{"id":8324,"date":"2021-08-09T09:53:28","date_gmt":"2021-08-09T07:53:28","guid":{"rendered":"https:\/\/baraka.cc\/?p=8324"},"modified":"2021-08-09T09:53:28","modified_gmt":"2021-08-09T07:53:28","slug":"sahnede-ve-sokakta-devrimin-provasinda-nazen-sansal","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=8324","title":{"rendered":"Sahnede ve Sokakta, Devrimin Provas\u0131nda- Nazen \u015eansal"},"content":{"rendered":"<p><strong><em><a href=\"https:\/\/baraka.cc\/wp-content\/uploads\/2021\/08\/1-3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-8325 alignright\" alt=\"1 (3)\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2021\/08\/1-3-300x125.jpg\" width=\"300\" height=\"125\" srcset=\"https:\/\/baraka.cc\/wp-content\/uploads\/2021\/08\/1-3-300x125.jpg 300w, https:\/\/baraka.cc\/wp-content\/uploads\/2021\/08\/1-3.jpg 960w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Onlar\u0131 sahnede, sokakta, eylemde g\u00f6rebilirsiniz. Zamlara kar\u015f\u0131 Saray\u00f6n\u00fc&#8217;nde bir protestoda mesela ya da bir eylemde kad\u0131nlar\u0131n g\u00f6r\u00fcnmeyen eme\u011fini sergilerken, Ba\u015fbakanl\u0131k, Meclis veya TC El\u00e7ili\u011fi \u00f6n\u00fcnde protest bir \u015fiir okurken hatta g\u00fcneyde bulunan ABD El\u00e7ili\u011fi \u00f6n\u00fcnde haks\u0131zl\u0131\u011fa dayanamayan bir seyirciden dayak yerken&#8230; Baraka K\u00fclt\u00fcr Merkezi&#8217;nin tiyatro ekibi BTE, gen\u00e7lik ve yeti\u015fkin ekipleriyle, oynad\u0131\u011f\u0131 oyunlarla, amat\u00f6r \u00e7aban\u0131n en de\u011ferli eme\u011fini bulu\u015fturdu hep seyircisiyle&#8230;Nazen \u015eansal&#8217;\u0131n dilinden Baraka Tiyatro Ekibi&#8230;<\/em><\/strong><\/p>\n<p><em>\u201cBelki tiyatro kendi i\u00e7inde devrimci de\u011fildir; ama hi\u00e7 ku\u015fku yok ki tiyatro bir devrim provas\u0131d\u0131r.\u201d \u00a0<\/em><i>Augusto Boal &#8211; Ezilenlerin Tiyatrosu<\/i><\/p>\n<p><i>\u00a0<\/i>Sahnemiz, oyuncumuz, kost\u00fcm\u00fcm\u00fcz ve bir tiyatro kurmak i\u00e7in tecr\u00fcbemiz yoktu. Ama bir \u015feyler s\u00f6ylemek ve bunu oynayarak yapmak istiyorduk, i\u00e7imizdeki homo ludens bizi rahat b\u0131rakm\u0131yordu. 2000\u2019lerin ba\u015f\u0131yd\u0131 ve ABD Ortado\u011fu\u2019ya \u201cdemokrasi\u201d g\u00f6t\u00fcr\u00fcyordu, tabii bombalar\u0131yla\u2026 Yan\u0131 ba\u015f\u0131m\u0131zdaki sava\u015fa kar\u015f\u0131 sessiz kalamad\u0131\u011f\u0131m\u0131zdan Naz\u0131m\u2019dan \u015fiirler okuyor, tiyatral bi\u00e7imlere sokuyorduk. Karamsar bir buluta d\u00f6n\u00fc\u015fen Annan Plan\u0131 referandumu ertesinde, tekrardan umutlanmak, bar\u0131\u015ftan vazge\u00e7memek ad\u0131na Aziz Nesin\u2019in mizah\u0131na s\u0131\u011f\u0131n\u0131yor, \u00f6yk\u00fclerini oyunla\u015ft\u0131r\u0131yorduk. \u201cBa\u015fka bir d\u00fcnya m\u00fcmk\u00fcn\u201d diyen D\u00fcnya Sosyal Formu\u2019nu takip ediyor, g\u00fcneyde ve kuzeyde yapt\u0131\u011f\u0131m\u0131z sokak performanslar\u0131yla k\u00fcresel direni\u015fe minicik de olsa katk\u0131m\u0131z\u0131 koyuyorduk. Ve ilk daya\u011f\u0131m\u0131z\u0131 o zaman yemi\u015f, soka\u011f\u0131n etki-tepki s\u0131cakl\u0131\u011f\u0131n\u0131 yak\u0131ndan g\u00f6rm\u00fc\u015ft\u00fck. G\u00fcneydeki ABD el\u00e7ili\u011fi \u00f6n\u00fcnde oynad\u0131\u011f\u0131m\u0131z bir oyunda, emperyalist-kapitalistleri sembolize eden ve d\u00fcnya halklar\u0131na k\u00f6k s\u00f6kt\u00fcren bir oyuncumuz, buna tahamm\u00fcl edemeyen bir seyirciden dayak yemi\u015fti!