{"id":8868,"date":"2022-05-24T09:21:22","date_gmt":"2022-05-24T07:21:22","guid":{"rendered":"https:\/\/baraka.cc\/?p=8868"},"modified":"2022-05-24T09:21:22","modified_gmt":"2022-05-24T07:21:22","slug":"tepeden-tirnaga-komunist-tepeden-tirnaga-sevda-nazen-sansal","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=8868","title":{"rendered":"Tepeden T\u0131rna\u011fa Kom\u00fcnist, Tepeden T\u0131rna\u011fa Sevda – Nazen \u015eansal"},"content":{"rendered":"

Gen\u00e7 \u015fair Naz\u0131m, kar\u0131s\u0131 N\u00fcshet’in kendini terk etmesi \u00fczerine k\u0131skan\u00e7l\u0131k krizine girdi!<\/i><\/p>\n

Naz\u0131m, kocas\u0131ndan h\u00e2l\u00e2 bo\u015fanmam\u0131\u015f olan Piraye ve \u00e7ocuklar\u0131yla, l\u00fcks bir kona\u011fa ta\u015f\u0131nd\u0131.<\/i><\/p>\n

Solcu \u015fair Naz\u0131m Hikmet, hapiste bile bo\u015f durmay\u0131p kuzeni M\u00fcnevver’i ba\u015ftan \u00e7\u0131kard\u0131. \u00dcstelik kendisi de M\u00fcnevver de evli…<\/i><\/p>\n

\u00d6nceki evlilikleri ba\u015far\u0131s\u0131zl\u0131kla sonu\u00e7lanan \u00e7apk\u0131n Naz\u0131m, \u015fimdi de g\u00f6nl\u00fcn\u00fc kendinden 30 ya\u015f gen\u00e7 Rus bir sar\u0131\u015f\u0131na kapt\u0131rd\u0131!<\/i><\/p>\n

\u00a0<\/i><\/p>\n

Naz\u0131m’\u0131n hayat\u0131na, g\u00fcn\u00fcm\u00fcz\u00fcn yoz paparazi anlay\u0131\u015f\u0131yla ve pek \u00e7ok ili\u015fkinin sadece \u015fekilden ibaret, g\u00f6r\u00fcnt\u00fcy\u00fc kurtaran s\u0131\u011fl\u0131\u011f\u0131yla bakarsak, g\u00f6rece\u011fimiz bu tarz sansasyonel haberlerdir. Oysa O’nun her sevdas\u0131nda, kavgas\u0131n\u0131 besleyen bir kudret; her a\u015fk\u0131nda, \u015fiirini toplumsal k\u0131lan bir romantizm; her ayr\u0131l\u0131\u011f\u0131nda, memleket hasretini aratmayan derin bir keder; her aldat\u0131\u015f\u0131nda e\u015fine nadir rastlanan yolda\u015f\u00e7a bir a\u00e7\u0131k y\u00fcreklilik vard\u0131r. Kimisi Naz\u0131m’\u0131n kom\u00fcnist y\u00f6n\u00fcn\u00fc \u00f6n plana \u00e7\u0131kar\u0131r ve “g\u00fcnah\u0131na” ortak olmamak i\u00e7in ili\u015fkilerini g\u00f6rmezden gelmeyi tercih eder. Kimisi O’nu T\u00fcrk\u00e7e’nin en g\u00fczel a\u015fk \u015fiirlerini yazmas\u0131yla tan\u0131r ve devrimcili\u011fini geri plana iter. Oysa Naz\u0131m, kafas\u0131yla ve y\u00fcre\u011fiyle, a\u015fklar\u0131 ve m\u00fccadelesi ile bir b\u00fct\u00fcnd\u00fcr. Sevdi\u011fi kad\u0131nlardan ilham al\u0131r, bir kad\u0131n\u0131 sever gibi sever kainat\u0131 da, d\u00fcnyaya vermek istedi\u011fi toplumsal mesajlar\u0131 a\u015fka bulay\u0131p \u015fiire d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Bir yar\u0131s\u0131 tutsak, bir yar\u0131s\u0131 s\u00fcrg\u00fcn ge\u00e7en ya\u015fam\u0131nda a\u015fk O’na \u00f6zg\u00fcrl\u00fck ve direni\u015f g\u00fcc\u00fc katar. Naz\u0131m sadece sevdi\u011fi kad\u0131nlara de\u011fil, insanl\u0131\u011fa, ideallerine, bilime, daha g\u00fczel, daha adil bir d\u00fcnya inanc\u0131na da tutkuyla ba\u011fl\u0131d\u0131r.<\/p>\n

