{"id":7443,"date":"2020-03-23T14:00:42","date_gmt":"2020-03-23T12:00:42","guid":{"rendered":"https:\/\/baraka.cc\/?p=7443"},"modified":"2020-03-23T14:00:42","modified_gmt":"2020-03-23T12:00:42","slug":"basinda-cicekler-gogsunde-orak-cekic-bir-mucadelenin-firca-izleri-emel-cicibaba","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=7443","title":{"rendered":"Ba\u015f\u0131nda \u00c7i\u00e7ekler, G\u00f6\u011fs\u00fcnde Orak-\u00c7eki\u00e7 (Bir M\u00fccadelenin F\u0131r\u00e7a \u0130zleri)-Emel Cicibaba"},"content":{"rendered":"<p><em>Herkese Merhaba\u2026 Argasdi\u2019nin 57. Say\u0131s\u0131 olan \u201cFrida Kahlo\u201d dosyam\u0131zdan Feminist-iz sayfas\u0131nda yay\u0131nlanan makalemizi sizlerle payla\u015f\u0131yoruz. Saat 2\u2019den 22\u2019ye kadar merak ettiklerinizi, katk\u0131lar\u0131n\u0131z\u0131, ele\u015ftirilerinizi ve yorumlar\u0131n\u0131z\u0131 bizlerle payla\u015fman\u0131z\u0131 bekliyoruz. Sanatla-k\u00fclt\u00fcrle kal\u0131n\u2026<\/em><\/p>\n<p><a href=\"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/frida-kahlo-k\u00fcrtaj.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-7444 alignright\" alt=\"frida-kahlo k\u00fcrtaj\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/frida-kahlo-k\u00fcrtaj-300x240.jpg\" width=\"300\" height=\"240\" srcset=\"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/frida-kahlo-k\u00fcrtaj-300x240.jpg 300w, https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/frida-kahlo-k\u00fcrtaj.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><em><\/em>Frida, hayat\u0131 boyunca ya\u015fad\u0131\u011f\u0131 t\u00fcm zorluklara ra\u011fmen hi\u00e7bir zaman y\u0131lmadan asla pes etmedi\u011fi m\u00fccadelesini sanat\u0131yla g\u00f6sterdi. A\u015fk ac\u0131s\u0131, ge\u00e7irdi\u011fi kazalar ve onlar\u0131n yaratt\u0131\u011f\u0131 travmalar, iki bebe\u011fini kaybetmesi, istismara u\u011framas\u0131, hayat\u0131 boyunca sakat kalmas\u0131 gibi ya\u015fad\u0131\u011f\u0131 b\u00fcy\u00fck ac\u0131lar, onun Kom\u00fcnist Parti\u2019ye \u00fcye olmas\u0131nda ve devrimci m\u00fccadeleye katk\u0131 koymas\u0131nda b\u00fcy\u00fck rol oynad\u0131.<\/p>\n<p><b>Y\u0131lmak bilmeyen adam Wilhelm<\/b><\/p>\n<p>Frida ve babas\u0131 \u00e7ok \u00f6zel bir ili\u015fkiye sahipti. K\u0131z karde\u015fleriyle birlikte anneleri taraf\u0131ndan dini a\u00e7\u0131dan muhafazakar ve s\u0131k\u0131 bir \u015fekilde yeti\u015ftiriliyorlard\u0131. Fakat Frida \u00f6\u011frenmeye a\u00e7 bir \u00e7ocuktu ve resim yapmaktan \u00e7ok ho\u015flan\u0131yordu. Babas\u0131 onu Meksika\u2019daki Alman Koleji\u2019ne yazd\u0131rd\u0131. Frida burada Wolfgang von Goethe, Friedrich Schiller ve Arthur Schopenhauer gibi bir\u00e7ok Avrupal\u0131 filozofa a\u015fina oldu. Daha sonra burada ya\u015fad\u0131\u011f\u0131 istismar ile b\u00fcy\u00fck bir travma ge\u00e7iren Kahlo okuldan ayr\u0131lmak zorunda kald\u0131. 