{"id":9019,"date":"2022-08-29T09:24:21","date_gmt":"2022-08-29T07:24:21","guid":{"rendered":"https:\/\/baraka.cc\/?p=9019"},"modified":"2022-08-29T09:24:21","modified_gmt":"2022-08-29T07:24:21","slug":"devrimci-mucadele-bir-sanattir-munur-rahvancioglu","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=9019","title":{"rendered":"Devrimci M\u00fccadele Bir Sanatt\u0131r &#8211; M\u00fcn\u00fcr Rahvanc\u0131o\u011flu"},"content":{"rendered":"<p>Bu yaz\u0131y\u0131 yazmak \u00fczere bilgisayar\u0131n ba\u015f\u0131na oturdu\u011fumda, d\u00fcnyada sanatsal direni\u015f \u00f6rneklerini aktararak, yarat\u0131c\u0131l\u0131\u011f\u0131n direni\u015fteki rol\u00fcn\u00fc vurgulamak niyetindeydim. Bu ama\u00e7la d\u00fcnyadan m\u00fczikli, dansl\u0131, \u015fark\u0131l\u0131, \u015fiirli, teatral m\u00fccadele \u00f6rneklerini s\u0131ralayacak, siz okuyuculara bu y\u00f6ntemlerle direnmekte yanl\u0131\u015f hi\u00e7bir \u015fey olmad\u0131\u011f\u0131n\u0131 aktaracakt\u0131m. Sonra kendi kendime \u015fu soruyu sordum: \u201cSanatsal boyutu olmayan bir direni\u015f var m\u0131d\u0131r?\u201d<\/p>\n<p><b>Sanat Nedir?<\/b><\/p>\n<p>Oxford T\u00fcrk\u00e7e S\u00f6zl\u00fck \u201cSanat\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda k\u0131saca \u015f\u00f6yle bir tan\u0131m yap\u0131yor: <i>\u201cBir duygunun, tasar\u0131m\u0131n, g\u00fczelli\u011fin d\u0131\u015favurumunda, anlat\u0131m\u0131nda kullan\u0131lan yarat\u0131c\u0131 y\u00f6ntemlerin t\u00fcm\u00fc.\u201d<\/i> Sadece bu tan\u0131mdan bile hareket etsek; ya\u015fam\u0131 savunan, iyiyi g\u00fczeli hedefleyen, s\u00f6m\u00fcr\u00fcye direnen ve toplumu bu direni\u015fe destek vermeye \u00e7a\u011f\u0131ran her insan eylemini bir sanat olarak kabul etmemiz gerekir. \u00c7o\u011falmaya \u00e7al\u0131\u015fan her fikir, zihinlere; yay\u0131lmay\u0131 hedefleyen her duygu kalplere hitap etmek zorundad\u0131r. Ve bunu yapmak da yarat\u0131c\u0131 y\u00f6ntemler geli\u015ftirmeden m\u00fcmk\u00fcn olamaz.<\/p>\n<p>Peki bu zaten b\u00f6yleyse, benim yaz\u0131n\u0131n ba\u015f\u0131na oturdu\u011fum zamanki motivasyonum nereden kaynaklan\u0131yor? Neden dans edilerek de direnilebilece\u011fini, \u015fiir okunarak da m\u00fccadele edilebilece\u011fini, tiyatro yolu ile de kavga verilebilece\u011fini, d\u00fcnyadan \u00f6rneklerle kan\u0131tlamak istedim?<\/p>\n<p><b>M\u00fccadele Nedir?<\/b><\/p>\n<p>Kom\u00fcnist Manifesto\u2019nun ilk b\u00f6l\u00fcm\u00fcn\u00fcn a\u00e7\u0131l\u0131\u015f c\u00fcmlesi \u015f\u00f6yledir: <i>\u201cBug\u00fcne kadarki b\u00fct\u00fcn toplumlar\u0131n tarihi s\u0131n\u0131f m\u00fccadeleleri tarihidir.\u201d<\/i> Engels 1888 tarihli \u0130ngilizce bask\u0131ya bir not d\u00fc\u015ferek, bu ifadenin yaz\u0131l\u0131 olarak aktar\u0131lm\u0131\u015f birka\u00e7 bin y\u0131ll\u0131k tarih i\u00e7in ge\u00e7erli oldu\u011funu belirtir. \u0130nsanl\u0131\u011f\u0131n yaz\u0131l\u0131 tarihinden \u00f6ncesini kapsayan milyonlarca y\u0131ll\u0131k ilkel kom\u00fcnal d\u00f6neminde, s\u0131n\u0131flar\u0131n da s\u0131n\u0131f m\u00fccadelesinin de mevcut olmad\u0131\u011f\u0131n\u0131 biliyoruz.