Hayat\u0131ndaki kad\u0131nlar ve ili\u015fkileri hakk\u0131nda kalem oynat\u0131rken Naz\u0131m’\u0131n “kad\u0131n”a ve “a\u015fk”a bak\u0131\u015f\u0131n\u0131 da irdelemek gerekir. Ayd\u0131n ve sanat\u00e7\u0131 bir annenin o\u011flu olmas\u0131na ra\u011fmen erkek egemen toplumun de\u011ferleri i\u00e7ine do\u011fmu\u015f ve \u00e7a\u011fda\u015f kad\u0131nlar\u0131n bile ataerkil toplumsal cinsiyet rollerini sorgulamad\u0131\u011f\u0131 bir d\u00f6nemde \u015fairlik etmi\u015ftir. Naz\u0131m, erkeklerin lehine olan bu d\u00fczenden, hem yaz\u0131n ve edebiyat d\u00fcnyas\u0131nda hem de \u00f6zel ya\u015fam\u0131nda, hemcinsleri gibi faydalanm\u0131\u015ft\u0131r. Bilhassa gen\u00e7lik y\u0131llar\u0131ndaki kaleminde, egosu y\u00fcksek, eril bir dile rastlan\u0131r. 20’li ya\u015flar\u0131ndayken evlenip ayr\u0131ld\u0131\u011f\u0131 N\u00fcshet Han\u0131ma yazd\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclen “Mavi G\u00f6zl\u00fc Dev” \u015fiiri buna bilinen bir \u00f6rnek iken(1), “G\u00f6vdemdeki Kurt” ise daha az bilinir ve belki de bir kad\u0131na “kaltak” dedi\u011fi tek \u015fiiridir. (Yaz\u0131ya ayr\u0131lan yer s\u0131n\u0131rl\u0131 oldu\u011fundan, bahsetti\u011fim ve bahsedece\u011fim \u015fiirleri, merakl\u0131s\u0131 kitaplardan veya internetten ara\u015ft\u0131rabilir.)<\/p>\n

Naz\u0131m’\u0131n ya\u015fad\u0131\u011f\u0131 d\u00f6nemin feodal \u00f6zelliklerinden ve uzun y\u0131llar birlikte hapis yatt\u0131\u011f\u0131 Anadolu insan\u0131 ile etkile\u015fiminden kaynakl\u0131 olsa gerek, tabiat ile ili\u015fkilendirdi\u011fi, ilkel ve geleneksel bir kad\u0131n alg\u0131s\u0131 vard\u0131r. Harikulade metinlerinden biri olan \u015eeyh Bedrettin Destan\u0131’nda s\u0131k s\u0131k tekrar eden, do\u011furganl\u0131\u011f\u0131 anlat\u0131\u011f\u0131 b\u00f6l\u00fcm buna g\u00fczel bir \u00f6rnektir: “en yumu\u015fak, en sert, en tutumlu, en c\u00f6mert, en seven, en b\u00fcy\u00fck, en g\u00fczel kad\u0131n: TOPRAK, nerdeyse do\u011furacak, do\u011furacakt\u0131.” Kuvayi Milliye Destan\u0131’nda ise kad\u0131nlara ili\u015fkin tespiti \u015f\u00f6yledir: “anam\u0131z, avrad\u0131m\u0131z, y\u00e2rimiz \/ ve sanki hi\u00e7 ya\u015fanmam\u0131\u015f gibi \u00f6len \/ ve sofram\u0131zdaki yeri \u00f6k\u00fcz\u00fcm\u00fczden sonra gelen…” Baz\u0131 feministlerin cahilce ele\u015ftirisine maruz kalan bu dizelerde, \u015fairin kad\u0131na lay\u0131k g\u00f6rd\u00fc\u011f\u00fc yer de\u011fil, k\u00f6yl\u00fc kad\u0131nlar\u0131n durumu resmedilmektedir.<\/p>\n

