Ana ak\u0131m sineman\u0131n bizleri heyecanland\u0131ran, co\u015fkuland\u0131ran, sistem kar\u015f\u0131t\u0131 ruh i\u00e7eren pop\u00fcler direni\u015f filmlerine birka\u00e7 \u00f6rnek verebiliriz. Mesela V for Vendetta maskenin ard\u0131nda kimin oldu\u011funa de\u011fil yay\u0131lmak istenen fikrin \u00f6nemine vurgu yapar ve “fikirler kur\u015fun ge\u00e7irmezdir” der. 2019 yap\u0131m\u0131 Joker filmi toplumsal sorunlar\u0131n, bir insan\u0131n ya\u015fam\u0131n\u0131, mental ve fiziksel durumunu ne kadar k\u00f6t\u00fc etkileyebilece\u011fini g\u00f6sterirken yozla\u015fm\u0131\u015f d\u00fczene kar\u015f\u0131 art\u0131k usanm\u0131\u015f olan halk\u0131n isyan\u0131n\u0131 yans\u0131t\u0131r. Peki sistemin sorumlular\u0131 ve b\u00fct\u00fcn kaynaklar\u0131 elde tutan egemen kesim, insanlar\u0131 bilin\u00e7lendirebilecek d\u00fczen kar\u015f\u0131t\u0131 filmlerin varl\u0131\u011f\u0131ndan neden rahats\u0131z de\u011fil ya da daha do\u011frusu neden bu tarz filmlerin bu kadar pop\u00fcler olmas\u0131n\u0131 engellemiyorlar? Asl\u0131nda yan\u0131t \u00e7ok basit; bu tarz pop\u00fcler direni\u015f filmleri bizleri \u00f6rg\u00fctlenip soka\u011fa \u00e7\u0131karacak filmler de\u011filler, \u00f6fkelerimizi beyaz perdenin kar\u015f\u0131s\u0131nda ya\u015fat\u0131p dindirecek filmlerdir. V for Vendetta filminde \u00f6zg\u00fcrl\u00fck sava\u015f\u00e7\u0131s\u0131 V fikirleriyle insanlar\u0131 etkilemi\u015f ve filmin sonunda parlamento binas\u0131 \u00f6n\u00fcnde b\u00fcy\u00fck bir kitle toplanm\u0131\u015ft\u0131r. Parlamento binas\u0131n\u0131n patlat\u0131lmas\u0131yla hem bu kitlenin hem de seyircinin \u00f6fkesi ise dinmi\u015ftir ve sembolik olarak bir mesaj verilmeye \u00e7al\u0131\u015f\u0131lsa da sistem ayn\u0131 kalm\u0131\u015ft\u0131r. Joker filmine bakt\u0131\u011f\u0131m\u0131zda ise halk ayaklanmas\u0131na yol a\u00e7an Arthur Fleck’in psikolojik sorunlar ya\u015famas\u0131 (her ne kadar toplumsal sorunlara ba\u011flansa da), halk\u0131n \u00f6fkesinin yanl\u0131\u015f bir karakterin liderli\u011finde d\u0131\u015favuruldu\u011fu mesaj\u0131n\u0131 da vermektedir. Yani ya \u00f6fkemiz diniyor ya da yanl\u0131\u015f ki\u015filer \u00f6fkemize liderlik ediyor mesaj\u0131 veriliyor bu filmlerde.<\/p>\n
Filmlerdeki Mesajlar<\/b><\/p>\n
Sanat her zaman ezilenlerin fikrini, m\u00fccadelesini yaymak i\u00e7in \u00f6nemli olmu\u015ftur. Karikat\u00fcrlerle h\u00fck\u00fcmeti ve sermayeyi mizahi bir \u015fekilde ele\u015ftirebilir, tiyatro sahnesinde \u00fclkede ya\u015fanan emek s\u00f6m\u00fcr\u00fcs\u00fcn\u00fc seyirciye tekrar ya\u015fatabilir, beyaz perdede s\u0131radan bir i\u015f\u00e7i s\u0131n\u0131f\u0131 ailesinin m\u00fccadelesini g\u00f6sterebiliriz. Bizler bunu yaparken egemenler de elbette bo\u015f durmazlar ve yaratt\u0131klar\u0131 sistemin devaml\u0131l\u0131\u011f\u0131n\u0131 sa\u011flamak i\u00e7in sanat\u0131 onlar da kullan\u0131rlar ya da bizlerin sanatsal \u00fcretimlerini yasaklar veya sans\u00fcrlerler. Hollywood filmlerini bir d\u00fc\u015f\u00fcnelim; filmle alakal\u0131 olmasa bile kom\u00fcnizm k\u00f6t\u00fclenir, her \u015feye sahip olunabilecek Amerikan R\u00fcyas\u0131 y\u00fcceltilir, toplumsal sorunlar\u0131n sorumlulu\u011fu bireylere indirgenir, kahramanlar yarat\u0131l\u0131r