{"id":9574,"date":"2023-06-26T14:12:35","date_gmt":"2023-06-26T12:12:35","guid":{"rendered":"https:\/\/baraka.cc\/?p=9574"},"modified":"2023-06-26T14:12:35","modified_gmt":"2023-06-26T12:12:35","slug":"yanlizligin-panzehiridir-dayanisma-gozde-gayde","status":"publish","type":"post","link":"https:\/\/baraka.cc\/?p=9574","title":{"rendered":"Yanl\u0131zl\u0131\u011f\u0131n Panzehiridir Dayan\u0131\u015fma! – G\u00f6zde Gayde"},"content":{"rendered":"

Dardenne karde\u015flerin y\u00f6netmenli\u011fini yapt\u0131\u011f\u0131 \u0130ki G\u00fcn Bir Gece, <\/i>Sanrda (Marion Cotillard) isimli bir kad\u0131n\u0131n i\u015fini geri alabilmek i\u00e7in verdi\u011fi m\u00fccadeleyi konu ediyor. Sandra, g\u00fcne\u015f paneli \u00fcreten bir fabrikada \u00e7al\u0131\u015fmaktad\u0131r. Kad\u0131n, ge\u00e7irdi\u011fi bunal\u0131m sonras\u0131 bir s\u00fcredir izinli olarak gidemedi\u011fi i\u015finden at\u0131ld\u0131\u011f\u0131n\u0131 \u00f6\u011frenir. \u0130\u015ften \u00e7\u0131kar\u0131ld\u0131\u011f\u0131n\u0131 \u00f6\u011frendikten sonra daha da bunal\u0131ma giren Sandra, hi\u00e7 bir \u015fey yapmama, ila\u00e7 i\u00e7ip sakinle\u015fme ve s\u00fcrekli uyuma haline b\u00fcr\u00fcn\u00fcr. Ancak e\u015finin de deste\u011fiyle yava\u015f yava\u015f bu ruh halinden \u00e7\u0131karak harekete ge\u00e7er. Tam da e\u015finin dedi\u011fi gibi \u201ca\u011flamay\u0131 durdurman\u0131n tek yolu i\u015fin i\u00e7in m\u00fccadele etmek\u201dtir.<\/p>\n

\u0130\u015f arkada\u015flar\u0131n\u0131n 1,000 Euro ikramiye kar\u015f\u0131s\u0131nda ustaba\u015f\u0131n\u0131n tehditleriyle i\u015ften \u00e7\u0131kar\u0131lmas\u0131na raz\u0131 olduklar\u0131n\u0131 \u00f6\u011frenen Sandra, patronunu tekrar oylama yap\u0131lmas\u0131 i\u00e7in ikna eder. Pazartesi gizli oylama yap\u0131lacakt\u0131r. Daha \u00f6nce ustaba\u015f\u0131n\u0131n tehditleriyle yap\u0131lan oylamada i\u015f arkada\u015flar\u0131ndan 16 ki\u015finin 14\u2019\u00fc ikramiyeden yana oy kullanm\u0131\u015ft\u0131r. Sandra\u2019n\u0131n arkada\u015flar\u0131n\u0131 ikna etmesi i\u00e7in hafta sonu, \u201ciki g\u00fcn bir gece\u201d s\u00fcresi vard\u0131r. Sandra\u2019n\u0131n depresif halinden s\u0131yr\u0131larak bir \u015feyler yapmas\u0131 gerekecektir, iki \u00e7ocu\u011fu ve e\u015fiyle sat\u0131n ald\u0131klar\u0131 evin kredi bor\u00e7lar\u0131 vard\u0131r. \u0130lk bak\u0131\u015fta filmin Sandra\u2019n\u0131n arkada\u015flar\u0131n\u0131n ikramiyeyi mi yoksa onun i\u015fe d\u00f6nmesini mi tercih edecekleri \u015feklinde etik bir sorunsalla ilerleyece\u011fi d\u00fc\u015f\u00fcn\u00fclmektedir. Fakat film ilerledik\u00e7e kapitalizmin i\u015f\u00e7ilerin ya\u015famlar\u0131nda yaratt\u0131\u011f\u0131 sorunlar\u0131n g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kt\u0131\u011f\u0131 g\u00f6r\u00fclmektedir. Bu sorunlar\u0131n en ba\u015f\u0131nda da ku\u015fkusuz g\u00fcvencesiz \u00e7al\u0131\u015fma gelmektedir. Bu deneyimde Sandra\u2019n\u0131n da i\u015f arkada\u015flar\u0131n\u0131n da \u00e7ok iyi anlad\u0131klar\u0131 bir \u015fey vard\u0131r; o da \u00e7ok kolay i\u015ften \u00e7\u0131kar\u0131labilecekleridir. Asl\u0131nda patronlar\u0131, i\u015f\u00e7ileri ikramiye s\u00fcs\u00fc alt\u0131nda arkada\u015flar\u0131ndan vazge\u00e7tirerek daha fazla \u00e7al\u0131\u015fmalar\u0131n\u0131 istemektedir. Her biri bir g\u00fcn kendisinin de ba\u015f\u0131na bunun gelebilece\u011finin fark\u0131ndad\u0131r. Sermaye, g\u00fcvencesiz \u015fekilde i\u015f\u00e7ileri \u00e7al\u0131\u015ft\u0131rarak, istedi\u011fi gibi i\u015f\u00e7i eksilterek ve di\u011fer i\u015f\u00e7ilerin \u00e7al\u0131\u015fma saatlerini art\u0131rarak kendi \u00e7ark\u0131n\u0131 devam ettirebilmektedir. Dahas\u0131 filmde i\u015ften \u00e7\u0131karma gibi bir meselede tepki \u00e7ekmemek, \u00f6rg\u00fctlenmenin \u00f6n\u00fcne ge\u00e7mek ve i\u015f\u00e7ileri birbirine k\u0131rd\u0131rmak i\u00e7in patronun topu i\u015f\u00e7ilere at\u0131p s\u0131yr\u0131lmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 g\u00f6sterilmektedir. \u0130\u015f\u00e7iler, arkada\u015flar\u0131 ve ikramiye tercihleri aras\u0131nda ahlaksal bir ikilemle ba\u015f ba\u015fa b\u0131rak\u0131lmaktad\u0131r. Sanki arkada\u015flar\u0131n\u0131n i\u015ften \u00e7\u0131kar\u0131lmas\u0131n\u0131 patronlar\u0131 de\u011fil de kendileri istemi\u015ftir. Oysa Sandra\u2019n\u0131n arkada\u015flar\u0131n\u0131n kap\u0131s\u0131n\u0131 t\u0131klay\u0131p i\u015fini her geri almak istedi\u011finde, ikramiye yerine ona oy verilmesini rica etti\u011finde hikayenin hep ayn\u0131, benzer oldu\u011funa tan\u0131k oluyoruz. Kimisi g\u00f6\u00e7men, kimisi s\u00f6zle\u015fmeli \u00e7al\u0131\u015fan, kimisi bor\u00e7lu\u2026 Ayr\u0131ca mesele sadece ihtiya\u00e7l\u0131 olmakla da ilgili de\u011fil, bu ikramiyenin emeklerinden dolay\u0131 hakk\u0131 oldu\u011funu d\u00fc\u015f\u00fcnenler de var. Filmin sonunda hi\u00e7birine tercihlerinden dolay\u0131 k\u0131zmamam\u0131z gerekti\u011fini, iyi insan k\u00f6t\u00fc insan olarak ay\u0131rmamam\u0131z gerekti\u011fini film bize \u00e7ok iyi hissettiriyor. Filmin ba\u015f\u0131nda 16 ki\u015fiden 14\u2019\u00fcn\u00fcn kendini tercih etmedi\u011fini bile bile i\u015fi i\u00e7in t\u00fcm g\u00fc\u00e7s\u00fczl\u00fc\u011f\u00fcyle, kendini de\u011fersiz hissedi\u015fiyle yine de direnen, m\u00fccadele eden Sandra\u2019n\u0131n filmin sonunda bu m\u00fccadeleden g\u00fc\u00e7l\u00fc \u00e7\u0131kt\u0131\u011f\u0131na tan\u0131k oluyoruz. Filmde Sandra, yaln\u0131z, \u00e7aresiz, arkada\u015flar\u0131n\u0131n kap\u0131lar\u0131n\u0131 \u00e7almaya korkan, ila\u00e7larla ayakta duran bir karakterden kendini de\u011ferli hisseden, yenilse de g\u00fcl\u00fcmseyen ve g\u00fc\u00e7l\u00fc durabilen bir karaktere d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Bunun anahtar\u0131 da filmde ku\u015fkusuz dayan\u0131\u015fma olarak verilmektedir. Film, birbirlerinden habersiz benzer hik\u00e2yeler i\u00e7inde d\u00f6v\u00fcn\u00fcp duranlar\u0131n, bir tek dayan\u0131\u015ft\u0131klar\u0131 