{"id":7448,"date":"2020-03-27T12:43:06","date_gmt":"2020-03-27T10:43:06","guid":{"rendered":"https:\/\/baraka.cc\/?p=7448"},"modified":"2020-03-27T12:43:06","modified_gmt":"2020-03-27T10:43:06","slug":"27-mart-dunya-tiyatro-gunu-onur-butuner","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=7448","title":{"rendered":"27 Mart D\u00fcnya Tiyatro G\u00fcn\u00fc-Onur B\u00fct\u00fcner"},"content":{"rendered":"<p><em>Bellekte bug\u00fcn:27 Mart D\u00fcnya Tiyatro G\u00fcn\u00fc &#8230;\u00c7\u00fcnk\u00fc tiyatro bir devrim provas\u0131d\u0131r, keyifli okumalar dileriz&#8230;<\/em><\/p>\n<p><a href=\"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/a8317-cover-small.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-7449 alignright\" alt=\"a8317-cover-small\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/a8317-cover-small-219x300.jpg\" width=\"219\" height=\"300\" srcset=\"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/a8317-cover-small-219x300.jpg 219w, https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/a8317-cover-small.jpg 450w\" sizes=\"(max-width: 219px) 100vw, 219px\" \/><\/a>27 Mart, 1961&#8217;de Uluslararas\u0131 Tiyatrolar Birli\u011fi (International Theater Institute) taraf\u0131ndan D\u00fcnya Tiyatro G\u00fcn\u00fc olarak ilan edilmi\u015ftir. Her yerde oldu\u011fu gibi \u00fclkemizde de hem sokakta hem de sahnede bir\u00e7ok amat\u00f6r ve profesyonel tiyatrocu taraf\u0131ndan bug\u00fcn kutlanmaktad\u0131r. Bizim i\u00e7in tiyatro g\u00fcn\u00fcn\u00fcn olmas\u0131, tiyatronun g\u00fcc\u00fcn\u00fc daha da g\u00f6stermek anlam\u0131nda \u00f6nemlidir.<\/p>\n<p>Ezilenlerin Tiyatrosu\u2019nun kuramc\u0131s\u0131 Augusto Boal\u2019in \u201cBelki de tiyatro kendi i\u00e7inde devrimci de\u011fildir ama hi\u00e7 ku\u015fku yok ki tiyatro bir devrim provas\u0131d\u0131r\u201d s\u00f6z\u00fcnde vurgulad\u0131\u011f\u0131 gibi bizler tiyatronun toplumu uyand\u0131r\u0131c\u0131, bar\u0131\u015ftan, emekten yana bir d\u00f6n\u00fc\u015ft\u00fcrme \u00e7abas\u0131 oldu\u011funa inan\u0131yoruz. Ve bu anlamda da tiyatroyu ba\u015fka bir d\u00fcnyan\u0131n yarat\u0131lmas\u0131na do\u011fru bir ara\u00e7 olarak g\u00f6r\u00fcyoruz. Ki zaten d\u00f6n\u00fcp de ge\u00e7mi\u015fe bakt\u0131\u011f\u0131m\u0131zda sanattan egemenlerin ne kadar korktu\u011funu g\u00f6rmek m\u00fcmk\u00fcn. \u0130ktidarlar her zaman sanat\u0131n d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc, halk\u0131 uyand\u0131racak g\u00fcc\u00fcnden korkmu\u015f ve her f\u0131rsatta sanata m\u00fcdahale etmi\u015ftir. Bundan nasibini alanlardan biri de tiyatro olmu\u015ftur.<\/p>\n<p>\u00c7ok ge\u00e7mi\u015fe gitmeye gerek kalmadan bunun en yak\u0131n \u00f6rneklerini hem yak\u0131n co\u011frafyam\u0131zda bulunan T\u00fcrkiye&#8217;de hem de \u00fclkemizde g\u00f6rmemiz m\u00fcmk\u00fcnd\u00fcr. T\u00fcrkiye&#8217;de yak\u0131n zamanda bir\u00e7ok tiyatrocu oynad\u0131klar\u0131 oyunlar y\u00fcz\u00fcnden g\u00f6zalt\u0131na al\u0131nm\u0131\u015f, devlet tiyatrolar\u0131 kapanman\u0131n e\u015fi\u011fine getirilmi\u015f, Bar\u0131\u015f Atay\u2019\u0131n oynad\u0131\u011f\u0131 \u201cSadece Diktat\u00f6r\u201d oyunu yasaklanm\u0131\u015ft\u0131r. Ayn\u0131 \u015fekilde \u00fclkemizde de duayen sanat\u00e7\u0131lar\u0131m\u0131zdan olan Ya\u015far Ersoy\u2019un \u201cYang\u0131n Yerinde Kabare\u201d oyununun Devlet Tiyatrolar\u0131\u2019nda oynanmas\u0131 engellenmi\u015ftir.