ama kapitalist sistem aklan\u0131r. E\u011fer ki bir direni\u015f fikri perdeye yans\u0131t\u0131lacaksa da yukar\u0131da \u00f6rnek verdi\u011fimiz V for Vendetta ve Joker filmleri gibi halk\u0131n i\u00e7indeki \u00f6fke, filmin sonunda sisteme zarar vermez ama bir yandan da d\u0131\u015favurum ya\u015fan\u0131r. Nas\u0131l ki e\u011fitim sistemiyle, medyayla halk manip\u00fcle ediliyor ya da uyutuluyorsa, pop\u00fcler ana ak\u0131m filmlerle de ayn\u0131 \u015fey yap\u0131lmaya \u00e7al\u0131\u015f\u0131lmaktad\u0131r.<\/p>\n
Gelelim bizden taraf filmlerin i\u00e7eriklerine; 1960\u2019l\u0131 y\u0131llara bakt\u0131\u011f\u0131m\u0131zda d\u00fcnyada ya\u015fanan de\u011fi\u015fimler sinema sekt\u00f6r\u00fcn\u00fc de etkilemi\u015ftir. Ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 kazanan \u00fclkeler, ger\u00e7ekle\u015fen devrimler, i\u015f\u00e7i s\u0131n\u0131f\u0131 ve \u00f6\u011frenci hareketleri do\u011frultusunda toplumsal ger\u00e7ek\u00e7i diyebilece\u011fimiz \u00dc\u00e7\u00fcnc\u00fc Sinema ak\u0131m\u0131 ortaya \u00e7\u0131km\u0131\u015ft\u0131r. \u201cManifestolarla olu\u015fan bu sinema, \u201960\u2019lar\u0131n di\u011fer sinema hareketlerine g\u00f6re politik a\u00e7\u0131dan \u00e7ok daha solda, alternatif, ba\u011f\u0131ms\u0131z ve antiemperyalist bir sinemad\u0131r. \u00dc\u00e7\u00fcnc\u00fc Sinema genellikle ekonomik ve sosyal stat\u00fc olarak toplumun alt kesimlerinin \u00f6yk\u00fclerini beyaz perdeye aktarmaktad\u0131r.\u201d(1) T\u00fcrkiye\u2019de Y\u0131lmaz G\u00fcney filmlerini buna \u00f6rnek g\u00f6sterebiliriz. Mesela \u201cA\u00e7 Kurtlar\u2019la i\u00e7lerindeki t\u00fcm insanl\u0131\u011f\u0131 t\u00fcketmi\u015flere seslenir, k\u00f6yden kente g\u00f6\u00e7 eden yoksul bir aileyi Umut etmeye \u00e7a\u011f\u0131r\u0131r. \u00c7irkin Kral\u2019dan ba\u015fkas\u0131 olmayan Baba filmiyle, Anadolu\u2019nun ezilmi\u015f halk\u0131n\u0131n, \u201cg\u00f6r\u00fclmeyenlerin\u201d hayat\u0131na bir pencere a\u00e7an Ac\u0131\u2019yla sinema perdesinde g\u00f6r\u00fclmeyeni g\u00f6r\u00fcn\u00fcr k\u0131rmaya \u00e7al\u0131\u015f\u0131r G\u00fcney.\u201d(2) T\u00fcm d\u00fcnyada bu d\u00f6nemle birlikte ezilenlerin hikayeleri beyaz perdeye daha fazla yans\u0131maya ba\u015flam\u0131\u015ft\u0131r. G\u00fcn\u00fcm\u00fcze geldi\u011fimizde ise i\u015f\u00e7i s\u0131n\u0131f\u0131n\u0131n y\u00f6netmeni olarak bilinen Ken Loach\u2019un filmlerini ele alabiliriz. Ken Loach filmlerinde, halklar\u0131n \u00f6zg\u00fcrl\u00fck m\u00fccadelelerini, i\u015f\u00e7i s\u0131n\u0131f\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 zorluklar\u0131, kapitalist sistemin bozukluklar\u0131n\u0131 s\u0131radan insanlar\u0131n hikayeleriyle aktar\u0131r bizlere. \u201cSorry We Missed You\u201d filminde g\u00fcnde 12 saat \u00e7al\u0131\u015fan bir kargo \u015firketi \u015fof\u00f6r\u00fcn\u00fcn hasta haliyle \u00e7al\u0131\u015fmaya devam etmesinin ya da \u201c I, Daniel Blake\u201d filminde bu \u00e7arp\u0131k d\u00fczenin ya\u015fl\u0131 bir marangozun \u00f6l\u00fcm\u00fcne yol a\u00e7mas\u0131n\u0131n bizde yaratt\u0131\u011f\u0131 diri \u00f6fke, bir parlamento binas\u0131n\u0131n patlat\u0131lmas\u0131yla s\u00f6nen \u00f6fkeden daha de\u011ferli bir noktadad\u0131r bizler i\u00e7in.<\/p>\n