Naz\u0131m Hikmet, Orhan Selim takma ad\u0131yla kaleme ald\u0131\u011f\u0131 baz\u0131 k\u00f6\u015fe yaz\u0131lar\u0131nda feminizm ve kad\u0131nlar\u0131n sorunlar\u0131na da kendince de\u011finmi\u015ftir. “Feministlik” ba\u015fl\u0131kl\u0131 bir yaz\u0131s\u0131nda kad\u0131n-erkek aras\u0131nda ayr\u0131m g\u00f6zetilmemesini istedi\u011fini s\u00f6ylemi\u015f ancak feminist ve s\u00fcfrajet kad\u0131nlar\u0131 a\u011f\u0131rba\u015fl\u0131 olmad\u0131klar\u0131 i\u00e7in k\u00fc\u00e7\u00fcmsemi\u015f, ele\u015ftirmi\u015ftir. “Kad\u0131n ve<\/em>\u00a0erkek aras\u0131nda ne ekonomi, ne ahlak, ne<\/em>\u00a0politika bak\u0131m\u0131ndan ayr\u0131l\u0131k g\u00f6zetilmemesini<\/em>\u00a0isteyen bir adam\u0131m, gel<\/em>\u00a0gelelim, feministlikten, s\u00fcfrajetlikten anlam\u0131yorum<\/em>\u00a0bir t\u00fcrl\u00fc. Bunlar\u0131n a\u011f\u0131rba\u015fl\u0131, verimli bir i\u015f olduklar\u0131n\u0131 sanm\u0131yorum.” <\/em><\/i>“Kad\u0131nl\u0131k i\u00e7in” ba\u015fl\u0131kl\u0131 bir yaz\u0131s\u0131nda ise durumu biraz toparlam\u0131\u015f, \u00e7al\u0131\u015fma ya\u015fam\u0131na kat\u0131lan kad\u0131nlar\u0131n hem i\u015fte hem evde olmak \u00fczere iki kez s\u00f6m\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fc belirterek yine de kad\u0131n\u0131 eve \u00e7ekmemek gerekti\u011fini vurgulam\u0131\u015ft\u0131r.(2)<\/p>\n

Naz\u0131m, halk ve divan \u015fiirinin kal\u0131plar\u0131n\u0131 y\u0131kan, bi\u00e7im ve i\u00e7erikte devrim yaratan bir \u015fairdir. Bununla birlikte kendinden \u00f6nceki edebiyattan da \u00f6zellikle “a\u015fk” temas\u0131nda yararlan\u0131r ve toplumcu ger\u00e7ek\u00e7i bak\u0131\u015f\u0131yla kendi a\u015fk kavray\u0131\u015f\u0131n\u0131, halka mal olmu\u015f masals\u0131 a\u015f\u0131klar \u00fczerinden i\u015fleyerek yans\u0131t\u0131r. Kerem ile Asl\u0131, Ferhat ile \u015eirin, Tahir ile Z\u00fchre gibi efsanevi a\u015f\u0131klar, O’nun \u015fiirinde ve tiyatro eserlerinde yaln\u0131zca birbirleri i\u00e7in yanan ki\u015filer olmaktan \u00e7\u0131kar. Kerem, art\u0131k karanl\u0131klar\u0131 ayd\u0131nl\u0131\u011fa \u00e7\u0131karmak i\u00e7in de yanmaktad\u0131r. Ferhat, \u015eirin’e kavu\u015fmak i\u00e7in de\u011fil k\u00f6yl\u00fcye su g\u00f6t\u00fcrebilmek i\u00e7in da\u011flar\u0131 delmektedir. Tahir ile Z\u00fchre gibi sevdadan \u00f6lmek kadar, barikatta d\u00f6v\u00fc\u015f\u00fcrken, Kuzey Kutbu’nu ke\u015ffe giderken ya da damarlar\u0131nda bir serumu denerken yani devrim ve bilim sevdas\u0131 i\u00e7in \u00f6lmek de ay\u0131p de\u011fildir.(3)<\/p>\n

\u0130\u015fte “b\u00fct\u00fcn i\u015f y\u00fcrekte” diyen Naz\u0131m’\u0131n y\u00fcre\u011finden de pek \u00e7ok a\u015fk ge\u00e7mi\u015f, hayat\u0131na giren kad\u0131nlar, ayr\u0131l\u0131klar, aldat\u0131\u015flar, pi\u015fmanl\u0131klar, hasretler O’na T\u00fcrk\u00e7e’nin en iyi \u015fiirlerini yazd\u0131rm\u0131\u015ft\u0131r.(4)<\/p>\n

Hangilerine derin bir tutkuyla ba\u011fl\u0131 oldu\u011funu bilemeyiz ama eserlerinden izini s\u00fcrd\u00fc\u011f\u00fcm\u00fczde \u015f\u00fcphesiz ki bu kad\u0131nlardan Piraye’nin, M\u00fcnevver’in ve Vera’n\u0131n \u00f6zel bir yeri vard\u0131r. Piraye ile k\u0131sa bir s\u00fcre birlikte ya\u015famalar\u0131n\u0131n ard\u0131ndan hapiste ge\u00e7en uzun y\u0131llar boyunca birbirlerine yazd\u0131klar\u0131 cesaret ve \u00fcmit veren mektuplarla s\u00fcrd\u00fcrm\u00fc\u015flerdir a\u015fklar\u0131n\u0131. Naz\u0131m, ad\u0131n\u0131 kol saatinin kay\u0131\u015f\u0131na t\u0131rna\u011f\u0131yla kaz\u0131d\u0131\u011f\u0131, hem sevgili hem yolda\u015f olan kar\u0131s\u0131na, “b\u00fcy\u00fck \u015fairim, \u00fcstad\u0131m, senin kadar \u015fiirden anlayan birine rastlamad\u0131m” diye yazm\u0131\u015ft\u0131r. Saat 21-22 \u015fiirleri, sadece Piraye’ye olan \u00f6zleminin de\u011fil d\u00f6nemin T\u00fcrkiye’sinin, halk\u0131n \u00e7ilesinin, a\u015fka ve devrime duyulan inanc\u0131n \u015fiirleridir.<\/p>\n