<\/p>\n<p>\u0130\u015fte bu s\u0131n\u0131fl\u0131 toplumlar d\u00f6nemi boyunca, s\u0131n\u0131f m\u00fccadelesinin direnenler taraf\u0131nda iki ana e\u011filim mevcut oldu. Bir yanda her \u015feye bir defada son vermek isteyenler, di\u011fer yanda bunun zamana yay\u0131lan bir s\u00fcre\u00e7 oldu\u011funun bilinci ile hareket edenler. Bir yanda s\u00f6m\u00fcr\u00fc ve e\u015fitsizli\u011fe \u00f6fke duyman\u0131n yeterli oldu\u011funu savunanlar, di\u011fer yanda ya\u015fananlar\u0131 alt etmek i\u00e7in anlamak, hissetmek ve \u00e7\u00f6z\u00fcmlemek gere\u011fini vurgulayanlar. Bir yanda var olan her \u015feyi y\u0131kmak \u00fczere hareket edenler, di\u011fer yanda gelece\u011fi nas\u0131l in\u015fa edece\u011fine kafa yoranlar. Bir yanda \u201ckaybedecek vaktimiz yok\u201d diyenler, di\u011fer yanda \u201cen uzun yol, kestirme yoldur\u201d diye d\u00fc\u015f\u00fcnenler&#8230;<\/p>\n<p><b>\u0130lkel Devrimcilik<\/b><\/p>\n<p>Ya\u015fanan olumsuzluklardan bir an \u00f6nce kurtulmak arzusu ile dolup ta\u015fan, tek ba\u015f\u0131na \u00f6fkenin her \u015feyi de\u011fi\u015ftirmeye yeterli oldu\u011funu d\u00fc\u015f\u00fcnen, ge\u00e7mi\u015fi bilmek, bug\u00fcn\u00fc anlamak, gelece\u011fi kurgulamakla vakit kaybetmek istemeyen kesimler d\u00fcnya tarihinde hep var oldu. Onlara g\u00f6re d\u00fcnya bu kadar rezil bir yerken g\u00fclerek direnmek bir se\u00e7enek olamaz! B\u00f6ylesi bir ortamda dans etmek ay\u0131p say\u0131l\u0131r! K\u00f6t\u00fcl\u00fck ve iyilik aras\u0131nda se\u00e7im yapmak i\u00e7in okumak ve anlamak gerekli de\u011fildir! \u015eark\u0131, \u015fiir, tiyatro gibi sanatsal faaliyetlerin, bir eylemde yeri yoktur!<\/p>\n<p>Bu kesimlere g\u00f6re her \u015fey \u00e7ok basittir asl\u0131nda; ezilen insanlar \u201cuyanmal\u0131\u201d, bir an \u00f6nce \u201cbirle\u015fmeli\u201d, \u00f6fkeli ve as\u0131k suratlar\u0131yla \u201ck\u00f6t\u00fclerin\u201d kar\u015f\u0131s\u0131na dikilmeli ve tek bir seferde, sonu\u00e7 al\u0131c\u0131 bir eylemlilikle her \u015feyi tersine d\u00f6nd\u00fcrmelidir. E\u011fer bu yap\u0131lm\u0131yorsa, ezilenlerin \u201captall\u0131\u011f\u0131ndan\u201d, \u201csat\u0131lm\u0131\u015fl\u0131\u011f\u0131ndan\u201d veya \u201ckorkakl\u0131\u011f\u0131ndand\u0131r\u201d! Bu durumun bir kabahatlisi de, ezilenleri bu tek seferlik kavgadan uzak tutan, onlar\u0131 anlams\u0131z bir ne\u015fe ile oyalay\u0131p gaz\u0131n\u0131 alan \u201ci\u015fbirlik\u00e7iler\u201ddir!