Oy hakk\u0131 alma m\u00fccadelesi<\/b><\/p>\n
\u00dc\u00e7 dalga halinde geli\u015fen ancak hala bir\u00e7ok insan taraf\u0131ndan tam anlam\u0131yla anla\u015f\u0131lamam\u0131\u015f olan Feminizm, y\u00fczy\u0131llard\u0131r sanat\u0131n bir\u00e7ok alan\u0131na yans\u0131m\u0131\u015ft\u0131r. Bir\u00e7ok tiyatro oyunu, bir\u00e7ok film bu d\u00fc\u015f\u00fcnceden beslenmi\u015ftir. Son olarak 2016 y\u0131l\u0131n\u0131n Ocak ay\u0131nda \u2018Diren\/Suffragette\u2019 filmi feminizmin daha \u00e7ok birinci dalgas\u0131n\u0131n tarihsel s\u00fcrecine de\u011finmektedir.<\/p>\n
\u0130ngiltere\u2019de 1910\u2019lu y\u0131llar\u0131n ba\u015flar\u0131nda ge\u00e7en film, sanayi devriminden sonra zor ko\u015fullarda b\u00fcy\u00fck emek harcayan ancak maddi kar\u015f\u0131l\u0131\u011f\u0131n\u0131 \u00e7ok da alamayan kad\u0131nlar\u0131n hikayesi etraf\u0131nda, kad\u0131nlar\u0131n da erkeklerle e\u015fit oldu\u011funu ve kad\u0131nlar\u0131n da erkekler gibi oy kullanmalar\u0131 gerekti\u011fini savunan s\u00fcfrajet hareketini anlat\u0131yor.<\/p>\n
\u0130\u015f\u00e7i s\u0131n\u0131f\u0131nda yer alan kad\u0131nlar\u0131n \u2018se\u00e7me ve se\u00e7ilme haklar\u0131n\u0131\u2019 elde etme m\u00fccadelelerini konu alan suffragette filminin ismindeki \u2018get\u2019, bir hakk\u0131n verilece\u011fi de\u011fil al\u0131naca\u011f\u0131n\u0131 ifade etmektedir. Filmde kad\u0131nlar ba\u015flang\u0131\u00e7ta olduk\u00e7a bar\u0131\u015f\u00e7\u0131l y\u00f6ntemler denemi\u015ftir. Ancak i\u015f yerlerinde u\u011frad\u0131klar\u0131 tacizler, haklar\u0131n\u0131n \u00f6denmemesi, \u00e7al\u0131\u015fma ya\u015fam\u0131ndaki sa\u011fl\u0131\u011f\u0131 tehdit eden unsurlar onlar\u0131 verdikleri m\u00fccadeleyi farkl\u0131 bir platforma ta\u015f\u0131mak zorunda b\u0131rakm\u0131\u015ft\u0131r.<\/p>\n
Filmin ana karaketeri Maud (Carey Mulligan) olarak alg\u0131lansa da asl\u0131nda filmdeki b\u00fct\u00fcn kad\u0131nlar ba\u015froldedir. \u00c7\u00fcnk\u00fc filmdeki her karede yer alan kad\u0131nlar o m\u00fccadelenin olmazsa olmaz esas karakteridirler. Nitekim Maud, ba\u015flang\u0131\u00e7ta fabrikada \u00e7ocuklu\u011fundan bu yana u\u011frad\u0131\u011f\u0131 tacize ra\u011fmen uslu uslu \u00e7al\u0131\u015fmakta, e\u015fine ve \u00e7ocu\u011funa kar\u015f\u0131 b\u00fct\u00fcn g\u00f6revlerini yerine getirmekte, b\u00fct\u00fcn bunlar\u0131n do\u011fal sonucu olarak da toplum i\u00e7inde sorunsuz ama \u2018kimliksiz\u2019 olarak ya\u015famaktad\u0131r. Ancak b\u00fct\u00fcn hayat\u0131 ayn\u0131 \u00e7ama\u015f\u0131rhanede \u00e7al\u0131\u015ft\u0131\u011f\u0131 Violet\u2019i eylemciler aras\u0131nda g\u00f6rmesiyle de\u011fi\u015fir. Maud, yava\u015f yava\u015f direni\u015fin i\u00e7inde yer almaya ba\u015flar. Tan\u0131\u015ft\u0131\u011f\u0131 kad\u0131nlar\u0131n g\u00fc\u00e7l\u00fc kimli\u011fi onun bu olu\u015fum i\u00e7inde olmas\u0131n\u0131 kolayla\u015ft\u0131rm\u0131\u015ft\u0131r.<\/p>\n
Filmin g\u00f6zler \u00f6n\u00fcne serdi\u011fi en ac\u0131 ger\u00e7ek ise kad\u0131nlar\u0131n \u00f6zel hayatlar\u0131n\u0131n m\u00fccadelede yer alabilmelerinin \u00f6n\u00fcndeki en b\u00fcy\u00fck engel oldu\u011fudur. Nitekim Maud, sufrajetlere kat\u0131ld\u0131\u011f\u0131 andan itibaren hayat\u0131nda b\u00fcy\u00fck darbeler g\u00f6rm\u00fc\u015ft\u00fcr. Eylemde tutuklan\u0131p sonras\u0131nda da polis taraf\u0131ndan evinin kap\u0131s\u0131n\u0131n \u00f6n\u00fcne b\u0131rak\u0131l\u0131nca, kocas\u0131 taraf\u0131ndan soka\u011fa at\u0131lm\u0131\u015ft\u0131r. \u00c7ocu\u011funu g\u00f6rmesini de engelleyen kocas\u0131, Maud\u2019a \u2018Beni utand\u0131r\u0131yorsun\u2019 diye ba\u011f\u0131rarak adeta toplumun bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 hayk\u0131rm\u0131\u015ft\u0131r. Sonras\u0131nda da \u00e7ocu\u011funun ba\u015fka bir aileye evlatl\u0131k verilmesi Maud\u2019u \u00e7ok zor bir s\u0131nava soksa da o, haklar\u0131 u\u011fruna m\u00fccadele etmekten geri kalmaz.<\/p>\n
