Ama resim yapabildi\u011fim s\u00fcrece ya\u015f\u0131yor olmaktan mutluluk duyaca\u011f\u0131m.\u201d<\/i><\/p>\n<p>Frida Kahlo; Meksika devriminin \u00e7ocu\u011fu, tek ba\u015f\u0131na dimdik ayakta duran bir kad\u0131n, kendinden kesinlikle \u00f6d\u00fcn vermeyen, en b\u00fcy\u00fck zaaf\u0131 a\u015fk olan, ac\u0131dan beslenen ve hayat\u0131 m\u00fccadele ile ge\u00e7en yirminci y\u00fczy\u0131l\u0131n en g\u00fc\u00e7l\u00fc kad\u0131n ikonlar\u0131ndan bir ressam\u2026 Meksikal\u0131 Michelangelo olarak tan\u0131nan \u00fcnl\u00fc ressam Diego Rivera ile ya\u015fad\u0131\u011f\u0131 entrikal\u0131 ve ac\u0131 dolu a\u015fk\u0131n yan\u0131 s\u0131ra, ge\u00e7irmi\u015f oldu\u011fu trafik kazas\u0131n\u0131n ard\u0131ndan v\u00fccudundaki bir\u00e7ok demir y\u0131\u011f\u0131n\u0131yla bir s\u00fcre yata\u011fa ba\u011fland\u0131\u011f\u0131 d\u00f6nemde sonsuz bir a\u015fk\u0131 daha buluyor Frida; resim. Eserlerinin b\u00fcy\u00fck \u00e7o\u011funlu\u011funu bu yatalak d\u00f6nemlerinde yarat\u0131yor. Ruh halini, \u00e7evresiyle olan ili\u015fkilerini tuvaline yans\u0131tan Frida\u2019n\u0131n resimleri bir t\u00fcr otobiyografiye d\u00f6n\u00fc\u015f\u00fcyor.\u00a0Bu zor d\u00f6nemi atlatmak ve g\u00fc\u00e7l\u00fc kalabilmek i\u00e7in resme sar\u0131l\u0131yor d\u00f6rt koldan ve a\u015fk ya\u015f\u0131yor tuvalleriyle. \u00c7o\u011fu resmi otoportrelerden olu\u015fan ressam\u0131n\u00a0ger\u00e7ek\u00fcst\u00fc\u00a0imgeleri, hayat\u0131n\u0131n iki b\u00fcy\u00fck sorunsal\u0131 olan\u00a0a\u015fk ve ac\u0131 ger\u00e7e\u011fi ile \u015fekilleniyor. Ve en \u00e7ok da, hayran\u0131 oldu\u011fu Meksika k\u00fclt\u00fcr\u00fcn\u00fcn ve devrimci halk\u0131n\u0131n \u00f6zelliklerini ta\u015f\u0131yor tutkuyla yapt\u0131\u011f\u0131 resimlerine.<\/p>\n<p><b>\u201cHayat\u0131mda iki ciddi kazan\u0131n ac\u0131s\u0131na katland\u0131m. \u0130lki bir tramvay\u0131n beni yere devirdi\u011fi kazayd\u0131. \u0130kincisi ise Diego.\u201d<\/b><\/p>\n<p>Ge\u00e7irdi\u011fi tramvay kazas\u0131n\u0131n ard\u0131ndan annesinin kendine tuval ve boya al\u0131p yata\u011f\u0131n\u0131n \u00fczerine bir ayna yerle\u015ftirmesiyle amat\u00f6r olarak resim yapmaya koyulan Frida, bir arkada\u015f\u0131n\u0131n arac\u0131l\u0131\u011f\u0131yla \u00fcnl\u00fc ressam Diego ile tan\u0131\u015f\u0131p evlendi. Her ikisi de sanat\u00e7\u0131 ruhlar\u0131yla, \u201cnormal\u201din d\u0131\u015f\u0131nda, k\u0131skan\u00e7l\u0131\u011f\u0131n s\u0131n\u0131r\u0131nda, sadakatsizli\u011fin besledi\u011fi \u00f6l\u00fcms\u00fcz a\u015fklar\u0131n\u0131 en derininden ya\u015fad\u0131lar. Frida\u2019dan 20 ya\u015f b\u00fcy\u00fck olan Diego\u2019nun iri yar\u0131 ve yak\u0131\u015f\u0131kl\u0131l\u0131k kriterlerine uymayan fizi\u011fi ile Frida\u2019n\u0131n kendine \u00f6zg\u00fc \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fcn yan yana geldi\u011fi evlilikleri, \u201cFil ile G\u00fcvercin\u201din birlikteli\u011fine benzetilmekteydi. \u00c7ocuk sahibi olmak istediler ancak Frida sa\u011fl\u0131k sorunlar\u0131 nedeniyle bir\u00e7ok kez d\u00fc\u015f\u00fck yapt\u0131. Bunun pe\u015fi s\u0131ra pek \u00e7ok ac\u0131y\u0131 