<\/p>\n<p>T\u00fcm bunlar\u0131n nedeni a\u00e7\u0131k\u00e7a bilinmektedir. \u00c7\u00fcnk\u00fc tiyatro insanlar\u0131n ya\u015fad\u0131klar\u0131 s\u0131k\u0131nt\u0131lar\u0131n sebeplerini y\u00fczlerine vuruyor. \u0130nsanlar\u0131 silkeleyip onlara bir \u015feylerin de\u011fi\u015fme ihtimali oldu\u011fu ile ilgili umutlar\u0131n hala t\u00fckenmedi\u011fini anlat\u0131yor. \u0130ktidar\u0131n maskesinin d\u00fc\u015fmesini sa\u011fl\u0131yor.<\/p>\n<p>Tarihin her d\u00f6neminde tiyatroyu, toplumu \u00f6zg\u00fcrl\u00fck\u00e7\u00fc y\u00f6nde de\u011fi\u015ftirmek de\u011fil uyutmak ve oyalamak i\u00e7in kullanan sanat\u00e7\u0131lar da olagelmi\u015ftir. Ta Antik Yunan\u2019da, tragedyalarla halk\u0131n, s\u00fcregiden e\u015fitsiz d\u00fczeni sorgulamamas\u0131, kaderine boyun e\u011fmesi ve korkup sinerek y\u00f6netenlerin i\u015fine kar\u0131\u015fmamas\u0131 sahnelerden sal\u0131k verilmekteydi. G\u00fcn\u00fcm\u00fczde de y\u00f6netenlere yak\u0131n duran veya \u201ctarafs\u0131z\u201d bir yerden tiyatro sanat\u0131n\u0131 icra ederek asl\u0131nda bu e\u015fitsiz ve bask\u0131c\u0131 sistemin devam\u0131na hizmet eden tiyatrolar, tiyatrocular vard\u0131r. Oysa tiyatro, insan\u0131n t\u00fcm eylemleri gibi zorunlu olarak politiktir ve onu politikadan ay\u0131rmaya \u00e7al\u0131\u015fanlar, bilerek veya bilmeyerek politik bir tutum sergilemektedir. \u00dclkesinin ve d\u00fcnyan\u0131n sava\u015flarla, ekonomik ve ekolojik y\u0131k\u0131mlarla, insan haklar\u0131 ihlalleriyle, kad\u0131na ve \u00e7ocu\u011fa \u015fiddetle dolu oldu\u011fu bir \u00e7a\u011fda, suya sabuna dokunmadan sadece sanat\u0131n\u0131 icra eden tiyatrocular, bu b\u00fcy\u00fck sanat\u0131n g\u00fcc\u00fcn\u00fc bu korkun\u00e7 sistemin hizmetine sunmaktad\u0131r. Elbette sahnelerden g\u00fczeli, esteti\u011fi ve insan ruhuna dokunan\u0131 g\u00f6stermek t\u00fcm sanatlar gibi tiyatronun da vazge\u00e7ilmezidir. Ancak ya\u015fan\u0131lan \u00e7a\u011fa sahne \u00fczerinden bir ayna tutulmas\u0131 da sanat\u00e7\u0131lar\u0131n topluma kar\u015f\u0131 en \u00f6nemli sorumlulu\u011fudur. Tiyatro severlerin sorumlulu\u011fu ise bir yandan sanata kat\u0131lmak ve sanat\u00e7\u0131lar\u0131 desteklemek, \u00f6te yandan katk\u0131 ve ele\u015ftirilerle tiyatroyu bar\u0131\u015ftan, emekten, ezilenden ve insanl\u0131ktan yana taraf olmaya, halk\u0131n menfaatlerinin hizmetine ko\u015fmaya zorlamakt\u0131r.<\/p>\n<p>Ya\u015fanan s\u0131k\u0131nt\u0131lar\u0131 d\u0131\u015far\u0131dan g\u00f6rme ve nas\u0131l de\u011fi\u015ftirebilece\u011fimiz ile ilgili sorgulama yapma imkan\u0131 sa\u011flayan tiyatro \u201cinsan\u0131 insana insanca anlatma sanat\u0131d\u0131r\u201d ve tiyatrolarda anlat\u0131lan senin hikayendir. K\u0131saca tiyatro daha g\u00fczel bir d\u00fcnya i\u00e7in bizlere umuttur. Ve umut en son \u00f6l\u00fcr.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bellekte bug\u00fcn:27 Mart D\u00fcnya Tiyatro G\u00fcn\u00fc &#8230;\u00c7\u00fcnk\u00fc tiyatro bir devrim provas\u0131d\u0131r, keyifli okumalar dileriz&#8230; 27 Mart, 1961&#8217;de Uluslararas\u0131 Tiyatrolar Birli\u011fi (International Theater Institute) taraf\u0131ndan D\u00fcnya<\/p>\n","protected":false},"author":7,"featured_media":7449,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[40,67,44,9,1,39],"tags":[],"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7448"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7448"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7448\/revisions"}],"predecessor-version":[{"id":7450,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7448\/revisions\/7450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/7449"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}