Naz\u0131m i\u00e7in i\u00e7eride oldu\u011fu kadar Piraye ve \u00e7ocuklar\u0131 i\u00e7in de d\u0131\u015far\u0131da zor ge\u00e7en y\u0131llar bu a\u015fk\u0131 y\u0131prat\u0131r. Naz\u0131m, day\u0131s\u0131n\u0131n k\u0131z\u0131 M\u00fcnevver ile yak\u0131nla\u015fmas\u0131n\u0131n akabinde Piraye’ye ayr\u0131lmak istedi\u011fini yazar. Daha sonra pi\u015fman olup “gel” dese de Piraye Naz\u0131m’\u0131 affetmez. Hapisten \u00e7\u0131k\u0131nca M\u00fcnevver ile evlenen Naz\u0131m’\u0131n o\u011flu Mehmet d\u00fcnyaya gelir.<\/p>\n

Memedini ve M\u00fcnevver’i T\u00fcrkiye’de b\u0131rak\u0131p Rusya’ya ka\u00e7mak zorunda kalan Naz\u0131m, bir s\u00fcre sonra doktoru, terc\u00fcman\u0131, yolda\u015f\u0131 Galina ile evlenir. Ancak bu tek tarafl\u0131 bir a\u015fk olmal\u0131 ki, Galina’ya yaz\u0131lm\u0131\u015f tek bir \u015fiir bile yoktur.<\/p>\n

Hayat\u0131n\u0131n son demlerinde ise doktorlar\u0131n “a\u015fks\u0131z 10 y\u0131l ya\u015fars\u0131n, a\u015f\u0131k olursan 3 y\u0131l” demesine ra\u011fmen, <\/em>V<\/i>era’ya olan a\u015fk\u0131n\u0131 doyas\u0131ya ya\u015famay\u0131 tercih eder. Art\u0131k \u015fiirleri, sa\u00e7lar\u0131 saman sar\u0131s\u0131 kirpikleri mavi Vera i\u00e7indir. \u00d6ld\u00fc\u011f\u00fcnde pasaportunun i\u00e7inden\u00a0el yaz\u0131s\u0131yla yaz\u0131lm\u0131\u015f \u015fu dizeler \u00e7\u0131kar: \u201cGelsene dedi bana \/ Kalsana dedi bana \/ G\u00fclsene dedi bana \/ \u00d6lsene dedi bana \/ Geldim \/ Kald\u0131m \/<\/em> <\/i>G\u00fcld\u00fcm \/ \u00d6ld\u00fcm.\u201d<\/em><\/i><\/p>\n

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Kaynaklar: <\/em><\/p>\n

(1)Serhan S\u00f6zdinler, Mavi G\u00f6zl\u00fc Dev Minnac\u0131k Kad\u0131n ve Han\u0131melleri, www.sombahar.com<\/i><\/p>\n

(2)Zeynep Oral, Naz\u0131m Hikmet ve Kad\u0131nlar, cumhuriyet.com.tr<\/em><\/i><\/p>\n

(3)Kerem Gibi \u015fiiri, Ferhad ile \u015eirin tiyatro oyunu ve Tahir ile Z\u00fchre Meselesi \u015fiiri, Naz\u0131m Hikmet<\/em><\/p>\n

(4)<\/em>Naz\u0131m Hikmet’e a\u015fklar\u0131yla ilham vermi\u015f 12 \u00f6zel kad\u0131n,<\/i> http:\/\/www.leblebitozu.com<\/em><\/p>\n

\"WhatsApp<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Gen\u00e7 \u015fair Naz\u0131m, kar\u0131s\u0131 N\u00fcshet’in kendini terk etmesi \u00fczerine k\u0131skan\u00e7l\u0131k krizine girdi! Naz\u0131m, kocas\u0131ndan h\u00e2l\u00e2 bo\u015fanmam\u0131\u015f olan Piraye ve \u00e7ocuklar\u0131yla, l\u00fcks bir kona\u011fa ta\u015f\u0131nd\u0131. Solcu<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,38,9,42,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2j2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/8868"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8868"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/8868\/revisions"}],"predecessor-version":[{"id":8869,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/8868\/revisions\/8869"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}