bar\u0131nd\u0131rd\u0131 bu a\u015fk; en ba\u015fta sadakatsizli\u011fi. \u00d6nce Diego aldatt\u0131 Frida\u2019y\u0131 ve ayr\u0131ld\u0131lar. 1 y\u0131l sonra yeniden evlendiler ve bu kez Frida bir\u00e7ok kez aldatt\u0131 Diego\u2019yu. Ve Frida bunlar\u0131n hepsini tuvallerine ta\u015f\u0131d\u0131. Ataerkil bir toplumda ya\u015fayan, sadakatsiz bir e\u015fe sahip, sa\u011fl\u0131k y\u00f6n\u00fcnden hayat\u0131n\u0131n her evresinde ciddi sorunlarla burun buruna gelmi\u015f, anne olmak istemi\u015f ve olamam\u0131\u015f bir kad\u0131n olarak Frida\u2019n\u0131n resmettikleri bir\u00e7ok kad\u0131n\u0131n anlatamad\u0131klar\u0131; a\u015fklar\u0131 ve ac\u0131lar\u0131yd\u0131. \u201cNorm\u201dlar\u0131n d\u0131\u015f\u0131nda olan sanki Frida\u2019yd\u0131 ama sessiz kalan, kal\u0131plara s\u0131k\u0131\u015fm\u0131\u015f t\u00fcm kad\u0131nlar\u0131n sesiydi o. A\u015fklar\u0131n\u0131, ac\u0131lar\u0131n\u0131, ayr\u0131l\u0131klar\u0131n\u0131 ve aldatmalar\u0131n\u0131 \u00f6zg\u00fcrce ya\u015fad\u0131.<\/p>\n<p>Kocas\u0131yla bir darg\u0131n bir bar\u0131\u015f\u0131k evlili\u011fi esnas\u0131nda a\u015f\u0131k oldu\u011fu foto\u011fraf sanat\u00e7\u0131s\u0131 Nickolas Muray\u2019a bir mektubunda \u015f\u00f6yle diyordu:\u00a0<em>&#8220;Nick, bir mele\u011fi severcesine seviyorum seni. Sen, vadimde bir zambaks\u0131n a\u015fk\u0131m. Seni hi\u00e7 unutmayaca\u011f\u0131m, hi\u00e7 ama hi\u00e7. Sen hayat\u0131ms\u0131n benim. Umar\u0131m bunu asla unutmazs\u0131n&#8230;&#8221;<\/em> \u00a0Bir s\u00fcre kalbinde iki sevdaya yer olsa da Diego\u2019ya olan a\u015fk\u0131 itiyordu her yapt\u0131\u011f\u0131na Frida\u2019y\u0131. K\u0131skand\u0131\u011f\u0131 i\u00e7in k\u0131skand\u0131rmak isteyerek aldatt\u0131 e\u015fini bir\u00e7ok kez. Kad\u0131nlarla da ili\u015fki ya\u015fad\u0131. Bilhassa da Diego\u2019nun onu aldatt\u0131\u011f\u0131 kad\u0131nlar ile de ya\u015fad\u0131 bu ili\u015fkiyi, aramak i\u00e7in kendinde olmay\u0131p Diego\u2019nun o kad\u0131nlarda buldu\u011fu \u015feyi. Hep anlad\u0131lar birbirlerini o y\u00fczden birbirlerinden hi\u00e7 kopamad\u0131lar ancak hi\u00e7 de birle\u015femediler. Ve bu besledi ikinci b\u00fcy\u00fck a\u015fk\u0131n\u0131 Frida\u2019n\u0131n; resim\u2026 Ya\u015famak istedi\u011fi her duyguyu resimleri arac\u0131l\u0131\u011f\u0131yla at\u0131yordu i\u00e7inden, \u00f6zg\u00fcrl\u00fc\u011f\u00fc zirveye \u00e7\u0131k\u0131yordu tablolar\u0131yla. O y\u00fczden de diyordu ki \u201cBen hayat\u0131mda \u00fc\u00e7 \u015feyden vazge\u00e7mem. Birincisi a\u015fk\u0131m Diego, ikincisi sanat\u0131m, \u00fc\u00e7\u00fcnc\u00fcs\u00fc ise Kom\u00fcnist Parti.\u201d \u00c7\u00fcnk\u00fc hepsi onun i\u00e7in birer a\u015fk, ac\u0131, zafer ve kaybedi\u015fti.