Uluslararas\u0131 K\u0131br\u0131s \u0130\u015f\u00e7i Filmleri Festivali<\/a>, sosyal medya sayfas\u0131ndan bir duyuruda bulunarak festival filmlerini payla\u015f\u0131ma a\u00e7\u0131yor.<\/p>\n“Bu sene haz\u0131rl\u0131klar\u0131na ba\u015flad\u0131\u011f\u0131m\u0131z 12. Uluslararas\u0131 K\u0131br\u0131s \u0130\u015f\u00e7i Filmleri Festivali\u2019ni, \u00fclkemizi ve d\u00fcnyay\u0131 saran korona salg\u0131n\u0131 sebebiyle ertelemek zorunda kald\u0131k. Bu zor g\u00fcnleri hep birlikte dayan\u0131\u015farak atlat\u0131p \u00f6n\u00fcm\u00fczdeki aylarda festivalimizde bulu\u015faca\u011f\u0131z. Bu s\u00fcre\u00e7te de T\u00fcrkiye \u0130\u015f\u00e7i Filmleri Festivali sayfas\u0131ndan se\u00e7ti\u011fimiz filmleri siz sinema severlerle payla\u015f\u0131yoruz.”<\/i><\/p>\n
Bu ba\u011flamda bug\u00fcne de\u011fin payla\u015f\u0131lan ve festivalin Facebook sayfas\u0131ndan izlenebilecek olan baz\u0131 filmler ve konular\u0131 \u015f\u00f6yle:<\/p>\n
\u00a0<\/b><\/p>\n
Yenge\u00e7 Gemisi<\/b><\/p>\n
1953 yap\u0131m\u0131 Yenge\u00e7 Gemisi filmi, Japonya proletarya edebiyat\u0131 ak\u0131m\u0131n\u0131n \u00f6nde gelen yazarlar\u0131ndan Kobaya\u015fi Takici\u2019nin (1903-1933) ayn\u0131 adl\u0131 roman\u0131ndan uyarlanm\u0131\u015f. Kuzeydo\u011fu Japonya\u2019dan Bering Denizi\u2019ne do\u011fru yenge\u00e7 avlamak \u00fczere bir gemi yola \u00e7\u0131kar. Ayn\u0131 zamanda bir konserve fabrikas\u0131 olan gemide i\u015f\u00e7iler a\u011f\u0131r ko\u015fullar alt\u0131nda \u00e7al\u0131\u015fmaktad\u0131rlar. Y\u00f6neticilerin giderek yo\u011funla\u015fan taleplerine ve a\u011f\u0131r \u00e7al\u0131\u015fma ko\u015fullar\u0131na dayanamayan i\u015f\u00e7iler greve giderler.<\/p>\n
Y\u00f6netmen:<\/strong>\u00a0Yamamura So<\/p>\nDil:\u00a0<\/strong>Japonca-T\u00fcrk\u00e7e altyaz\u0131l\u0131<\/p>\nYap\u0131m Y\u0131l\u0131:\u00a0<\/strong>1953<\/p>\nS\u00fcre:<\/strong>\u00a0109\u2032<\/p>\n <\/p>\n
Amador<\/b><\/p>\n
Marcela, ekonomik ve sosyal a\u00e7\u0131dan zor zamanlar ge\u00e7iren g\u00f6\u00e7men bir kad\u0131nd\u0131r. Yaln\u0131z ve yatalak bir hasta olan Amador\u2019a bak\u0131c\u0131l\u0131k yaparak para kazanmaya \u00e7al\u0131\u015fmaktad\u0131r. Amador ve Marcela aras\u0131nda s\u0131rlar\u0131n payla\u015f\u0131ld\u0131\u011f\u0131 samimi bir arkada\u015fl\u0131k geli\u015fir.<\/p>\n
Seyircileri s\u00fcrpriz ve g\u00fczel bir son beklemektedir.<\/p>\n
Y\u00f6netmen:<\/strong>\u00a0Fernando Le\u00f3n de Aranoa<\/p>\nSenaryo:<\/strong>\u00a0Ignacio del Moral\/Fernando Le\u00f3n de Aranoa<\/p>\nS\u00fcre:<\/strong>\u00a0112\u2032<\/p>\nDil:<\/strong>\u00a0\u0130spanyolca\/T\u00fcrk\u00e7e altyazl\u0131<\/p>\nOyuncular:<\/strong>\u00a0Magaly Solier, Celso Bugallo, Pietro Sibille, Sonia Almarcha<\/p>\n <\/p>\n
Matewan<\/b><\/p>\n
Ger\u00e7ek bir olaya ve karakterlerin ger\u00e7ek ki\u015filere dayand\u0131\u011f\u0131 filmde, yerel, siyah ve \u0130talyan gruplar\u0131ndan olu\u015fan k\u00f6m\u00fcr i\u015f\u00e7ilerinin, sendika \u00f6rg\u00fctleyicisi olan Joe Kenehan\u2019\u0131n \u00f6nderli\u011finde \u015firket y\u00f6neticilerine ve i\u015fverenin silahl\u0131 adamlar\u0131na kar\u015f\u0131 verdikleri sendika kurma m\u00fccadelelerini anlat\u0131yor.<\/p>\n
Y\u00f6netmen:<\/strong>\u00a0John Sayles<\/p>\nDil:<\/strong>\u00a0\u0130ngilizce\/T\u00fcrk\u00e7e altyaz\u0131l\u0131<\/p>\nYap\u0131m Y\u0131l\u0131:\u00a0<\/strong>1987<\/p>\nS\u00fcre:<\/strong>\u00a0132\u2032<\/p>\n <\/p>\n
Di\u011fer festival filmlerini, Sendika.Org ve Uluslararas\u0131 K\u0131br\u0131s \u0130\u015f\u00e7i Filmleri Festivali sosyal medya hesab\u0131ndan takip edebilirsiniz.<\/p>\n
<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00a0 \u00a0 \u00dclkemizde 11 y\u0131ld\u0131r onlarca sendika ve \u00f6rg\u00fct\u00fcn deste\u011fiyle ger\u00e7ekle\u015ftirilen ve \u00e7e\u015fitli \u00fclkelerden farkl\u0131 temalarda eme\u011fin sinemas\u0131n\u0131 seyircisiyle bulu\u015fturan Uluslararas\u0131 K\u0131br\u0131s \u0130\u015f\u00e7i Filmleri Festivali,<\/p>\n","protected":false},"author":3,"featured_media":7460,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[48,9,49,60,1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/03\/ss.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-1Wj","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7459"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7459"}],"version-history":[{"count":3,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7459\/revisions"}],"predecessor-version":[{"id":7463,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7459\/revisions\/7463"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/7460"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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