<\/p>\n<p>\u0130\u015fte bu yaz\u0131y\u0131 yazmaya oturma motivasyonum, bu kesimlere d\u00fcnyadan \u00f6rneklerle dansl\u0131, \u015fark\u0131l\u0131, t\u00fcrk\u00fcl\u00fc bir m\u00fccadelenin de m\u00fcmk\u00fcn oldu\u011funu anlatmakt\u0131&#8230;<\/p>\n<p><b>Marksist Devrimcilik<\/b><\/p>\n<p>Binlerce y\u0131ll\u0131k s\u0131n\u0131fl\u0131 toplumlar tarihi, ezilenlerin \u00f6fkesininin ezenler taraf\u0131ndan manip\u00fcle edilmesinin de tarihidir. Tarih ba\u015fkas\u0131n\u0131n hedefleri i\u00e7in d\u00f6v\u00fc\u015ft\u00fcr\u00fclen kitlelerin tarihidir. Bu, kitlelerin kimi zaman ba\u015fka toplumlardaki egemen s\u0131n\u0131flara kar\u015f\u0131 kendi egemen s\u0131n\u0131f\u0131n\u0131n \u00e7\u0131karlar\u0131 i\u00e7in\u00a0 sava\u015fa s\u00fcr\u00fclmesi; kimi zaman bir egemen s\u0131n\u0131f\u0131n yerini alacak yeni bir egemen s\u0131n\u0131f i\u00e7in sokaklara d\u00f6k\u00fclmesi; kimi zaman ise kendi i\u00e7inde (T\u00fcrkiyeli-K\u0131br\u0131sl\u0131, Kamu-\u00d6zel, yerli-yabanc\u0131, beyaz-siyah, kad\u0131n-erkek vb.) birbirine d\u00fc\u015f\u00fcr\u00fclmesi \u015feklinde ya\u015fanm\u0131\u015ft\u0131r.<\/p>\n<p>S\u0131n\u0131f m\u00fccadelesinin s\u00f6m\u00fcr\u00fclenler taraf\u0131nda olup da, e\u015fitsizlikleri bir vuru\u015fta y\u0131kmak arzusuyla dolup ta\u015fmayan kimse var m\u0131d\u0131r? Ancak ya\u015fananlara bir an \u00f6nce son verme arzusu, kazanmak i\u00e7in tek ba\u015f\u0131na yeterli olabilir mi? \u0130\u015fte Marksizm ilk ortaya \u00e7\u0131kt\u0131\u011f\u0131 tarihten beridir kendine bu soruyu soran ve yan\u0131t\u0131n\u0131 verirken; d\u00fcnyay\u0131 ezilenlerden yana de\u011fi\u015ftirmek i\u00e7in, mevcut hali ile d\u00fcnyay\u0131 kavraman\u0131n, d\u00fcnyan\u0131n mevcut hali i\u00e7erisinde direnip \u00f6rg\u00fctlenmenin ve yeni bir d\u00fcnyay\u0131 kurmak \u00fczere bilin\u00e7lenmenin \u00f6nemini\u00a0 vurgulayan bir ak\u0131m oldu.<\/p>\n<p>Kestirme yoldan her \u015feyi de\u011fi\u015ftirmek isteyenler kar\u015f\u0131s\u0131nda sendikal \u00f6rg\u00fctlenmeyi savunanlar Marksistlerdi. Ezilenlerin taleplerini yasalara yazma istencinin hakl\u0131l\u0131\u011f\u0131n\u0131 Marksistler savunmak zorunda kald\u0131! Siyasal partilerin kurulmas\u0131na kar\u015f\u0131 \u00e7\u0131kan, siyasal m\u00fccadeleyi reddeden ve se\u00e7imlere girilmesini k\u0131nayan \u201caceleciler\u201d kar\u015f\u0131s\u0131nda Marksistler durdu. \u00c7\u00fcnk\u00fc sonu\u00e7 al\u0131c\u0131 eylem arzusundaki ilkel devrimcilere g\u00f6re sendika kurmak, grev yapmak, yasal haklar talep etmek, siyasi parti olu\u015fturmak, se\u00e7im yapmak, bar\u0131\u015f\u00e7\u0131l g\u00f6steriler \u00f6rg\u00fctlemek \u201czaman kayb\u0131yd\u0131\u201d!<\/p>\n<p><b>Sanat Ya\u015fam\u0131n Hizmetindedir<\/b><\/p>\n<p>Bug\u00fcn bizim \u00fclkemizde de, ezilmeye, yoksulla\u015fmaya, s\u00f6m\u00fcr\u00fcye, geleceksizle\u015fmeye kar\u015f\u0131 direni\u015flerde dans\u0131n, \u015fiirin, \u015fark\u0131n\u0131n, m\u00fczi\u011fin, tiyatronun yeri olmad\u0131\u011f\u0131n\u0131, d\u00fc\u015f\u00fcnmeye gerek olmad\u0131\u011f\u0131n\u0131, g\u00fcler y\u00fcz\u00fcn bir l\u00fcks, kahkahan\u0131n ay\u0131p oldu\u011funu savunan ilkel bir devrimcilik anlay\u0131\u015f\u0131 taraftarlar\u0131 mevcut. Bunlardan baz\u0131lar\u0131 ger\u00e7ekten de \u00f6fkeleri nedeniyle b\u00f6yle d\u00fc\u015f\u00fcn\u00fcyorlar, baz\u0131lar\u0131 ise kitleler d\u00fc\u015f\u00fcnmesin ki mevcut i\u015fbirlik\u00e7ilerin yerine kendi i\u015fbirlik\u00e7ileri ge\u00e7ebilsin istiyorlar!