zaman ba\u015farabileceklerinin sinyalini vermektedir. Di\u011fer bir deyi\u015fle film, esas sorumlulu\u011fu \u00fczerinden at\u0131p i\u015f\u00e7ileri birbirine k\u0131rd\u0131ran, onlar\u0131 yaln\u0131zla\u015ft\u0131ran kapitalizme\/sermayeye kar\u015f\u0131 birlikte durman\u0131n \u00f6nemini bir kez daha hat\u0131rlatmaktad\u0131r. Evet, filmde 16 oyun yar\u0131s\u0131n\u0131 alan Sandra i\u015fini kaybetmi\u015ftir ancak kazand\u0131\u011f\u0131 \u00e7ok\u00e7a \u015fey vard\u0131r. Ba\u015fta da onuru, de\u011feri\u2026 O, art\u0131k yaln\u0131z de\u011fildir. Arkada\u015flar\u0131n\u0131n kimisi i\u015fini kaybetmeyi, kimisi de \u015fiddet uygulayan e\u015fini terk etmeyi g\u00f6ze olarak Sandra ile dayan\u0131\u015fm\u0131\u015ft\u0131r. Sandra\u2019n\u0131n filmin ba\u015f\u0131ndaki yaln\u0131z, \u00e7aresiz iki b\u00fckl\u00fcm, g\u00fc\u00e7s\u00fcz halinin yerini filmin sonunda dik duru\u015fu ve g\u00fcl\u00fcmsemesi alm\u0131\u015ft\u0131r.<\/p>\n

Ku\u015fkusuz yenilmenin, kaybedi\u015fin gerisindeki kazan\u0131mlard\u0131r m\u00fccadeleyi b\u00fcy\u00fcten\u2026 \u00d6nemli olan kaybedi\u015flerin ard\u0131ndaki kazan\u0131mlar\u0131 g\u00f6rmektir. Film, cesaretin, direnmenin \u00f6nemini, kaybedilmi\u015f olarak g\u00f6r\u00fcnen bir m\u00fccadelenin i\u00e7inde kazan\u0131mlar olabilece\u011fini de bize net bir \u015fekilde g\u00f6stermektedir. O y\u00fczden pes etmemeli, vazge\u00e7memeli; umudu, dayan\u0131\u015fmay\u0131 hep diri tutmal\u0131y\u0131z. Sandra\u2019n\u0131n m\u00fccadelesindeki dayan\u0131\u015fman\u0131n i\u00e7imizde yaratt\u0131\u011f\u0131 umut gibi g\u00fczel g\u00fcnlerin, bahar\u0131n gelmesi de dayan\u0131\u015fman\u0131n uyan\u0131\u015f\u0131yla olacakt\u0131r.<\/p>\n

\"Screenshot_20230306_151711_Chrome\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dardenne karde\u015flerin y\u00f6netmenli\u011fini yapt\u0131\u011f\u0131 \u0130ki G\u00fcn Bir Gece, Sanrda (Marion Cotillard) isimli bir kad\u0131n\u0131n i\u015fini geri alabilmek i\u00e7in verdi\u011fi m\u00fccadeleyi konu ediyor. Sandra, g\u00fcne\u015f paneli<\/p>\n","protected":false},"author":16,"featured_media":9575,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[40,67,64,44,38,9,42,1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/baraka.cc\/wp-content\/uploads\/2023\/06\/Screenshot_20230306_151711_Chrome.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4eHWX-2uq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9574"}],"collection":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9574"}],"version-history":[{"count":1,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9574\/revisions"}],"predecessor-version":[{"id":9576,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/posts\/9574\/revisions\/9576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=\/wp\/v2\/media\/9575"}],"wp:attachment":[{"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baraka.cc\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}