Filme konu olan sufrajet hareketinde, devlet erkiyle kolayca \u00f6zde\u015fle\u015febilen erkeklerin s\u00f6zl\u00fc ya da fiili her t\u00fcrl\u00fc \u015fiddetine maruz kalan kad\u0131nlar, y\u0131lmadan m\u00fccadeleye devam ediyorlar. Yasaya sayg\u0131 duymak yerine yasay\u0131 sayg\u0131 duyulacak hale getirmeye \u00e7al\u0131\u015f\u0131yorlar. Sufrajet hareketinin y\u0131lmadan verdi\u011fi m\u00fccadele, pasif direni\u015f, i\u015f b\u0131rakma, a\u00e7l\u0131k grevleri gibi eylemlerle devam ediyor ve seslerini duyurana kadar durmuyorlar. K\u0131sa bir s\u00fcre sonra da kad\u0131nlar oy verme hakk\u0131na kavu\u015fuyorlar.<\/p>\n
Sufrajetlerin bu sava\u015f\u0131n\u0131 anlatan ve T\u00fcrk\u00e7e\u2019ye Diren filmi, merkezine tarihe ad\u0131n\u0131 yazd\u0131rm\u0131\u015f \u00f6nc\u00fcleri de\u011fil, harekete kat\u0131ld\u0131\u011f\u0131 i\u00e7in hayat\u0131ndan b\u00fcy\u00fck fedakarl\u0131klarda bulunan binlerce kad\u0131ndan herhangi birisini anlat\u0131yor.<\/p>\n
Peki oy hakk\u0131 kazanmak kad\u0131nlar\u0131n kurtulu\u015funu sa\u011flad\u0131 m\u0131? Evet diyebilmeyi \u00e7ok isterdim. Oy kullan\u0131yorlar ama t\u0131pk\u0131 filmde g\u00f6sterildi\u011fi gibi hala tecav\u00fcze u\u011fruyorlar ve devlet bunun \u00f6n\u00fcne ge\u00e7miyor. \u0130\u015f yerinde mobbinge maruz kal\u0131yorlar. K\u0131sacas\u0131 ister \u015fehirli, ister k\u00f6yl\u00fc; ister i\u015f\u00e7i, ister beyaz yakal\u0131 olsun kad\u0131nlar sistemli olarak s\u00f6m\u00fcr\u00fclmeye devam ediyorlar. Bu da demek oluyor ki kazan\u0131lacak daha \u00e7ok hak var ve elden ne geliyorsa, feda edilecek \u00e7ok k\u0131ymetli de\u011ferlere mal olacaksa dahi, m\u00fccadele etmek zorunday\u0131z.<\/p>\n
Maud, hepimiz\u00a0gibi \u2018herhangi biridir\u2019 ve filmin sonunda da al\u0131\u015f\u0131k oldu\u011fumuz klasik senaryo gere\u011fi olarak kahramanla\u015fmaz ama asl\u0131nda en ger\u00e7ek kahramand\u0131r; filmde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz t\u00fcm kad\u0131nlar gibi… Bir hareket, onu ba\u015flatanlar olmadan hayata ge\u00e7emez belki ama sonradan kat\u0131lanlar olmazsa da varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcremez. Bu filmin izleyicisine vermek istedi\u011fi mesajlardan en k\u0131ymetlisini g\u00f6zden ka\u00e7\u0131rmamak gerek; hep beraber g\u00fc\u00e7l\u00fc olabilece\u011fimizi, kad\u0131n olarak ve en \u00f6nemlisi insan olarak haklar\u0131m\u0131z\u0131 hep birlikte aramaktan vazge\u00e7mememiz gerekti\u011fini\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"
Oy hakk\u0131 alma m\u00fccadelesi \u00dc\u00e7 dalga halinde geli\u015fen ancak hala bir\u00e7ok insan taraf\u0131ndan tam anlam\u0131yla anla\u015f\u0131lamam\u0131\u015f olan Feminizm, y\u00fczy\u0131llard\u0131r sanat\u0131n bir\u00e7ok alan\u0131na yans\u0131m\u0131\u015ft\u0131r. Bir\u00e7ok tiyatro<\/p>\n","protected":false},"author":9,"featured_media":7694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,9,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2020\/08\/suffragette.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-205","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7693"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7693"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7693\/revisions"}],"predecessor-version":[{"id":7695,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/7693\/revisions\/7695"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/7694"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}