1922\u2019de de\u011fi\u015fen e\u011fitim politikas\u0131 ile Ulusal Haz\u0131rl\u0131k Okuluna, s\u0131nav\u0131 ge\u00e7erek ba\u015flamaya hak kazanan 35 k\u0131zdan biri oldu ve akademik anlamda m\u00fckemmelle\u015fece\u011fi \u00a0bu yola \u00e7\u0131kt\u0131. Babas\u0131n\u0131n ona olan inanc\u0131 ve her zaman ona a\u00e7t\u0131\u011f\u0131 kap\u0131lar sayesinde g\u00fcn\u00fcm\u00fcz tarihinde yerini\u00a0 alacak olan Frida Kahlo olmaya ve politik anlamda aktifle\u015fmeye ba\u015flad\u0131. I\u015fte o y\u0131lmak bilmeyen adam, k\u0131z\u0131n\u0131n istikbali i\u00e7in y\u0131lmadan \u00e7abalad\u0131 ve belki de Frida asla pes etmemeyi babas\u0131ndan \u00f6\u011frendi.<\/p>\n<p><b>Tuvallerde sakl\u0131 bir feminizm <\/b><\/p>\n<p>Frida, s\u00fcrrealist bir ressam olarak biliniyordu. Fakat kendi \u00e7izdi\u011fi eserlerde ger\u00e7ek d\u0131\u015f\u0131 olaylar\u0131 de\u011fil, kendi ger\u00e7ekli\u011fi ve hayat hikayesini anlatt\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyordu. Ya\u015fad\u0131\u011f\u0131 t\u00fcm zorluklar\u0131 tuvallere d\u00f6k\u00fcyordu. K\u00fcrtaj, cinsiyet rolleri, do\u011fum gibi bir\u00e7ok derdini f\u0131r\u00e7a darbeleriyle anlatmaya \u00e7al\u0131\u015f\u0131yordu insanlara. Ge\u00e7irdi\u011fi kazalardan sonra \u00e7ok uzun s\u00fcre yata\u011fa mahkum olan Frida, aynalara bakarak kendi otoportrelerini resmetmeye ba\u015flad\u0131. Hayat\u0131n\u0131n her d\u00f6neminde ya\u015fad\u0131\u011f\u0131 t\u00fcm ac\u0131lar\u0131 kendi bedeninden yola \u00e7\u0131karak \u00e7izdi ve anlatmaya \u00e7al\u0131\u015ft\u0131. O, zincirlendi\u011fi yata\u011f\u0131nda devrimin ve m\u00fccadelenin bir simgesi oldu ve feminist ak\u0131m i\u00e7in \u00f6nemli bir sembol haline geldi.<\/p>\n<p>Yatalak olmas\u0131 da onun i\u00e7in bir sorun te\u015fkil etmiyordu. \u0130lk ki\u015fisel sergisine yata\u011f\u0131n\u0131 ta\u015f\u0131tarak kat\u0131lan Frida, kad\u0131nlar\u0131n ataerkil toplum i\u00e7inde ikinci planda oldu\u011fu ve t\u00fcrl\u00fc e\u015fitsizliklerle kar\u015f\u0131la\u015ft\u0131\u011f\u0131 1900\u2019lerin ortas\u0131 olan o d\u00f6nemde, t\u00fcm bunlara olan isyan\u0131n\u0131 g\u00f6stermek i\u00e7in sergisinde tabii ki bulunacakt\u0131!<b><\/b><\/p>\n<p><b>Kar\u015f\u0131tlar<\/b><\/p>\n<p>En b\u00fcy\u00fck ve \u00e7alkant\u0131l\u0131 a\u015fk\u0131 olan Diego Rivera\u2019ya saplant\u0131l\u0131 denebilecek kadar a\u015f\u0131kt\u0131. K\u0131z karde\u015fiyle aldat\u0131lmas\u0131 bile ona olan a\u015fk\u0131ndan vazge\u00e7irememi\u015fti Frida\u2019y\u0131. Defalarca \u00a0aldat\u0131lan ve buna ra\u011fmen \u00a0bo\u015fand\u0131ktan sonra bile tekrar Diego\u2019yla evlenen Kahlo\u2019nun feminist olmad\u0131\u011f\u0131n\u0131, hatta bu yapt\u0131klar\u0131n\u0131n ve boyun e\u011fdiklerinin de bunun ispat\u0131 oldu\u011funu s\u00f6yleyen bir kesim de mevcuttu. Oysa bir ki\u015finin feministli\u011fi, a\u015fk\u0131n\u0131n ve tutkusunun yo\u011funlu\u011fuyla de\u011fil \u00f6rg\u00fctl\u00fc ve \u00f6zel ya\u015fam\u0131nda kendisi ve toplumu i\u00e7in t\u00fcm yapt\u0131klar\u0131 ve yapmad\u0131klar\u0131yla s\u0131nanmal\u0131d\u0131r.<\/p>\n<p>Frida ve Diego sadece a\u015f\u0131k de\u011fil, yolda\u015f, meslekta\u015f hatta arkada\u015ft\u0131. Ne de olsa Frida onu hayat\u0131n\u0131n en b\u00fcy\u00fck ikinci ac\u0131s\u0131 olarak g\u00f6r\u00fcyor ve onun y\u00fcz\u00fcnden \u00e7ekti\u011fi t\u00fcm ac\u0131lar\u0131 resmediyordu. O ac\u0131lar\u0131 resmetti\u011fi eserlerinde \u00e7\u0131k\u0131\u015f noktas\u0131 Diego iken ondan nas\u0131l tam anlam\u0131yla kopabilirdi ki?