<\/p>\n<p><b>Tro\u00e7ki ile ili\u015fkisi<\/b><\/p>\n<p>K\u0131z\u0131l Ordu&#8217;nun kurucusu Tro\u00e7ki, Stalin taraf\u0131ndan s\u00fcrg\u00fcne g\u00f6nderildi\u011finde, Diego Rivera&#8217;n\u0131n Meksika Cumhurba\u015fkan\u0131&#8217;ndan ald\u0131\u011f\u0131 \u00f6zel izinle Meksika&#8217;ya gelip, Frida&#8217;n\u0131n evine yerle\u015fmi\u015fti. Kar\u0131s\u0131yla birlikte Frida ve Diego\u2019nun evinde kald\u0131\u011f\u0131 y\u0131llarda kurulan dostluk ve yolda\u015fl\u0131k ba\u011flar\u0131 zamanla bir ili\u015fkiye d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fc. Ta ki Tro\u00e7ki&#8217;nin e\u015fi bu ili\u015fkiyi fark edip Frida&#8217;yla konu\u015funcaya kadar. Frida ili\u015fkiyi bitirmi\u015fti bitirmesine ama ya bu a\u015fk\u0131n izleri&#8230; \u0130li\u015fkileri bittikten \u00fc\u00e7 y\u0131l sonra Tro\u00e7ki bir suikast sonucu Meksika&#8217;da, Stalin&#8217;in ajan\u0131 taraf\u0131ndan \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fcnde ilk sorgulananlardan birisiydi Frida.<\/p>\n<p><b>Bug\u00fcn\u00fcn a\u015fklar\u0131 ve Frida<\/b><\/p>\n<p>Bug\u00fcn Frida\u2019n\u0131n ya\u015fam\u0131 boyunca verdi\u011fi m\u00fccadelenin, devrime olan inanc\u0131n\u0131n, kom\u00fcnist d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fcn, \u00f6rg\u00fctl\u00fc ya\u015fam\u0131n\u0131n, ABD emperyalizmine kar\u015f\u0131 duru\u015funun de\u011fil de yaln\u0131zca a\u015fk hayat\u0131n\u0131n magazinsel olarak \u00f6n plana \u00e7\u0131kar\u0131lmas\u0131 ve onun en tutkulu, en \u00fcretken duygular\u0131n\u0131n, g\u00fcn\u00fcm\u00fcz\u00fcn yozla\u015fm\u0131\u015f g\u00fcn\u00fcbirlik cinsellik anlay\u0131\u015f\u0131na me\u015fruluk kazand\u0131rmas\u0131, an\u0131s\u0131na yap\u0131lan en b\u00fcy\u00fck sayg\u0131s\u0131zl\u0131kt\u0131r. Frida, hayat\u0131 boyunca \u00fcretmi\u015f ve \u00fclkesinin gelece\u011fi i\u00e7in taraf olmu\u015f, \u00f6rg\u00fctlenmi\u015f bir sanat\u00e7\u0131yd\u0131. Anl\u0131k hazlar\u0131 ya\u015fam felsefesi yapan, \u00f6zg\u00fcrl\u00fc\u011f\u00fc bireycilik ve \u00f6rg\u00fcts\u00fczl\u00fck olarak alg\u0131layan ki\u015filerin, Frida\u2019y\u0131 sembol olarak kullanmas\u0131 onun ya\u015fam\u0131n\u0131 ve m\u00fccadelesini hi\u00e7 anlamamakt\u0131r. Bu da Frida\u2019n\u0131n t\u00fcm renklerin ahengine yer veren d\u00fcnyas\u0131na de\u011fil, kar\u015f\u0131s\u0131nda oldu\u011fu karanl\u0131\u011f\u0131n devam\u0131na yaramaktad\u0131r.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><i>Kaynaklar:<\/i><\/p>\n<p><i>http:\/\/bit.ly\/2sqNB0l<\/i><\/p>\n<p><i>http:\/\/bit.ly\/39fUX7D<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frida dosya konulu 59. say\u0131m\u0131zdan Frida ve a\u015fklar\u0131na dair makalemizi keyifle okuyacaks\u0131n\u0131z. Argasdi&#8217;yi 10 TL kar\u015f\u0131l\u0131\u011f\u0131nda t\u00fcm gazete bayiilerinden, Khora Kitap Cafe ve Baraka K\u00fclt\u00fcr<\/p>\n","protected":false},"author":7,"featured_media":7369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,44,9,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/02\/resim.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-1US","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7370"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7370"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7370\/revisions"}],"predecessor-version":[{"id":7371,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7370\/revisions\/7371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/7369"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}