<\/p>\n<p>Bizler, tiyatroyu bir h\u00fckmetme veya uyutma arac\u0131 olarak de\u011fil, bir sorgulama ve \u00f6zg\u00fcrle\u015fme arac\u0131 olarak g\u00f6r\u00fcyoruz. Tiyatronun, insan\u0131n b\u00fct\u00fcn faaliyetleri gibi zorunlu olarak politik oldu\u011funu ve ya\u015fam\u0131n kendisinden ayr\u0131lamayaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyoruz. Bu nedenle gerek oyunlar\u0131m\u0131zda gerekse \u00e7al\u0131\u015fma y\u00f6ntemimizde, sanatsal-estetik kayg\u0131lar\u0131n yan\u0131 s\u0131ra politik bir bak\u0131\u015f a\u00e7\u0131s\u0131yla hareket ediyoruz. Y\u00f6neten-y\u00f6netilen ili\u015fkileri yerine deneyim aktarmay\u0131, bildiklerimizi payla\u015fmay\u0131 ve dayan\u0131\u015farak birlikte \u00fcretmeyi tercih ediyoruz. E\u011fitim \u00e7al\u0131\u015fmalar\u0131m\u0131z gibi oyun provalar\u0131m\u0131z\u0131 da, y\u00fck\u00fc s\u0131rtlanmaya g\u00f6n\u00fcll\u00fc olan bir veya birka\u00e7 \u201ckolayla\u015ft\u0131r\u0131c\u0131\u201dn\u0131n e\u015fli\u011finde y\u00fcr\u00fct\u00fcyoruz.<\/p>\n<p>Derne\u011fimizin d\u00fckk\u00e2ndan bozma k\u00fc\u00e7\u00fck lok\u00e2linde ve sokaklarda ba\u015flayan tiyatro ser\u00fcvenimiz, zamanla sahneye de ta\u015f\u0131nd\u0131. Daha sonra \u00f6zelle\u015ftirilmesine b\u00fcy\u00fck bir direni\u015f g\u00f6sterdi\u011fimiz, Belediye\u2019ye ait olan Arabahmet K\u00fclt\u00fcr Evi sahnesi Baraka oyuncular\u0131n\u0131n ikinci yuvas\u0131 oldu.<\/p>\n<p>Ekibimizde her zaman \u00e7o\u011funlukta olan kad\u0131nlar, sosyalist feminist bilincini geli\u015ftirdik\u00e7e bunu sahneye de ta\u015f\u0131yor, kad\u0131n oyunlar\u0131 ile toplumla payla\u015f\u0131yorduk. \u00c7evre aktivisti Greta\u2019dan \u00e7ok \u00f6nce \u201cK\u00fcresel Is\u0131nMA Sabr\u0131m\u0131z\u0131 Ta\u015f\u0131rma\u201d diyor, Karpaz\u2019a elektrik giderken \u201cElektrik De\u011fil E\u015fek Tepsin\u201d performans\u0131n\u0131 Mahkeme bah\u00e7esinde, polislerin \u015fa\u015fk\u0131n bak\u0131\u015flar\u0131 kar\u015f\u0131s\u0131nda sokakl\u0131yorduk.<\/p>\n<p>Tecr\u00fcbemiz artt\u0131k\u00e7a Bertolt Breht, Sermet \u00c7a\u011fan, Yakavos Kambanellis, Dario Fo, Moliere gibi yazarlar\u0131n \u00f6nemli oyunlar\u0131n\u0131 \u201cyazan-bozan\u201d esprisiyle K\u0131br\u0131s\u2019a ve g\u00fcn\u00fcm\u00fcze uyarl\u0131yor, toplumcu ger\u00e7ek\u00e7i tiyatro anlay\u0131\u015f\u0131yla seyirciye sunuyorduk. G\u00f6\u00e7 Yasas\u0131\u2019n\u0131n gen\u00e7leri etkiledi\u011fi, neoliberal dalgan\u0131n halk\u0131 vurmaya ba\u015flad\u0131\u011f\u0131 y\u0131llarda krizin faturas\u0131 emek\u00e7ilere kesilemez diyerek \u201c\u00d6denmeyecek \u00d6demiyoruz\u201du, s\u0131n\u0131fl\u0131 topluma bak\u0131\u015f\u0131m\u0131z\u0131, ezen-ezilen \u00e7eli\u015fkisini ortaya koyan \u201cCimrinin U\u015faklar\u0131\u201dn\u0131 sahneliyorduk. Akkuyu\u2019daki n\u00fckleer santrale tepkisiz kalam\u0131yor, sokak performanslar\u0131m\u0131zla \u201cRadyoaktif Olma Aktif Ol\u201d \u00e7a\u011fr\u0131s\u0131 yap\u0131yorduk. T\u00fcrkiye\u2019deki yolda\u015flar\u0131m\u0131zdan da davetler al\u0131yor, TAKSAV Uluslararas\u0131 Tiyatro Festivali\u2019nde defalarca sahne al\u0131yorduk.