Ezilenlerin Sinemas\u0131 B\u00fcy\u00fcyor<\/b><\/p>\n
Ezileni kadraj\u0131na s\u0131\u011fd\u0131ran filmlerin say\u0131s\u0131 artt\u0131k\u00e7a s\u00f6z\u00fcm\u00fcz\u00fc, derdimizi daha fazla yaymak i\u00e7in film festivalleri de t\u00fcm d\u00fcnyada organize edilmeye ba\u015flanm\u0131\u015ft\u0131r. D\u00fcnyada, T\u00fcrkiye\u2019de hatta \u00fclkemizde hemen hemen her sene d\u00fczenlenen \u0130\u015f\u00e7i Filmleri Festivali\u2019nde, ekolojik sorunlar; i\u015f\u00e7ilerin, kad\u0131nlar\u0131n, lgbtilerin ya\u015fam m\u00fccadeleleri; yoksulluk; \u00e7ocuk i\u015f\u00e7ili\u011fi ve g\u00f6\u00e7men olman\u0131n zorluklar\u0131, k\u0131sa ve uzun metraj filmlerle, belgesellerle seyirciye sunulmaktad\u0131r. \u00dclkemiz \u00f6zelinde ise derne\u011fimiz \u00fczerinden \u00f6rnek verebiliriz. \u201cToplumsal m\u00fccadelelerimizi anlatan, TC h\u00fck\u00fcmetleri taraf\u0131ndan maruz kald\u0131\u011f\u0131m\u0131z asimilasyon politikalar\u0131n\u0131 dile getiren, \u00fclkemizdeki g\u00f6\u00e7men kesimlerin ya\u015fad\u0131\u011f\u0131 s\u0131k\u0131nt\u0131lar\u0131 kadraja s\u0131\u011fd\u0131rmaya \u00e7al\u0131\u015fan baz\u0131 belgeseller derne\u011fimizin bir d\u00f6nem aktif olan Baraka Film At\u00f6lyesi adl\u0131 etkinlik grubu taraf\u0131ndan \u00e7ekilmi\u015ftir.\u201d(3) 1974 \u00f6ncesinin Omorfo\u2019sunu anlatan bir belgesel de Ba\u011f\u0131ms\u0131zl\u0131k Yolu taraf\u0131ndan \u00e7ekilmi\u015f ve g\u00f6sterime sunulmu\u015ftur. Buna kar\u015f\u0131n yak\u0131n d\u00f6nemde g\u00fcndem olan, AKP h\u00fck\u00fcmetinin adam\u0131zda yaratmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 fa\u015fist yap\u0131n\u0131n yarar\u0131na \u00e7ekilen \u201cBir Zamanlar K\u0131br\u0131s \u201c ad\u0131nda, manip\u00fclasyonlar ve yalanlarla dolu \u015fovenist dizi de bize tekrardan g\u00f6stermi\u015ftir ki egemenler her t\u00fcrl\u00fc arac\u0131 \u00e7\u0131karlar\u0131 u\u011fruna kullan\u0131yorlar. Bizler de her t\u00fcrl\u00fc arac\u0131 direni\u015fimizi ve m\u00fccadelemizi b\u00fcy\u00fctmek i\u00e7in kullanmal\u0131 ve bu sistemin kadraj\u0131n\u0131 a\u015fmal\u0131y\u0131z.<\/p>\n
<\/p>\n
Kaynak;<\/p>\n
(1) https:\/\/bit.ly\/3OkPjoL<\/p>\n
(2) https:\/\/bit.ly\/3HRblwQ<\/p>\n
(3) https:\/\/bit.ly\/3ne598H<\/p>\n","protected":false},"excerpt":{"rendered":"
Ana ak\u0131m sineman\u0131n bizleri heyecanland\u0131ran, co\u015fkuland\u0131ran, sistem kar\u015f\u0131t\u0131 ruh i\u00e7eren pop\u00fcler direni\u015f filmlerine birka\u00e7 \u00f6rnek verebiliriz. Mesela V for Vendetta maskenin ard\u0131nda kimin oldu\u011funa de\u011fil<\/p>\n","protected":false},"author":9,"featured_media":9093,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,38,9,42,1,39],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2022\/09\/yaz\u0131-foto.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2mE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9092"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9092"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9092\/revisions"}],"predecessor-version":[{"id":9094,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9092\/revisions\/9094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/9093"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}