<\/p>\n<p><b>Her \u00e7i\u00e7ekte o ve her tuvalde devrim!<\/b><\/p>\n<p>\u00c7o\u011funu yatarak ge\u00e7irdi\u011fi hayat\u0131 sonland\u0131\u011f\u0131nda yak\u0131lmak istedi. \u015eimdi k\u00fclleri m\u00fcze olan Mavi Ev\u2019de sergileniyor. O Latin Amerika k\u00f6kenlerini, \u00fclkesini hep giysilerinde, ba\u015f\u0131nda ta\u015f\u0131r \u00fclkesinin ve t\u00fcm i\u015f\u00e7ilerin \u00f6zg\u00fcrl\u00fc\u011f\u00fc i\u00e7in buna sar\u0131l\u0131rd\u0131. Devrim ise hep g\u00f6\u011fs\u00fcndeydi. Devrim onun her \u015feyiydi.<\/p>\n<p>Hasta yata\u011f\u0131nda g\u00f6\u011fs\u00fcne \u00e7eki\u00e7 ora\u011f\u0131 \u00e7izmi\u015f, kafas\u0131na takt\u0131\u011f\u0131 Meksika\u2019ya \u00f6zg\u00fc k\u00fclt\u00fcrel bir simge olan \u00e7i\u00e7ekleriyle her \u015feye ra\u011fmen inand\u0131\u011f\u0131 \u2018devrim\u2019e sar\u0131lm\u0131\u015ft\u0131. O Meksika devrimini do\u011fum g\u00fcn\u00fc kabul edecek kadar inan\u0131yordu kom\u00fcnist m\u00fccadeleye. Kom\u00fcnist m\u00fccadele i\u00e7inde, s\u0131rtland\u0131\u011f\u0131 ve kanatlar\u0131yla daha da y\u00fckse\u011fe \u00e7\u0131kard\u0131\u011f\u0131 feminist m\u00fccadelenin bir simgesiydi o. Hala daha da \u00f6yle!<\/p>\n<p>Onun sadece g\u00f6r\u00fcn\u00fc\u015f\u00fcndeki renklili\u011fi, bedensel ve cinsel \u00f6zg\u00fcrle\u015fmesini \u00f6n plana \u00e7\u0131karan s\u0131\u011f feministler i\u00e7in de\u011filse de bug\u00fcn\u00fcn sosyalist feministleri i\u00e7in bu d\u00fcnyadan Frida\u2019n\u0131n ge\u00e7mi\u015f olmas\u0131, halktan, k\u00f6yl\u00fclerden, yoksullardan, emek\u00e7ilerden yana duru\u015fu ve sorgulay\u0131c\u0131 ama her daim \u00f6rg\u00fctl\u00fc ya\u015fam\u0131 ile anlaml\u0131d\u0131r.<\/p>\n<p>&nbsp;<\/p>\n<p><i>Kaynaklar: <\/i><\/p>\n<p>\u201c<i>A\u015fk ve Ac\u0131\u201d R. Jamis, Everest Yay\u0131nlar\u0131, Mart 2019<\/i><\/p>\n<p><i>\u201c<\/i><i>Frida Kahlo: Bir Fahi\u015fe Olarak Do\u011fdum\u201d, <\/i>Temmuz 2013, https:\/\/bit.ly\/2RHThNO<\/p>\n<p>\u201c<i>Hayata Ba\u015fkald\u0131ran Kad\u0131nlar\u201d, Mart 2017, https:\/\/bit.ly\/2sfTqgE<\/i><\/p>\n<p><i>\u00a0<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Herkese Merhaba\u2026 Argasdi\u2019nin 57. Say\u0131s\u0131 olan \u201cFrida Kahlo\u201d dosyam\u0131zdan Feminist-iz sayfas\u0131nda yay\u0131nlanan makalemizi sizlerle payla\u015f\u0131yoruz. Saat 2\u2019den 22\u2019ye kadar merak ettiklerinizi, katk\u0131lar\u0131n\u0131z\u0131, ele\u015ftirilerinizi ve yorumlar\u0131n\u0131z\u0131<\/p>\n","protected":false},"author":7,"featured_media":7444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,44,9,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/frida-kahlo-k\u00fcrtaj.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-1W3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7443"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7443"}],"version-history":[{"count":2,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7443\/revisions"}],"predecessor-version":[{"id":7446,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7443\/revisions\/7446"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/7444"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}