<\/p>\n<p>Ekibimiz kalabal\u0131kla\u015f\u0131p gen\u00e7lerimiz ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 ilan etmek isteyince, liseliler i\u00e7in ayr\u0131 bir ekip kurarak onlar\u0131n ya\u015f\u0131na ve g\u00fcndemlerine uygun oyunlar yazmaya ba\u015flad\u0131k. Ekoloji, e\u011fitim, aile, \u00f6zg\u00fcrl\u00fck gibi konular\u0131 liseli gen\u00e7lerin g\u00f6z\u00fcyle sahneye ta\u015f\u0131d\u0131k. Hep birlikte g\u00f6zetim toplumuna kar\u015f\u0131 sokaklara \u00e7\u0131k\u0131p, T\u00fcrkiye\u2019den gelen mobeseler daha yeni kurulurken NObese dedik. Bizi ilk oyunumuzdan bu yana destekleyen Ya\u015far Ersoy hocam\u0131z\u0131n Devlet Tiyatrosu\u2019nda ya\u015fad\u0131\u011f\u0131 sans\u00fcre kar\u015f\u0131 \u201c\u00f6zerk tiyatro &#8211; \u00f6zg\u00fcr sanat\u201d talebiyle sokaklamam\u0131z\u0131 yapt\u0131k.<\/p>\n<p>John Steinbeck\u2019in \u201cAy Batarken\u201diyle i\u015fgale kar\u015f\u0131 direni\u015fi \u00f6rg\u00fctlerken, hayat\u0131m\u0131z\u0131 ve tiyatroyu derinden etkileyen korona, k\u0131sa bir s\u00fcre ne yapaca\u011f\u0131m\u0131z\u0131 \u015fa\u015f\u0131rtsa da \u00fcretmemizi durduramad\u0131. \u00c7\u00fcnk\u00fc insan var oldu\u011fundan beri, i\u00e7ine homo ludens ka\u00e7anlar rahat duramaz. Tiyatro de\u011fil tiyatromsu da olsa video vb. farkl\u0131 formlarda derdimizi anlatmaya \u00e7al\u0131\u015ft\u0131k. Pandeminin sebeplerini ve sonu\u00e7lar\u0131n\u0131 unutturmak de\u011fil hat\u0131rlatmak ve sorgulamak sorumlulu\u011fuyla yazd\u0131k, oynad\u0131k. G\u00f6z g\u00f6ze gelmenin imk\u00e2ns\u0131zl\u0131\u011f\u0131, birbirimizi duymam\u0131za engel de\u011fildi; ge\u00e7mi\u015fin radyo tiyatrosu, \u201cZaman Makinesi\u201dne binip imdad\u0131m\u0131za yeti\u015fti. Belki bir s\u00fcre daha bulu\u015famay\u0131z ayn\u0131 salonda ama 20. ya\u015f kutlamalar\u0131m\u0131zda parklar, sokaklar, meydanlar bizi bekliyor yaz boyunca\u2026<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Onlar\u0131 sahnede, sokakta, eylemde g\u00f6rebilirsiniz. Zamlara kar\u015f\u0131 Saray\u00f6n\u00fc&#8217;nde bir protestoda mesela ya da bir eylemde kad\u0131nlar\u0131n g\u00f6r\u00fcnmeyen eme\u011fini sergilerken, Ba\u015fbakanl\u0131k, Meclis veya TC El\u00e7ili\u011fi \u00f6n\u00fcnde<\/p>\n","protected":false},"author":7,"featured_media":8325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,44,9,1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2021\/08\/1-3.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2ag","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/8324"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8324"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/8324\/revisions"}],"predecessor-version":[{"id":8326,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/8324\/revisions\/8326"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/8325"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}