<\/p>\n<p>Brecht bir yerde \u015f\u00f6yle der <i>\u201cT\u00fcm sanatlar, sanat\u0131n en y\u00fccesi olan ya\u015fama sanat\u0131na hizmet eder.\u201d<\/i> Eylem alan\u0131nda dans edilmez, eylem alan\u0131nda \u015fark\u0131 s\u00f6ylenmez diyenler, d\u00fcnyan\u0131n herhangi bir yerindeki herhangi bir grev \u00e7ad\u0131r\u0131na bakmal\u0131d\u0131rlar. \u0130\u015ften at\u0131lan, maa\u015f\u0131n\u0131 alamayan, a\u015f\u0131r\u0131 \u00e7al\u0131\u015ft\u0131r\u0131lan, haks\u0131zl\u0131klar\u0131n en derinine maruz kalan i\u015f\u00e7iler; grev ate\u015flerinin etraf\u0131nda halay \u00e7ekerken, dans ederken, \u015fark\u0131 s\u00f6ylerken, \u015fiir okurken, f\u0131kra anlat\u0131p g\u00fclerken onlara verilebilecek en g\u00fczel yan\u0131t\u0131 vermektedir \u00e7\u00fcnk\u00fc!<\/p>\n<p><a href=\"https:\/\/baraka.cc\/wp-content\/uploads\/2022\/08\/zeydan_karalar_halay_cekmeyi_bilmem_ama_iscinin_hakkini_bilirim_h88908_8dbb1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-9020\" alt=\"zeydan_karalar_halay_cekmeyi_bilmem_ama_iscinin_hakkini_bilirim_h88908_8dbb1\" src=\"https:\/\/baraka.cc\/wp-content\/uploads\/2022\/08\/zeydan_karalar_halay_cekmeyi_bilmem_ama_iscinin_hakkini_bilirim_h88908_8dbb1-300x182.jpg\" width=\"300\" height=\"182\" srcset=\"https:\/\/baraka.cc\/wp-content\/uploads\/2022\/08\/zeydan_karalar_halay_cekmeyi_bilmem_ama_iscinin_hakkini_bilirim_h88908_8dbb1-300x182.jpg 300w, https:\/\/baraka.cc\/wp-content\/uploads\/2022\/08\/zeydan_karalar_halay_cekmeyi_bilmem_ama_iscinin_hakkini_bilirim_h88908_8dbb1.jpg 656w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bu yaz\u0131y\u0131 yazmak \u00fczere bilgisayar\u0131n ba\u015f\u0131na oturdu\u011fumda, d\u00fcnyada sanatsal direni\u015f \u00f6rneklerini aktararak, yarat\u0131c\u0131l\u0131\u011f\u0131n direni\u015fteki rol\u00fcn\u00fc vurgulamak niyetindeydim. Bu ama\u00e7la d\u00fcnyadan m\u00fczikli, dansl\u0131, \u015fark\u0131l\u0131, \u015fiirli, teatral<\/p>\n","protected":false},"author":9,"featured_media":9020,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,38,9,42,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2022\/08\/zeydan_karalar_halay_cekmeyi_bilmem_ama_iscinin_hakkini_bilirim_h88908_8dbb1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2lt","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9019"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9019"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9019\/revisions"}],"predecessor-version":[{"id":9021,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9019\/revisions\/9021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/9020"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}